It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
Originally posted by AfterInfinity
reply to post by buddhasystem
Perhaps lack of skill in channeling energy through the body?
Practice makes perfect.
Richard Merrick is an award-winning pioneer in the high-tech industry, developing sound- and language-recognition systems, graphics and animation engines, and AI game engines designed to mirror and mimic human behavior. He retired in 2006 to further develop his theory of music perception, called harmonic interference theory.
"The Venus Blueprint: Uncovering the Ancient Science of Sacred Spaces". The book presents evidence that the orbital resonance pattern of Venus was used as a "temple template" to design psychoacoustical chambers capable of focusing and controlling entheogenic communion. The book has been released just in time for the Venus Transit of June 5-6th, 2012. This special event will not occur again until another 105 years.
Originally posted by fulllotusqigong
reply to post by ThoughtForms
The frequency of the musical drum head is at the low ELF frequency as well and then the drumming tempo is also at 7 to 15 hertz. So both the frequency and the time of the drum then synchronize the heart-mind to the deep consciousness trance frequency, as discovered experimentally by Dr. Andrew Neher. “In 'A Physiological Explanation of Unusual Behavior in Ceremonies Involving Drums,' Human Biology, 1962, Dr. Andrew Neher suggested the predominant sound frequency in most trance drumming is about seven to nine beats per second. And independent analyses of a wide sampling of trance drumming from Asia, North and West African and black American cultures, conducted by students at Bowdoin College, under the direction of this writer, point to a range of approximately seven to 13 beats per second.”691
691 Robert Palmer, “Trance Music: The Beat of a Different Drum...Drum...Drum...” Mother Jones, June 1977.
Originally posted by fulllotusqigong
reply to post by ThoughtForms
The frequency of the musical drum head is at the low ELF frequency
The D10E-DA is a high output INFRA(tm) subwoofer system designed to provide high fidelity extended low frequency audio reproduction from a relatively small enclosure. The D10EDA provides perfectly flat response down to 8Hz when used in conjunction with the 8Hz Integrator: The D10E-DA is loaded with a pair of full-sized 10” subwoofers.
Most people cannot hear music in this range, but you can feel it, and you can feel the difference between 20hz and 40 hz when the signal is clear and free of clipping. The Infra processor is available in two forms. The first one has a flat response down to 18hz, the second one to 8hz. 18hz is much more efficient for larger systems. If you have an extra 20k to burn, then go for the 8hz integrator and (4) dual 18's.
So to summarize: Bag End pro subs with the ELF controller do not claim to reach 8 Cycles Per Second. Never have and (hopefully) never will. I'd even go so far as to suggest that any pro gear that does operate at 8 CPS is probably being used for torture (oops, make that 'enhanced interrogation') or brainwave entrainment of some sort.
An old FOH trick the big boys used: Putting a sub-harmonic harmonizer on the kick drums to get more "oomph".
The kick drum can benefit greatly from this type of processing. A subharmonic synthesizer (or "synth" as it is known in the industry) creates a bigger presence and can give the music that much sought after "punch".
SkinKick is a lot more vague and busy because of the number of resonators on it... again, you get it free with SynKick, in case it comes in handy. I would use it to reinforce any huge tribal drum effect, tuning it to drop a fair bit and to sound a sub-harmonic of the real drum. This would produce a way more convincing huge tribal drum sound than other methods like octave dividing or triggering an ordinary sample- you can sense the resonations are less predictable than a repeating sample, but since there are so many resonators the attack is blurry and SkinKick is probably best for reinforcing something more distinct.
Originally posted by fulllotusqigong
reply to post by buddhasystem
SkinKick is a lot more vague and busy because of the number of resonators on it... again, you get it free with SynKick, in case it comes in handy. I would use it to reinforce any huge tribal drum effect, tuning it to drop a fair bit and to sound a sub-harmonic of the real drum. This would produce a way more convincing huge tribal drum sound than other methods like octave dividing or triggering an ordinary sample- you can sense the resonations are less predictable than a repeating sample, but since there are so many resonators the attack is blurry and SkinKick is probably best for reinforcing something more distinct.
huge tribal drum effect
Yep the subharmonics are attempting to copy the original tribal drum subharmonics
You really have to see one of these performances live to really get the full affect. The drumming is so loud and deep you can feel it in your chest and you would not believe the energy you get from the feeling. I saw something like this when I went to Disney land and afterwards I felt like i could do anything I had so much energy!
however, i think you have to see them live to appreciate how loud these drums are. the big horizontal drum, you can really feel that one in your guts. they can perform for thousands of people without any amplification, ive never seen them do a concert that wasnt unplugged and without amplification.
According to myth, taiko was started by Ame no Uzume, a shaman-like female deity. One day, fed up with her cruel younger brother, the sun goddess, Amaterasu, hid herself in a cave. The world became pitch dark and the other deities tried to appease Amaterasu, so that world be bright again. They held a big party in front of the cave and Ame no Uzume danced an erotic dance, stamping her feet on a wooden tub. The gods laughed and cheered loudly and the noise provoked Amaterasu to come out her cave. And thus, the world saw light again. The taiko has been the roundest drum in the world as said as world records 1999. The various drums of taiko are of Chinese origin and were brought to Japan between the Yayoi period (500 BC - 300 AD). Along with the martial use of the drums, they also held a strong foundation in the court style music called Gagaku, performed in the castles and shrines across ancient Japan. Gagaku alone is one of the oldest styles of court music that is still being played in the world today.
High power sound waves below 20 Hz are felt in the body, not heard by the ear as sound
Effects of 6-10 Hz ELF on Brain Waves | Journal of Borderland ... journal.borderlands.com/1999/effects-of-6-10-hz-elf-on-brain-waves/ There is evidence that ELF magnetic waves can affect brain waves. ... Would they like me more because they felt “good” when they were around me? .... a “tightness” in the chest and another subject reported a “tightness” in the stomach.
Originally posted by fulllotusqigong
O.K. so they are tribal drums played in modern Japan.
The various drums of taiko are of Chinese origin and were brought to Japan between the Yayoi period
Obviously they have subharmonics going into the theta brain wave range because of how the sound is felt by people and also the size of the drums.
Now also if Japan and China had drums with way lower frequency then a bass drum of a drum kit -- then it's most likely that Africa and India and also the Americas also had big drums producing frequencies lower than a drum kit bass drum.
Yaoyoi Period c. BC 300- AD 300 Queen Pimiko Queen Pimiko Japan first appears in the historical records of China in about 300 BC. In those records the inhabitants of Japan were known as the “Wa.” The records tell of a Queen named Pimiko (Himiko) who had a tribal domain in the southwest areas of Honshu and Kyushu. According to the accounts she lived in a hill-top fortress and was waited upon by 1,000 young women. Her brother handled communications outside the walls, acting as a sort of regent. The queen may have had a dual role as a type of shaman with links to the spirit world. It is not known if she was related to the gods. Eventually, Japanese emperors would trace descent directly to the Sun Goddess, Amaterasu, who along with her brother, were instrumental in the creation story of Japan.
Originally posted by buddhasystem
Another conjecture with no foundation in reality, as usual.
Originally posted by fulllotusqigong
reply to post by buddhasystem
Originally posted by fulllotusqigong
Originally posted by buddhasystem
Another conjecture with no foundation in reality, as usual.
edit on 31-5-2012 by fulllotusqigong because: (no reason given)