The Reactionary Conspiracy 13. The plot’s theology.

a reply to: MarxistDebunker

Part 3 (of 3):

Towards the end of End of Days we can see an scene inside a catholic church;



























This scene serve us as a confirmación that the above mentioned finding from Eyes Wide Shut is in fact correct: that all satanic/secret societies are controled by the Roman Catholic Church.

I wrote the last three posts with my mobile/cell phone, a device I had never used to make a post, so it kept trying to change to Spanish almost any word I would write in English. That’s why there are a few minor typos, like for example in the first post, where it says “blue serie” it should say “blue arrow”.

originally posted by: MarxistDebunker
I wrote the last three posts with my mobile/cell phone, a device I had never used to make a post, so it kept trying to change to Spanish almost any word I would write in English. That’s why there are a few minor typos, like for example in the first post, where it says “blue serie” it should say “blue arrow”.

Is that why you will not address your failed prediction of nuclear bombs on June 12th? Why do you expect anyone to be convinced when you were so miserably wrong on such an important event?

Why do you black out the faces on all the pictures? It's weird af.

a reply to: baggy7981

What is truly weird is that the so called conspiracy theorists find a painting in a Denver airport very suspicious, yet they never mention the fact that Randolph Churchill, the only son of Winston Churchill, and Robert F. Kennedy, the brother of John F. Kennedy, both died the same day, on 6 June 1968, the 24th anniversary of the Normandy landings, even though most of them are from English-speaking countries.

I black out the faces because they are irrelevant for transmitting the information, and also because the overabundance of faces (in media and advertisements) is one of the methods the conspirators use in order to manipulate the public.

originally posted by: MarxistDebunker
a reply to: baggy7981

What is truly weird is that the so called conspiracy theorists find a painting in a Denver airport very suspicious, yet they never mention the fact that Randolph Churchill, the only son of Winston Churchill, and Robert F. Kennedy, the brother of John F. Kennedy, both died the same day, on 6 June 1968, the 24th anniversary of the Normandy landings, even though most of them are from English-speaking countries.

I black out the faces because they are irrelevant for transmitting the information, and also because the overabundance of faces (in media and advertisements) is one of the methods the conspirators use in order to manipulate the public.

You are being misled. The Churchill stuff is a red herring. You really need to explain why you were so wrong about June 12th.

a reply to: MarxistDebunker

There is another set of four interconnected films, also released in 1999, that the conspirators used to claim responsibility for the September 11 attacks. They are:

• The Astronaut’s Wife, a science fiction film released on 27 August 1999.

• Stigmata, a supernatural horror film released on 10 September 1999.

• Fight Club, a psychological thriller released on 10 September 1999.

• Bringing Out the Dead, a film released on 22 October 1999.

1) The Astronaut’s Wife:

We can see this breaking news on the TV about the incident:





A spaceship with only two astronauts. The NY from SONY would be a hint to New York.





Two astronauts, and the incident lasted two minutes. These would be references to the Twin Towers.



A symbolic representation of a tower.





47 would be an allusion to Adolf Hitler, since his signature has a 47 on its first half. The 133 would be a hint to January 1933, the month in which the nazis took power in Germany.

In the following scene, their heads begin on the white strips and end up on the red strips:









In this movie a children’s drawing of a plane can be seen:





A scene from bird’s eye view:



It looks like one tower with a telecommunications antenna:



The husband starts working for a private contractor of the U.S. Department of Defense. This would be a reference to the Pentagon. Pay attention to this scene:

















Since the conspirators say the zeros don’t count, then we have 18 and 55, two references to Adolf Hitler.





Another allusion to the number two.

The scene goes on, it seems to me that this character (the husband’s boss) is talking about the 9/11 attacks:













His wife asks him a question:









Here the conspirators are speaking to the spectators (not belonging to the conspiracy) to tell us: You are the enemy.

Another scene:





If we look closer we find a message left by the conspirators:



The Twin Towers can be seen:





The husband has wounds on his hand (this would be an allusion to the film Stigmata):



At the end two twins can be seen:



Image from this movie’s credits:



The “four beat” would be a hint to the four planes used in the 9/11 attacks.

