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Originally posted by muzzleflash
Originally posted by something wicked
reply to post by muzzleflash
Wow, you surmised all this in a week? Interesting. There's a lot you have posted here that I will look over, but the Mona Lisa piece? It's historically known who he was painting and I'm afraid that is a little bit of a weak link. Whether you think this is a coincidence is a little pointless - he was commissioned to paint a lady and did so, anything else is nothing but speculation - would you agree?
Yes I agree it's speculation. However I dispute the claims that it was innocuous and not important for various reasons.
And again that was just my personal opinion.
1) It looks just like the other iconography.
2) It's the 'most famous painting in the world', for no apparent reason.
3) The 'authorities' made it into what it is today, and maintain it's famous prestige. (why?)
4) These are the same people that build a pyramid and put countless references to the same figure everywhere around the location where the painting is kept. ( Musée du Louvre )
There are other reasons as well. I don't know it just seems totally unreasonable to think that such a mundane painting became the most famous one in history. There are so many other great paintings that get no attention and I find that odd.
It was just something I thought of while comparing the painting to the Statue of Liberty, and those noses looked so similar. Maybe I am wrong, but at the same time, since we don't exactly have photographs to prove otherwise, there is a slight chance I am right.
Originally posted by something wicked
We don't have photos of what? Google images will return you several thousand photos of both - are you suggesting something else?
Da Vinci used a pyramid design to place the woman simply and calmly in the space of the painting. Her folded hands form the front corner of the pyramid. Her breast, neck and face glow in the same light that models her hands. The light gives the variety of living surfaces an underlying geometry of spheres and circles. Da Vinci referred to a seemingly simple formula for seated female figure: the images of seated Madonna, which were widespread at the time.
The Encyclopedia Americana says: “Elements of the customs connected with Halloween can be traced to a Druid ceremony in pre-Christian times. The Celts had festivals for two major gods—a sun god and a god of the dead (called Samhain), whose festival was held on November 1, the beginning of the Celtic New Year. The festival of the dead was gradually incorporated into Christian ritual.”—(1977), Vol. 13, p. 725.
The book The Worship of the Dead points to this origin: “The mythologies of all the ancient nations are interwoven with the events of the Deluge . . . The force of this argument is illustrated by the fact of the observance of a great festival of the dead in commemoration of the event, not only by nations more or less in communication with each other, but by others widely separated, both by the ocean and by centuries of time. This festival is, moreover, held by all on or about the very day on which, according to the Mosaic account, the Deluge took place, viz., the seventeenth day of the second month—the month nearly corresponding with our November.” (London, 1904, Colonel J. Garnier, p. 4) Thus these celebrations actually began with an honoring of people whom God had destroyed because of their badness in Noah’s day.—Gen. 6:5-7; 7:11.
(2 Thessalonians 2:3-4) 3 Let no one seduce YOU in any manner, because it will not come unless the apostasy comes first and the man of lawlessness gets revealed, the son of destruction. 4 He is set in opposition and lifts himself up over everyone who is called “god” or an object of reverence, so that he sits down in the temple of The God, publicly showing himself to be a god. . .
Nimrod: Son of Cush. (1Ch 1:10) The rabbinic writings derived the name Nimrod from the Hebrew verb ma‧radh′, meaning “rebel.” Thus, the Babylonian Talmud (Erubin 53a) states: “Why, then, was he called Nimrod? Because he stirred up the whole world to rebel (himrid) against His [God’s] sovereignty.”—Encyclopedia of Biblical Interpretation, by Menahem M. Kasher, Vol. II, 1955, p. 79.
