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originally posted by: Ghostsinthefog
So just starting to really take a look at, dig into the 9/11 worm hole.
The first question that comes to mind is to all the people that believe this was ab inside job. Now i understand both believe the towers were hit, but was also rigged with explosives.
To rig a tower with such a gigantic explosive device couldn't have gone unnoticed, so is there ant any evidence or testimony stating there was weird goings on... example... uncharted construction on the lower levels etc?
originally posted by: Ghostsinthefog
So just starting to really take a look at, dig into the 9/11 worm hole.
The first question that comes to mind is to all the people that believe this was ab inside job. Now i understand both believe the towers were hit, but was also rigged with explosives.
To rig a tower with such a gigantic explosive device couldn't have gone unnoticed, so is there ant any evidence or testimony stating there was weird goings on... example... uncharted construction on the lower levels etc?
We would see the aluminum plane turn into shredded pieces and not pierce through the THICK steel & THICK glass outer shell
www.metabunk.org...
the-pre-collapse-inward-bowing-of-wtc2.t4760/
We would see the aluminum plane turn into shredded pieces and not pierce through the THICK steel & THICK glass outer shell (all under compression). People dont' understand how tough and resistant those windows are/were and just because they were glass doesn't mean they break easily. those things were THICK and HEAVY and incredibly strong - add into that the massive outer steel support structure, the high density rebar-reinforced concrete floors, and the interior walls. All of this would SHRED the plane and it woudln't pass through as it was shown to do.
originally posted by: Salander
a reply to: Mickierocksman
It was truly a Grand Illusion organized and executed
Israeli
perps
Balcony Scene (Or Unseen) Atop the World; Episode at Trade Center Assumes Mythic Qualities
By SHAILA K. DEWANAUG. 18, 2001
www.nytimes.com...
Called ''The B-Thing'' and produced by four Vienna-based artists known collectively as Gelatin, the book is demure to the point of being oblique.
originally posted by: neutronflux
a reply to: Salander
I think it was even proven the artists were from something like Austria? Is that false? Do you have facts, or just biased?
originally posted by: Salander
originally posted by: neutronflux
a reply to: Salander
I think it was even proven the artists were from something like Austria? Is that false? Do you have facts, or just biased?
LOL, who 'proved' it to you? Dick Cheney? ROFLMAO
gelitin
en.m.wikipedia.org...
gelitin is a group of four artists from Vienna, Austria. The group was formerly known as gelatin and changed their name in 2005. They are known for creating sensational art events in the tradition of Relational Aesthetics, often with a lively sense of humor.
Among their projects are a gigantic plush toy: a 55 meter tall pink rabbit on Colletto Fava (near Genoa, Italy), intended to remain there until 2025.[1][2] In November 2005, the group had a show at Leo Koenig, Inc. in New York, a project called Tantamounter 24/7. The project was a "gigantic, complex and very clever machine", according to the artists, which functioned as a kind of art-Xerox. The group erected a barrier blocking off one half of the space, locking themselves inside for one week, then asking visitors to insert items that they wanted copied into an opening in the barrier, which copies were then returned through another opening.[3]
Works Edit
The B-Thing Edit
One of Gelitin's best known art projects began in March 2000, when the group allegedly removed one of the windows on the 91st floor of the former World Trade Center complex and temporarily installed a narrow balcony, while a helicopter flew around the scene, taking photographs to be later documented in their book The B-Thing.[4] The book was published in 2001 and had even by that time taken on an air of urban legend, with new copies selling for $500 on Amazon.com as of 2016.[4][5][6]
Other works include:
vorm - fellows - attitude, 2018, at the Museum Boijmans Van Beuningen, Rotterdam, The Netherlands: giant sculptures of feces, with visitors encouraged to put on costumes representing nude men and women[7]
La Louvre, Paris, 2008, at ARC, Musée d'Art Moderne de la Ville de Paris
Tantamounter 24/7, 2005, a "gigantic, complex and very clever machine" created at Leo Koenig, New York
Hase (Rabbit / Coniglio), 2005, a 55-meter knitted pink rabbit on Colletto Fava[8][9]
Zapf de Pipi, 2005, a sculpture of frozen urine as contributed by the visitors at the Moscow Biennale of Contemporary Art
Otto Volante, 2004, a roller coaster inside a gallery in Milan, Italy
Arc de Triomphe, 2003, a 7-meter tall fountain picturing a urinating figure made of 2000 kg of Plasticine in Salzburg, Austria
Armpit, 2002, a human elevator of Body Builders for the Liverpool Biennial
Schlund, 2001, a human scaffolding of fat people at the Bavarian Theatre, Munich, Germany
Die totale Osmose, 2001, a swamp surrounding the Austrian Pavilion at the Venice Biennale
The B-Thing, 2000, a small temporary balcony on the 91st floor of the World Trade Center
Weltwunder, 2000, a hidden underwater cave, only accessible by diving through a pipe 5 meters deep, as part of the Expo 2000 in Hannover, Germany
Tex Rubinowitz
Gelatin: The B-Thing
www.amazon.com...
Description
Product description
At 6 o'clock one morning, Austrian art group gelatin suctioned out a window on one of the top floors of the World Trade Center, shunted out a narrow balcony constructed of smuggled building materials, and posed on it while a helicopter flew by and took their photographs. An unbelievable, completely illegal, and fully secret stunt when it was performed, "The B-Thing" is now unbearably surreal, weirdly prescient, and forever unrepeatable.
7 x 10.5 in.
40 color illustrations
hausmag.hausie.com...
hausmag.hausie.com/gelatin-gelitin-gelintin-an-exhibition/
Speaking exclusively to HausMag, Gelitin gave us a backstage insight into their eclectically flavoured world. Gelitin is composed of four artists: Ali Janka, Florian Reither, Tobias Urban and Wolfgang Gantner. And just like their art, their answers are pleasingly raw – different from what we are used to.