2) Stigmata:

The protagonist is a catholic priest. The Vatican can be seen:





We see this definition:



1588 would mean: 15 = AE = Arriba España. 88 = HH = Heil Hitler.

At one moment we can see this tower:





This movie is set in Pittsburg, an allusion to the Flight UA93 that crashed in Pennsylvania.





That 47 seems to me an allusion to Hitler and also to the fact that the hijackers waited 46 minutes after the take-off to launch their attack.

Another scene:







13 = The Thirteen Colonies





Two = An allusion to the Twin Towers.



16 = AF, the first and last letters of the name Adolf. Also, a way of putting a hidden 88, since 8+8 = 16.

Towards the end we can see this scene with fire:



The two candles would symbolize the Twin Towers.





The falling candle would symbolize the collapse of a tower.



At the end of this film we can see this message:







It’s a hidden way of alluding to the Twin Towers, since the name Thomas means twin.

In the credits it can be seen the word crystal:



And the year 1523:



Same year that can be found in the film Pirates of the Caribbean: At World’s End:



More decoded information from the Pirates of the Caribbean film series in this thread.

a reply to: MarxistDebunker

3) Fight Club:

Main character travels often by plane:



123 = A reference to January (or August) 2023.



The burn on the hand would be a hint to the movie Stigmata:



A list can be seen:



We can find hidden information on it:



Allusions to 9/11, 88s, and U93, a reference to the flight that crashed on Pennsylvania in the September 11 attacks.



Another allusion to Hitler. To show it is not a coincidence, they put the name of a German city (Hanover) next to the 1888.



This dreamlike scene would symbolize Adolf Hitler is hidden in a high mountain:



Another dreamlike scene where a plane crashes into the protagonist’s one:







Seems to me it’s a reference to the World Trade Center.

We can see the protagonist’s home burning:





Another 16 on the fire truck:



One short scene with a Catholic priest:





More planes:





A tower:



At the end we can see a terrorist attack:







When the last two towers explode, a plane flying can be seen on the right side:







The word “Dust” isn’t coincidental:



The word “smoke” isn’t there by chance either:



4) Bringing Out the Dead:

They go to a Hospital with a religious name:



A statue of the Virgin Mary can be seen on the left side:



Then we see in the center a woman wearing Muslim dress:



There is a drug called Red Death:





Amino could be a hint to the Arabic female given name Amina.

A comment about fire:



And about 3/4:



Comment about two priesrs:



A nun can be seen:



Virgin but she’s pregnant with twins:





Another religious reference:





In the drug house there are two references to the number two:





The woman wears a purple dress:



Another reference to a priest:



The blood this character has on his face is a reference to the film Stigmata:



A hint to Spain:



El toro de oro = The Golden Bull.

A scene that seems a hint to the film The Astronaut’s Wife:





There is an emergency in a skyscraper:





The nun appears again:



The light beam hits the building:



Inside the building we see a room full of first responders:



Another connection to the movie Stigmata:



The Spear wound was the only wound Stigmata’s main protagonist didn’t got.

The scene goes on and we can see a tower in the background:



In another scene we see broken glass:



One of the songs has the word September on it (Image from the credits):



”Japanese Sandman” next to “Combination of the Two” is a hint to the Twin Towers, since these buildings were designed by a Japanese architect.



There is a hidden 9/11 in the AHA number:

And why do you continue to ignore your failure regarding nuclear bombs on June 12th of this year. Until you explain that, nothing you say has any meaning.

a reply to: MarxistDebunker

Two more film with mysterious hands:

• War-Gods of the Deep is a science fiction film released on 26 May 1965. Despite the Wikipedia article saying it’s like “20,000 Leagues Under the Sea”, to me it seems more like a version of “Journey to the Center of the Earth”, another movie adapted from a Jules Verne novel, although a couple of scenes are certainly very similar to “20,000 Leagues”.