The beginning of Nimrod’s kingdom included the cities of Babel, Erech, Accad, and Calneh, all in the land of Shinar. (Ge 10:10) Therefore it was likely under his direction that the building of Babel and its tower began. This conclusion is also in agreement with the traditional Jewish view. Wrote Josephus: “[Nimrod] little by little transformed the state of affairs into a tyranny, holding that the only way to detach men from the fear of God was by making them continuously dependent upon his own power. He threatened to have his revenge on God if He wished to inundate the earth again; for he would build a tower higher than the water could reach and avenge the destruction of their forefathers. The people were eager to follow this advice of [Nimrod], deeming it slavery to submit to God; so they set out to build the tower . . . and it rose with a speed beyond all expectation.”—Jewish Antiquities, I, 114, 115 (iv, 2, 3)
It appears that after the building of the Tower of Babel, Nimrod extended his domain to the territory of Assyria and there built “Nineveh and Rehoboth-Ir and Calah and Resen between Nineveh and Calah: this is the great city.” (Ge 10:11, 12; compare Mic 5:6.) Since Assyria evidently derived its name from Shem’s son Asshur, Nimrod, as a grandson of Ham, must have invaded Shemite territory. So it would seem that Nimrod made the start in becoming a mighty one or hero, not only as a hunter of animals but also as a warrior, a man of aggression. (Ge 10:8) Observes the Cyclopaedia by M’Clintock and Strong: “That the mighty hunting was not confined to the chase is apparent from its close connection with the building of eight cities. . . . What Nimrod did in the chase as a hunter was the earlier token of what he achieved as a conqueror. For hunting and heroism were of old specially and naturally associated . . .
The Assyrian monuments also picture many feats in hunting, and the word is often employed to denote campaigning. . . . The chase and the battle, which in the same country were connected so closely in aftertimes, may therefore be virtually associated or identified here. The meaning then will be, that Nimrod was the first after the flood to found a kingdom, to unite the fragments of scattered patriarchal rule, and consolidate them under himself as sole head and master; and all this in defiance of Jehovah, for it was the violent intrusion of Hamitic power into a Shemitic territory.”—1894, Vol. VII, p. 109.edit on 3-1-2012 by JB1234 because: (no reason given)
Originally posted by muzzleflash
Originally posted by something wicked
We don't have photos of what? Google images will return you several thousand photos of both - are you suggesting something else?
You have a photo of the original individual that supposedly inspired it ( Lisa del Giocondo )?
I didn't know they had cameras in 1505.
Anyways this Wiki reveals you are wrong:
Da Vinci used a pyramid design to place the woman simply and calmly in the space of the painting. Her folded hands form the front corner of the pyramid. Her breast, neck and face glow in the same light that models her hands. The light gives the variety of living surfaces an underlying geometry of spheres and circles. Da Vinci referred to a seemingly simple formula for seated female figure: the images of seated Madonna, which were widespread at the time.
Mona Lisa
Madonna (art)
So he did actually base it on this iconography.
Originally posted by muzzleflash
Originally posted by LightAssassin
reply to post by muzzleflash
Bookmarking for later, had a quick read, impressive yet again.
Make sure to check Section VII.
It's very hard hitting and there are TONS of correlations just like this to be found globally.
It's mind blowing for sure!
I could have made this thread 10 times larger but I am really tired and wanted to get it out sooner rather than later.
For the sake of simplicity I am going to just go with what I have created here. I am tired now and need to rest a bit.edit on 2-1-2012 by muzzleflash because: (no reason given)
Libertas (Latin for Liberty) was the Roman goddess and embodiment of liberty.
Columbia of U.S.A., Marianne of France, the Statue of Liberty and many others are actually embodiments of Libertas. See Liberty.
Christoffa Corombo
Originally posted by liliththedestroyer
Just remember everything is connected to everything, there are double meanings for everything including the Hebrew Alphabet, astrology, the planets, colors, and so on. Have fun!
Originally posted by undo
reply to post by JB1234
oh i know nimrod's history.
Google Video Link |
reply to post by Josephus23
Sure, you can say that this system was first established in Sumeria
Originally posted by muzzleflash
Originally posted by undo
reply to post by JB1234
oh i know nimrod's history.
That's absurd. No one knows it because no one was there.
We have debates over it because it's controversial and up for dispute.
We can't even agree on what types of facts can or cannot be established.
All we have to work with here are legends and ancient writings or art about it, which were created at later times.
Originally posted by undo
i believe almost everything said about him so far, on this thread, is accurate.
what's your beef with my info?
reply to post by JB1234
Klaus Dona has assembled many out of place artifacts that prove a Sumerian Link to the Americas
Originally posted by muzzleflash
Originally posted by undo
i believe almost everything said about him so far, on this thread, is accurate.
what's your beef with my info?
Sorry it was just semantics.
"Accurate to our knowledge", yes perhaps.
I just like to keep back doors open that leave room for alternative possibilities, that's all.
Originally posted by undo
reply to post by JB1234
Klaus Dona has assembled many out of place artifacts that prove a Sumerian Link to the Americas
which gets into the really big questions that the op wants to avoid and i'm resisting the urge
to post lol