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originally posted by: Willtell
a reply to: mirageman
One wonders how he could have made such an error.
Comparing Roswell with the DC events itself was stupid, they’re two different kinds of ufo events.
With this show, the real conversation can finally begin,” DeLonge said in a statement. “I’m thankful to HISTORY for giving the To The Stars Academy team of world-class scientists, engineers and intelligence experts the opportunity to tell the story in a comprehensive and compelling way. I think everyone that watches the show will walk away with questions answered and a feeling of, “wow, I get it now.”’
UFO enthusiasts have been clamoring for information about what AATIP and TTSA have discovered. However, as Elizondo has put it, they want to share information when the time is right, not just to satisfy “idle curiosity.” Fortunately, according to comments made recently, the time is right, and much of what people have been waiting for is included in the show.
originally posted by: Willtell
Of course, they can merely mimic past ufo SHOWS and try to get away with that.
I indicated that one particular slide contained real photographs of UAPs over Washington DC. It did not. The slide was intended to be illustrative but was presented as factual and with the help of a few individuals, I quickly realized the error. I acknowledge the misstatement and sent an immediate "mea culpa" note to my TTS Academy team and would like to share it with you. Although I would like to attribute my mistake to a lack of sleep and no Cuban coffee that morning, sadly it was an oversight on my part, and it will not happen again. It is our commitment to remain fact-based in all studies, statements, and conclusions.
The Real Zondo's Instagram
TTS’s current consumers are based in the coastal regions of the United States, with a 75/25 male to female ratio, ages 18-34, with interests in music, entertainment, comedy, and comic books, and are fans of the bands Blink 182 and AVA.
We will aim to attract these consumers through the following:
• Our socially responsible business mission (public benefit corporation status)
• Creating engaging content and sharing it through social media channels...
www.sec.gov...
originally posted by: Baablacksheep
a reply to: mirageman
wonder which one of the Young Guns will be the first to get fired?
We could start placing bets.😁
Docu-Series on A+E's History Channel, working title 'UNIDENTIFIED: Inside America’s UFO Investigation'. The company allowed its personnel to be key cast members in a six-part docuseries on A+E’s History Channel, scheduled to premiere in May. The series will include licensed footage from TTS AAS’s film archive. The series is based on the December 2017 New York Times stunning front-page expose uncovering the Pentagon’s mysterious UFO program, the Advanced Aerospace Threat Identification Program (“AATIP”) featuring an interview with former military intelligence official, Luis Elizondo, who ran the program. The controversial story was the focus of worldwide attention. In UNIDENTIFIED, Elizondo is speaking out for the first time with Tom DeLonge, co-founder and President of To The Stars Academy of Arts & Science and Chris Mellon, former Deputy Assistant Secretary of Defense for Intelligence, to expose a series of startling encounters and embark on fascinating new investigations.
‘Sekret Machines’ Non-Fiction Series, Book 2: Man. Book 2 in the ‘Sekret Machines’ non-fiction book series is due for trade release in 2019. This book is the stunning continuation of an intensive study of UFO phenomena in which the hard science, technology, and the human mind are explored as they relate to our world.
And more on a project we've heard a little bit about:
‘Sekret Machines’ Television Series. A television series based on the non-fiction trilogy Sekret Machines: Gods, Man and War is being developed with Cartel Entertainment, a production house with an international presence. The series centers around an FBI agent who, while investigating a string of murders, learns the victims were linked to a government program exploiting alien technology and were targeted by a group of abductees who believe they’re saving the human race from self-destruction. Recruited to their cause, the agent is forced to choose between illusion and reality, “normal” life and the shadowy world of the Phenomena.
Here's the actual plan for the next 6-12 months:
In the next 6-12 months, as a company we expect to:
Begin production on a feature film and expand product offerings in response to the new Angels & Airwaves album and tour.
Release further publications and other content relating to existing and new Entertainment Division properties.
Leverage our exposure from the TV docu-series, working title UNIDENTIFIED, to further our educational efforts about Unidentified Aerial Phenomenon.
Expand THE VAULT to engage and interact with viewers.
Continue our effort to educate and influence legislation at the highest level of government.
Complete plans and analysis from ETI based on the SOW-BELS and SOW-MSSA.
Progress in our efforts to collect and analyze materials under the A.D.A.M. (Acquisition & Data Analysis of Materials) Research Project.
Develop educational materials related to its scientific and aerospace initiatives and partner with relevant organizations to support our public benefit purpose.
In an ongoing effort to accelerate progress, we plan to develop some or all of the above through direct investment, debt and equity financing, and strategic partnerships.
We have created a requirements study document defining objectives for the full capability version of THE VAULT (formerly COI) in the context of enabling it as a collaboration and education tool in addition to a data depository. The company’s vision of THE VAULT running at its full potential is an online collection, storage, and analysis point for information regarding events, witness and data reporting associated with advanced technologies and capabilities. One of our objectives in developing THE VAULT is using artificial intelligence to optimize functionality by creating proprietary algorithms that can discover detailed patterns in the data submitted by users and correlate them with other academic research. This may also result in commercially-valuable algorithms, and because there is no real competition in this area that we are aware of, we believe the probability of capturing such business is high.
In 2019 we plan to release a mobile application that will enable data collection directly from the public at large that will contribute to THE VAULT. Also, if the resources are available, we plan to evolve THE VAULT to also allow data submission from larger databases such as the US government, and foreign governments.
In 2019 we plan to release a mobile application that will enable data collection directly from the public at large that will contribute to THE VAULT. Also, if the resources are available, we plan to evolve THE VAULT to also allow data submission from larger databases such as the US government, and foreign governments.
"Per block 3 of this form DD1910, the submitter requested release of videos solely for research and analysis purposes by U.S. government agencies and industry partners, and not for general public release."
They lied. And they’re lying now.
Knapp at UFO MegaCon
‘Sekret Machines’ Television Series. A television series based on the non-fiction trilogy Sekret Machines: Gods, Man and War is being developed with Cartel Entertainment, a production house with an international presence. The series centers around an FBI agent who, while investigating a string of murders, learns the victims were linked to a government program exploiting alien technology and were targeted by a group of abductees who believe they’re saving the human race from self-destruction. Recruited to their cause, the agent is forced to choose between illusion and reality, “normal” life and the shadowy world of the Phenomena.
Research and Development In 2018, the company initiated research subcontracts in material studies and beamed energy totaling $60,000. Those contracts are to be completed in 2019. The company incurred $ 226,681 and $ 5,750 in third-party and internal costs towards R&D efforts in development of the company’s projects during 2018 and 2017, respectively.