In this film we can see another gigantic stone hand:









This scene symbolizes how the Axis build the invasion tunnels passing through the Mid-Atlantic Ridge:













A direct allusion to the tunnels:



These stone statues resembling a bull would symbolize Spain:





• Nightbreed is a fantasy horror film released on 16 February 1990, eight days before the 70th anniversary of NSDAP’s foundation.

In this motion picture the bad guys live in a cemetery:







Celtic crosses and onion domes (meaning: fascism+islamism) can be seen on the left side of the following image:





Then we see a hand statue:



In conclusion: All these hands appearing in these films would represent the reactionary conspiracy.

a reply to: MarxistDebunker

More information from the 1990 film Nightbreed:

In it we can see this place:



Gasolinera = Gas station. Note how the branches below the GAS sign form the letters AE, meaning Arriba España (Up with Spain, a Francoist motto).

Inside this building there is a character named “The Pope” (as is, in English) in the Spanish-dubbed version available in Spain.



He carries two keys (blue circle), a silver one and a golden one, and a cross can be seen on the table from the left side. The hanging dolls would represent statues of the Virgin Mary. Therefore, it can be concluded that this place symbolizes the Vatican and this character, the Catholic Pope.

We can also see this scene:



Some figures are wearing a capirote:











This scene represents the Spanish Inquisition (it was officially abolished in 1834, but it has been functioning in secret until nowadays) torturing and killing people.







After the end of the Spanish Civil War, the catholic fascists killed all the Spanish republicans (men, women and children) that had surrendered, that is fifteen million people. But not all of them were killed at the same pace. While many were killed swiftly (most certainly in gas chambers) and others were worked to death, they kept alive tens of thousands (or hundreds of thousands) of republicans to inflict upon them all kind of tortures for a period of time ranging from weeks to many years (up to 25 years, I believe).



The above image should be based on a Spain’s real monument (or monuments) made of thousands (or tens of thousands) of skulls and bones from republicans murdered by the catholic fascists. This monument (or at least one of them) could be in a secret part of the Valley of the Fallen, a fascist monument located near Madrid. Apparently they have changed its name to Valley of Cuelgamuros, so this name would be consistent with my theses, since “cuelga” means “it hangs”, and “muros” means “walls”.

a reply to: MarxistDebunker

"After the end of the Spanish Civil War, the catholic fascists killed all the Spanish republicans (men, women and children) that had surrendered, that is fifteen million people. But not all of them were killed at the same pace. While many were killed swiftly (most certainly in gas chambers) and others were worked to death, they kept alive tens of thousands (or hundreds of thousands) of republicans to inflict upon them all kind of tortures for a period of time ranging from weeks to many years "


15 million?!!!!!

Source??????????

originally posted by: MarxistDebunker
a reply to: MarxistDebunker

Gasolinera = Gas station. Note how the branches below the GAS sign form the letters AE, meaning Arriba España (Up with Spain, a Francoist motto).

We've already concluded AE means Argentine Empire. Have you not been paying attention?

originally posted by: Oldcarpy2
a reply to: MarxistDebunker

"After the end of the Spanish Civil War, the catholic fascists killed all the Spanish republicans (men, women and children) that had surrendered, that is fifteen million people. But not all of them were killed at the same pace. While many were killed swiftly (most certainly in gas chambers) and others were worked to death, they kept alive tens of thousands (or hundreds of thousands) of republicans to inflict upon them all kind of tortures for a period of time ranging from weeks to many years "


15 million?!!!!!

Source??????????

Yeah, that's a pretty tall tale and more evidence of how easily Marxist is mislead. The Nazis killed 6 million Jews. If the Spanish killed 15 million people we would have heard about it.

Marxist, you have a huge amount of explaining to do!

a reply to: MarxistDebunker

I have found a very revealing hand in another film:

• Small Time Crooks is a crime-comedy film released on 19 May 2000.

In it we can see this scene with the statue of a hand on a table (black arrow):





Notice the dialogue (English and Spanish versions are slightly different, but the main point remains the same):



Male character: “Portraits spook me. Those virgins”



Male: “Are you laughing?”

Female: “Virgins spook you!”

