"Even further, when one of the sound experts - who hadn't seen the WCUFO photos - was analyzing the sounds from that craft, to illustrate the kind
of sound source that would generate it, he drew a top view of what looked like...the WCUFO."
Oh B.S. You can come up with more goofy crapola.
Wanna know what everyone else gets when they check out the sound? Here's an excerpt from the very long documentation I kept track of when looking
into these claims:
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I spoke with Justin Spence, who is the chief sound engineer and course coodinator at SAE, a global institute for sound engineering.
I sent the sound to him and he played it. He asked me what I thought it was, and I told him, being a guitar player for 20+ years it sounded like
feedback through an old tape delay. These have been used as far as back as Hendrix and before. I also remarked to him that in the very beginning of
the recording, you could hear what amounts to a tap. This tap sounds like a tap on a reverb pan of an ampilifer. This tap sets off the feedback, as
there must be an inital sound to begin it, and then the feedback ensues as the tape delay loads run after run of it. The sound becomes progressively
louder, due to the tape delay layering. The tone changes due to movement of the sound input device, most likely a mic. I do this alot with guitar, and
feedback changes tone when you move the angle of the guitar's pickups in relation to the amp.
His (Spence's) reply was (from my notes):
"I completely agree with you"
He said, and further stated there was reverb used as well, a fairly standard amp component. (and would have been present for the "tap" to be heard)
Justin commented he thought there could possibly be another effect in there, but wasn't sure as the sound was of such poor quality. He said the
"knock" was very obviously a tap on reverb springs to set off the feedback loop. He commented that he could create such a sound in 10 minutes with
his equipment, but that the original wouldn't require anything sophisticated. It could be generated by the old equipment with slightly more
difficulty due to many variables like distance of the input device to speaker, and setting of echo on the delay effect, amp, etc.
In essence, all needed items to make the sound were completely available to Meier to do this, and quite easily. It seems the sound engineers who've
"analyzed" the sounds must have been prior believers in UFO contact cases or the Meier case, because the answer was very obvious to the sound
engineer I spoke with.
I wrote Nils Rognerud who is listed as one of the sound engineers listed by Horn who listened to the Meier beamship sounds, and his responses to me
sounded very much like someone who essentially wanted the evidence to be real representation of aliens craft sounds. "I want to believe that Billy
Meier is telling the truth".
Enough said there.
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Also, Derek at IIG also wrote into a qualified electronic sound professional and got this reply:
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This recording sounds exactly like what a UFO would sound like in
an old sci-fi movie. Its as if the maker's only idea of what a UFO sounds like came from watching old movies, then he tried to copy that. The sound
is certainly created thru the use of feedback. Most likely created by feeding the output of a tape deck back into itself, or, it was created by
feeding a signal
thru an analog delay box. I would lean toward this being tape feedback thru a cheap tape deck, which would make the resulting signal a little more
complex and uncontrollable compared to an analog delay box.
Lee Scott
professional electronic music composer
M.A. California Institute of the Arts
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I think that pretty well settles the sound crap. No big equipment, no unattainable parts, no special expert knowledge.
I encourage everyone who wants to know more to contact a qualified sound engineer and send them the sound Horn has on his site. Ask them what they
think it is and how it's been done. Dont forget to tell them the year it was recorded.
This is the kind of things you'll find when you check the Meier stuff and Horn's claims on your own.
Ok kids, thats all for me, enjoy playing with Horn.