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Does that mean that the dark sky that we could see on the original moon landing on TV was also airbrushed in almost real time?
Originally posted by johnlear
Collins was not in the 'same siutation' ever. He was 60 miles above in orbit.
The reason the crew said they didn't see stars is that the NAZA lie in those days is that you couldn't see stars in a vacuum which, of course, is total nonsense. One day a NAZA supposed 'expert' gave me a lecture that the only reason we could see stars from earth is that our atmosphere 'refracted the starlight' and made the little iitty bitty star visible.
But the real reason the Apollo Astronauts couldn't sees stars is it was daytime, the sun was up and the sky was bright. Not black. Black is what was airbrushed onto all Apollo photos and fabricated into video shots.
For a good belly laugh on how ridiculous the concept of 'no atmosphere' on the moon is, google up yourself a picture of Alan Beans painting "Sunrise Over Antares" and look at the bright yellow sun being refracted by the moons atmosphere.
I painted the view to the east past the Apollo 14 lunar module Antares shortly after Alan Shepard and Ed Mitchell began their trek toward Cone Crater. The Sun is just peeking over the top of their spaceship, making it difficult, even painful, to look that way. It's the same Sun we see here on Earth, but it appears much brighter because there is no atmosphere on the Moon to partially screen its brilliant rays. Cone Crater sits on top of the high ground that's in the distance beyond the flag, and Al and Ed are walking into the Sun as they move along. Even with their gold visors in place, the glare makes it difficult for them to navigate.
This is the reason that when Alan Bean was interviewed by Discover Magazine in 1994 and asked, "What do you see when looking up from the surface of the moon?" that he responded, "Black patent shoes."
What happened here is that when he was 'hypnotized' to forget much of what he saw on the moon, the hypnotist told him, "The sky was black, as black as patent leather shoes."
Unfortunately that was the wrong suggestion because all Bean remembered was the 'patent leather shoes' not the 'black' he was being programmed with.
The sky is painted just the way it looks up there: black. Not a flat black, but a shiny, patent leather black. I could not see stars while walking on the Moon because the Sun made the surface so bright that the irises of my eyes closed way down. It's a little like walking out of a brightly lit room and looking up at a dark, clear night sky.
Same thing with Aldrin who said when asked what it felt like to be on the moon, "For Christ's sake, I don't know. I just don't know. I have been frustrated since the day I left the moon by that question."
If you find my comments offensive I apologize, because I think you are trying to be honest. I think you are believing other people who are not so honest.
I'll concede up front their may be more to the moon than we are aware of. I won't conceed to what I know is pure fantasy.
Originally posted by johnlear
I find your knowledge on the film used in the Hasselblads on the Apollo mission and the operation of cameras to be parochial. I once got a real good briefing on the film but I have forgotten who gave it to me and the exact details.
Something that has kept me puzzled is why there is the notion that NASA is responsible for what has been said even before it was created and in different countries.
Originally posted by johnlear
The gravity on the moon is at least 64%. We know this by the videos of the astronauts and by the neutral point of 43,495 miles. Any attempts to portray the gravity on the moon at one sixth that of earth is pure, unadulterated NAZA fiction.
Originally posted by johnlear
I once got a real good briefing on the film but I have forgotten who gave it to me and the exact details.
Originally posted by Blaine91555
reply to post by johnlear
No offense John, but the film currently available is probably far more sensitive than the film available all those years ago. In fact there is no comparison.
Originally posted by sr71b
I can answer this very easily for you. As Mr. Lear has stated before, the technology NAZA has is at least 50 years ahead of anything we have currently.
Yet somehow, the US did make it to the Moon and the Soviet's didn't. They actually lost a few unmanned probes... Just for the show? Well then, a few of their secret missions failed, as we know. How was it possible with all that tech?
Luna 3, pictures of the lunar farside, October 4, 1959.
Luna 13 Soft landing on Moon Dec 24, 1966
Luna 15 Lunar Orbit met Apollo 11 and allegedly crashed July 21, 1969.
Originally posted by ArMaPDoes that mean that the dark sky that we could see on the original moon landing on TV was also airbrushed in almost real time?
Originally posted by skip_brilliantine
He clearly states in the press release that they didn't see stars while on the daylight side of the moon.
On the Moon, the lack of air means that the sky is dark. Even when the Sun is high off the horizon during full day, the sky near it will be black. If you were standing on the Moon, you would indeed see stars, even during the day. - Phil Plait
when you don't seem to have paid any attention to the context of your own sources.
Originally posted by johnlear
Luna 3, pictures of the lunar farside, October 4, 1959.
Luna 13 Soft landing on Moon Dec 24, 1966
Luna 15 Lunar Orbit met Apollo 11 and allegedly crashed July 21, 1969.
Originally posted by Blaine91555
No offense John, but the film currently available is probably far more sensitive than the film available all those years ago. In fact there is no comparison.
Harold Holden and Arnold Weichert (the H and W of the name) invented and patented a phenidone-based developer that was exceptionally soft working, which made it possible to get pictorial tonalities using microfilms at a useful speed, EI 80. A researcher who interviewed Holden at the time told me that Holden told him that their principal market was the US Government high altitude surveillance people. In 1972 the marketed a film-plus-developer kit, both as 35mm (20 exp., 36 exp. and 100' rolls) and 120 size, with the film trademarked "H&W Control VTE Panchromatic Film" and the accompanying developer packaged as a liquid concentrate.
Originally posted by zorgon
How odd... I may be listening to a different tape I guess
The only words I hear out of Collin's mouth on that press release are...
"I don't remember seeing any."
"We were never able to see stars from the lunar surface or on the daylight side of the Moon, by eye, without looking through the optics.
I don't recall during the period of time that we were photographing the solar corona what stars we could see. "
So he says NEVER able to see stars... WITHOUT looking through the optics... then in the same breath can't remember what stars...
Yet even Phil Plait agrees that you can see stars in the daytime on the Moon..
On the Moon, the lack of air means that the sky is dark. Even when the Sun is high off the horizon during full day, the sky near it will be black. If you were standing on the Moon, you would indeed see stars, even during the day. - Phil Plait