Then we see a religious painting in a museum:



In the background there is a painting of a man that looks like a cleric:



A closer look of this portrait:



It is a portrait of the catholic Archbishop Filippo Archinto, made in the mid-1550s by Italian painter Titian (Tiziano, in Spanish). This painting is in the Metrolopitan Museum of Art of New York. A better view of it:



There is a another version of this portrait in the Philadelphia Museum of Art:



Finally, at the beginning of this film we can see this line:



“ Who is that? I am the Pope. I wanted to see your apartment”

Besides the allusion to the Pope, please notice the yellow sphere (blue arrow). It’s a hint to the inner level of the conspiracy, using the color pattern that can be seen in the 1976 film At the Earth's Core:



In conclusion: This is another instance in which the conspirators announced/confessed that the reactionary conspiracy’s inner levelis ruled by the Roman Catholic Church, and that all the hands shown in these films are secret allusions to the inner level. Both Philadelphia and New York were capitals of the United States at some point before 1800, so these paintings being in these two cities would mean, in my opinion, that the reactionary conspiracy controls in secret this country.

In addition to that, it’s a second confirmation that the starting point of the conspiracy is in the 1550s (although it was most likely designed in the previous decades) as I had decoded from the video game Resident Evil 4, (remake) as can be seen in this message.

An image of the mentioned video game with the year 1554 (in Roman numerals) on it:

a reply to: MarxistDebunker

I have deciphered a very important part of the conspiracy thanks to another motion picture:

• The Skeleton Key is a mystery horror film released in the United States on 12 August 2005. It’s about a nurse from New Orleans going to a mansion in Louisiana countryside to take care of a senior. The main supernatural theme of this movie is body swapping.

On it we can see this scene about two keys:



The number 30 is a reference to Spain, since this country had 30 million inhabitants at the beginning of the Spanish Civil War (1936-1939) and also because the fascists killed 15 million Spanish republicans, thus making the real death toll of this war 30 times bigger than the official death toll (500,000).









The bad guys of this film are a couple called Papa Justify and Mama Cecile:



They are barely seen during the film. Papa is Spanish for Pope.

There is an emergency situation in this film involving heavy rain and a boat:









We can also see briefly these law books:





They are used by the conspirators to symbolically proclaim they know better than the rest of us, and that they are going to conquer (“inherit”) the land of America.

Main protagonist, the nurse, performs a hoodoo ritual:



The two keys can be seen on the neck of another character:



At the end of this film, we can see a panoramic shot of this house painted in white:







Notice the timing:

This film was released on 29 July 2005 in the UK.

Fourteen days later, on 12 August 2005, it was released in the US.

Fourteen days later, on 26 August 2005, Hurricane Katrina entered the Gulf of Mexico and on the 29th of August made landfall in New Orleans, devastating much of this city.

Deciphered meaning:

The conspirators used this film to announce/confess the following points:

- They plan to conquer the United States of America.

- The Hurricane Katrina was a terrorist attack carried out by the reactionary conspiracy using secret technology that allows them to control the weather.

- This tropical cyclone was meant to be a “ritual” (actually a show of force) signaling the intended target of replacing (“body swapping”) the United States by the Spanish Empire, maybe using the first years the official name of Mexico (Estados Unidos Mexicanos = Mexican United States) to conceal it, thus making the transition smoothly.

- The leadership of the conspiracy is the Roman Catholic Church.

- Syncretic religions like Hoodoo, and by extension, all religions, cults, sects, magic beliefs, spiritual practices, and similars that have appeared in the las 500 years have been created by the conspiracy and are controlled by them .

An image is from the credits of The Skeleton Key, showing some of the songs used in this film:



Notice the titles: “The Storm is Passing Over”, “God Moves on the Water”, and “IKO IKO”. This last one is related to the Rico Parra finding from Topaz:



So this song would be an allusion to the COVID-19 pandemic that would begin fourteen years and three months after the release of The Skeleton Key.

a reply to: MarxistDebunker

You know too much.......

Another very important hand:

• Batman is a superhero film released on 23 June 1989.

