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What do you make of all the Thracian icons on many of these coins?
originally posted by: Logarock
originally posted by: urbanghost
originally posted by: Logarock
Even the names of some of these British tribes and kings sound Greek with the "us/as" suffix.
Leonidas. -Greek
Tasciovonus, Epaticcus, Cumbelinus.....British.
And this Brits had no writing before Rome deal. Then what is all this writing on these coins? Time to really dig into Wilson for me.
They have latin names as they are the names given to them by the romans, there are other names for them. For instance Cunobeline or Cunobelin is called Cynfelyn in the Welsh manuscripts.
It could be, just a thought, that these were there names and the Welsh just translated them into their own language the best they could. I am just postulating that based on my idea about transplants from other parts of the Empire who understood how things were done on both sides. For instance it looks rather clear to me that Cunobline and his dad were puppets. Just a thought yet.
They look more like Griffins.
And yet we have the coin posted above found in Britain, 2 of them in fact with the raised arm, winged thing
Well where did it come from and why is it on the flag?
originally posted by: Logarock
a reply to: urbanghost
Do you know why it was chosen for the flag?
A griffin is just a dragon with a beak and we must give some room for artistic evolution here. And Isnt Griffin a well populated Welsh name?
It must have been adopted because some wizard, forget his name but don't believe it was Merlin, said that the White Dragon of the Saxons would overtake the Red Dragon of the British. He had a "vision" and saw this. And I do believe he was a saxon wiz.
originally posted by: beansidhe
Just going to stick this here before I go. It's the back-to-back crescent again. Not identical, but close, from a coin of the Iceni:
Celtic labyrinths are found among carvings at Camonica Valley, occupied by the Celts early in the first millennium, most older than the one Knossos or Classical style example found there. The mythology associated with the labyrinths also suggest Celtic origin. For example, the labyrinths containing eyes or a figure with horns and a snake about its waist imply the deity Cernunnos. Lastly, Celtic examples resembling the Cretan model but featuring path-line reversal (the path of one is traceable as the line of the other) suggest Celtic pre-knowledge of their construction.