a reply to:
MarxistDebunker2
More information about the can be decoded from two films:
•
Saló, or the 120 Days of Sodom is a film released in Paris on
23
November 1975, that is three days after the death of Francisco Franco. It is about a group of fascists who kidnap 18 teenagers (of both sexes) to
torture and rape them.
This was the last film directed by Italian filmmaker Pier Paolo Pasolini, a “communist” filmmaker whose most famous writing is a newspaper article
against abortion.
His initials (PPP) are an allusion to the Pope. Pasolini died on
2 November 1975,
21 days before the release of
Saló, when he
was murdered in strange circumstances in Rome.
In my opinion, Pier Paolo Pasolini was a member of the conspiracy, and this film is a confession of the conspirators about the fact that
they raped and tortured both females and males during the transitory period they established after the three catastrophic events of the 32nd
century BCE. The body found by the Italian authorities maybe was a clone of him.
This “communist” filmmaker directed a film whose theme is so unpleasant that the only people that can watch it are fascists. I have never
watched it, and I highly doubt any significant number of leftist people (or simply of non-fascist people) had watched this work.
The transitory period (or transition) lasted 120 years, not 158 as I initially estimated. 120 makes more sense since 12 is a reversed 21,
the age at which prisoners were murdered during this period.
158 most likely is the number of concentration camps established by the conspiracy for the survivors/prisoners of the catastrophic events of the 32nd
century BCE.
•
The Round Up is a film released on
10 March 2010. It is about the mass
arrest of Jews in Paris in July 1942.
On it, it is stated that the nazis didn’t want the Jewish children:
“They do not want the children”.
A priest wearing a
Jewish badge can be seen:
His clerical collar has a piece of black cloth that reminds of the mustache of Adolf Hitler:
This symbolizes that the conspiracy controls the Jewish people, but not that all Jews belong to the conspiracy. In a similar way as how the
conspirators controlled the USSR, but most Soviet people didn’t belong to the conspiracy.
Jerusalem is mentioned:
An allusion to the number 31:
31 is a reversed 13, a reference to the 13 million survivors.
“Foch” would be alluding to the English word “f**k”.
Another allusion to this thirteen million people:
Inside a church, the same priest is seen again next to a woman with a baby:
It means that the conspirators fathered most (if not all) children born during the transition.
In another scene, a fictional Heinrich Himmler talks about the Holocaust:
“The yield would be 8,000 units per day”.
“Only if we finish crematoria 2 and 3 by mid August”.
Here we have a hidden 88 and a 23, a secret allusion to the 32 century BCE.
The fictional Adolf Hitler says:
Cenizas = Ashes.
“Ashes don’t speak of numbers”.
“They don’t tell if they were men, women or children”.
This would mean that the conspirators interred the ashes of their victims in the three burial sites, not the corpses as I initially thought.
The number ten is mentioned:
And again the number 23:
“We are behind schedule with crematoria 2 and 3”.
A scene with a gendarme with open arms:
I think is a reference to the symbolic crucified person that can be seen in the Versailles complex:
Then, a German military vehicle is seen:
His number plate contains hidden information:
W = Versailles
H = Hole
39 = a reference to 1939, the first year of the Second World War.
Versailles was build between 1661 and 1715. 1715 - 1661 = 54.
54 is a reversed 45, an allusion to 1945, the last year of that war. This would be a second link between this scene and Versailles.
Another reference to the number ten is heard:
“Take it easy. Those crazy women will see their children in ten days”.
There is a calendar in this scene:
A closer view:
With the ten from above, we get: 12 x 10 = 120, a hidden allusion to the 120 years the transition lasted.
The children are seen leaving this transit camp:
This would symbolize that after the transition, the conspiracy created a new world.
Towards the end, we see this scene:
This image seems to symbolize the victims of the three catastrophic events of the 32nd century BCE.
Finally, we see this text at the end of this film:
25 = 23 = 32
On it, we can see hidden references to the 13 million survivors, the 158 concentration camps and the 32 century BCE.
Summary chart with the moral limits I estimate the conspirators have:
By “indirect torture” I mean, for instance, a place that causes hardships to anyone living on it regardless of their age.
(I don’t know if by 10 years they mean the full year (thus, at 11) or “when reaching age 10”).
• The
three generations of Japanese people living in the Americas are called
Issei,
Nissei and
Sansei.
Decoded meaning:
• The transitory period (or transition) lasted 120 years.
• The conspirators established 158 concentration camps for the 13 million survivors. I suspect most guards in these camps would be androids or
humanoid robots, while human conspirators would be the overseers.
• The conspiracy only needed three generations of prisoners to erase the memory of the destroyed world.
• Since the 4th generation of prisoners, nobody remembered how the old world used to be, and all of them spoke natively the new languages invented
by the conspirators.
•The conspirators sexually abused the female and male prisoners (those aged 10/11 or older). The male conspirators fathered most (if not all)
children born during the transitory period.
• As the prisoners were killed at 21 years of age, I estimate most children in the transition only knew their biological mothers for about 6/7
years, and their adoptive fathers for about 3 years.
• As the conspiracy seems to have a thing with the number thirteen, I suspect one of the founders of the conspiracy (maybe the woman called
Elizabeth) suffered some traumatic event when she was 13 years old. This traumatic event could have been the trigger that started the conspiracy.
edit on 8-11-2024 by MarxistDebunker2 because: (no reason given)