In the first fourth of this film, a petrochemical company called Axis plays a prominent role:







This scene would symbolize that the Reactionary Conspiracy controls the Axis.

There is a scene at a restaurant-museum in which the Joker and his henchmen deface several artworks. But they put red hands only in this one:





It’s a painting by Dutch artist Rembrandt titled Self-Portrait at the Age of 63. In my opinion, it’s an allusion to the assassination of U.S. president John F. Kennedy, which took place in 1963.

The Joker protects a painting because he likes it:



(Notice how the Joker very often wears purple, a color commonly associated to the Papacy).

It is a 1954 painting by Irish-born British artist Francis Bacon, it’s titled Figure with Meat. This picture in turn looks like a fusion of two other paintings:

1) Portrait of Pope Innocent X, a circa 1650 portrait by Spanish artist Diego Velázquez:



Pope Innocent X lived between May 1574 and January 1655, thus he died aged 80.

2) Slaughtered Ox, a 1655 painting by Rembrandt.

Meaning of the Francis Bacon 1954 painting:

- The Roman Catholic Church rules the reactionary conspiracy.

- For the reactionaries, we, the people who don’t belong to the inner level of the conspiracy, are cattle that can be slaughtered.

- The year 1954 is a hint to 1054, the year in which the East-West Schism, took place.

In this same scene in the restaurant-museum, they also deface a portrait of George Washington:



A closer view:



It’s the dollar symbol, but it’s also how the 9/11 is said in Spanish: 11-S (pronounced “once ese”, meaning: “eleven ess”).

Note the two crystal glasses upside down on the table, they are both marked with red asterisks in the following image:



These crystal glasses would symbolize the Twin Towers.

Also, observe how some of the Joker’s henchmen wear dominoes as necklaces. From afar, these dominoes look like the clerical collars catholic priests wear.

Towards the end of this film there is a parade organized by the Joker. He has behind him a throne:





A closer view of the headrest of this throne:



The three small crowns mean the three Axis Powers: the Spanish Empire, the German Empire and the Japanese Empire, all of them controlled by the inner level of the conspiracy, symbolized here by the big crown at the very top of the throne.

Very important information from the following film:

• 2001: A Space Odyssey is a science fiction film released on 2 April 1968.

Two black monoliths appear in this motion picture:

1) The first one appears in the prologue, set in the remote prehistory:



It symbolizes the Lapis Niger (“Black Stone”, in Latin), a obscure sacred place in Ancient Rome.

Map of central Rome in the 2nd century BCE, the Lapis Niger is the monument number 8, marked here with a black asterisk:



(The creator of this image hypothesizes that it could be the grave of Romulus, who founded Rome in 753 BCE, according to tradition)

A closer view of the zone where the Lapis Niger would be situated:



2) The second one appears in the Moon, in this fictional 2001 CE:



The moon means the Islamic religion, so this second monolith symbolizes the Black Stone, a rock set in the Kaaba, an ancient building from pre-Islamic times situated in the center of the Grand Mosque, in Mecca, Saudi Arabia.

Map of this country with Mecca marked with a red dot:



The Kaaba, with the Black Stone marked with a blue arrow:



The corner where this rock is located. According to tradition, it was placed there by Muhammad in the year 605 of the Common Era:



A closer view of the Black Stone:



HAL, the fictional artificial intelligence from 2001: A Space Odyssey, reminds of the Black Stone.

An image of HAL:



A closer view of it:



It follows the same color pattern than the one from the 1976 film At the Earth’s Core:





And both have the same meaning: The yellow sphere represents the inner level of the conspiracy, while the red sphere means the outer level of it.

Finally, let’s take a look at the beginning of this film:



A closer view:



Again, the yellow sphere would mean the inner level of the conspiracy.



In conclusion:

1) The first monolith means Rome, which in turn symbolizes the Roman Catholic Church.

2) The second monolith is the Islam.

3) According to the conspirators, humanity has known two waves of civilization, symbolized by the two monoliths: first, the one delivered by the Roman Catholic Church and second, the one delivered by the Islamic religion.