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Originally posted by JimOberg
Originally posted by LunaCognita
They were describing the scene during that period, but they were doing it over the covert channel from atop the LM, talking to people who were not sitting in the public Mission Control Center in Houston.
And there's the problem. It's easy enough to idly imagine a separate team of experts, unknown to any of the 'standard' flight control team and trained by another top secret group on separate simulators and pressure chambers in secret buildings, directed by a different set of leaders who never actually had worked on space missions before, using communications links installed secretly that bypass all standard communications links, carrying cameras whose film would be dropped into appropriate custodial equipment from the recovery carrier through the medical isolation facilities into the photo labs and on to exploitation facilities -- anybody with enough time on their hands can 'imagine' anything being possible.
Originally posted by ArMaP
reply to post by easynow
In that Apollo 12 Technical Debrief they talk about that, they say that when looking at a scene cross-sun the landscape looked brown, but down-sun it looked grey, so I guess it's just a question of scene brightness, a stronger light makes things look grey while a softer light shows that they are really brown.
And that sure seems like a lot of trouble to go through to just do your observations out the top instead of out the window.
Originally posted by easynow
gee just ignore that they had a private radio channel for the entire mission why don't ya. and you insinuating that they would only have it for the Secret EVA is laughable thanks
Originally posted by easynow
how would i have a source or link to top secret info ?
Project Mogul (sometimes referred to as Operation Mogul) was a top secret project by the US Army Air Forces involving high altitude balloons
if it's still classified top secret you can't
Originally posted by ArMaP
To bad we cannot make a weekend trip to the Moon to clear these doubts.
Color on the moon, as you know, is a very subjective phenonmenon; it is also quite variable in terms of actual physical phenomena, ie, the color changes depending on the angle of the sun and one's orientation to it. 'Mouse grey,' 'mouse brown,' 'concrete,' 'asphalt,' etc. -- ask the 12 moonwalkers what the color of the moon is and you'll get 12 different answers.
The lunar surface probably has less pronounced color then indicated by this print.
NASA has admitted to "manipulating" scanned photographs in settings such as brightness, contrast (probably color adjustments too) like many people and organizations tweak photo settings before publishing them.
This describes the processing that is done when scanning images from the Apollo flight films:
apollo.sese.asu.edu...
Image Processing Notes
The scans of the Apollo flight films are processed using a standard set of procedures. First, the unexposed portions of the film along the edges of a scanned frame are cropped, and the frame is straightened. Second, the background is removed from all of the scans, by assuming that the average DN values of the unexposed regions at the edge of each raw scanned image represent the background (i.e., film base and fog). Third, a flatfield correction (derived from the actual image data) removes vignetting to the first order. Fourth, the reseau patterns (the small crosses visible on Apollo images published elsewhere) are removed from the images. Fifth, a logarithmic histogram transformation is applied to the image. This is necessary because of the logarithmic response of film, which makes the raw scans appear very contrasty. Since photographic paper also has a logarithmic response and reverses the films response, conventional paper prints have a natural contrast range. The logarithmic histogram correction applied to the scanned images therefore produces a virtual print that simulates the natural contrast of a conventional paper print. Sixth, since the uncompressed images produced by the initial scanning process result in extremely large images, the scale is reduced by a factor corresponding to the square root of 2, which serves to reduce the image size by 50%, and the images are converted from 16-bit to 8-bit. The original, unprocessed raw scans are provided on this website as a full-resolution 16-bit TIFF file. More details about the file formats are provided in a following section.
Originally posted by Arbitrageur
BTW the author of the "smoking gun" document at NASA didn't reply after 5 days to my inquiry about what source she used, and I don't think anyone will be shocked by that.
Originally posted by Arbitrageur
In fact you may have noticed I was asking about evidence of the private channel, and LunaCognita goes into some length to talk about that but says details will be forthcoming in a future article.
Originally posted by JimOberg
Originally posted by Arbitrageur
BTW the author of the "smoking gun" document at NASA didn't reply after 5 days to my inquiry about what source she used, and I don't think anyone will be shocked by that.
Did you try telephone or email?
Have you asked the NASA JSC press office for a 'clarification'?
Originally posted by JimOberg
Originally posted by Arbitrageur
In fact you may have noticed I was asking about evidence of the private channel, and LunaCognita goes into some length to talk about that but says details will be forthcoming in a future article.
So in effect, the ability to have conversations not overheard by the public or the press was always there -- I got distracted into criticizing a particular (and wrong) implemementation scheme for such an ability.
I hope this makes it clearer.