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originally posted by: beansidhe
Agreed It's definitely an annoying one - it seems so out of place.
originally posted by: Ramcheck
a reply to: beansidhe
Completely out of place. Yep. Not by period or century or time.. But by the pure insignificance of it all? If I can say that? Clearly IF it WAS a comb as we know them now then 'Combing' surely was a regular Iron age pastime we would have heard about more thoroughly from English writings. Or as some might have mentioned a preprepared religious ritual but nope, there is something else. I don't think it's sinister. I'm not getting that, but it's not the popularitst opinion either. Could be they were used for some sexual gratification, whatever I dunno.
They are obligate ectoparasites of every avian and mammalian order except for monotremes (the platypus and echidnas), bats, whales, dolphins, porpoises and pangolins.
originally posted by: Ramcheck
Muzz, I would probably quite happily curl up and die at the thought that the elusive 'comb' was used religiously for removing Lice. I mean, there can hardly be less romantic explanation for such an over-used pictish symbol. Why would they brag about it in stone? No. It has to be something else IMHO.
Combs have been around for an exceedingly long time, and have a dual function as both a tool to untangle hair and also to remove parasites. In European folk traditions they also appear as magical objects, for example as an essential accessory for mermaids; the creature often depicted combing her hair in a hand mirror. The mermaid’s comb is frequently described as golden and provides any human who manages to acquire the object with the ability to control the creature; a recurring theme in Scottish tales of mermaids.
If we regard the mirror as providing a portal into the otherworld, with the reflection literally symbolising a window into that world, and the comb or the act of combing as part of the process of divination, then the purpose of these two symbols becomes clearer: the mermaid or banshee is divining the future, perhaps foretelling a specific event using the tools of her trade, passing that message from the otherworld to our own.
In the context of the Pictish symbols, the comb might therefore represent some or all of these elements; contact with the otherworld, a feminine aspect, and/or a symbol of control over the spirits, or perhaps a symbol of prophecy.
Previous authors have suggested that the mirror and comb, in the context of the Pictish stones, might be marriage symbols, and given the above, it is possible that the comb may well represent a symbol of marriage. Alternatively, and more likely, it might represent control over the otherworld, and relate to death and the passage of the spirit, or suggest that the message conveyed by the symbols originates in the otherworld. The significance of the mermaid’s comb being made of gold, and that of the banshee being made of silver, might also evoke solar and lunar symbolism respectively, but unfortunately in the context of Pictish carvings of combs, there is no way of knowing what material they were supposed to be made of.
originally posted by: Ramcheck
I get it. I do get it, the comb and the mirror. I just don't understand it. Neither are all that fascinating. The mirror I can understand, they somehow several hundred years ago would've perhaps seen another life in their reflection. The comb, I don't, just don't get it. At all.
originally posted by: angelchemuel
a reply to: Logarock
Nope not even them....believe me
Rainbows
Jane
originally posted by: Wifibrains
a reply to: Logarock
That would account for the preservation of the iconography locally, but does not explain how the same symbolism shows up world wide...
originally posted by: urbanghost
a reply to: beansidhe
Y Gododdin has many translations, all different. You have to be careful as it has been romanticised by the translators and embellished. If you translate it properly it is very different from published versions. The same with the Triads, The Mabinogion and all the other manuscripts translated in the 19th century. A lot of them are fakes.
Cruithne, son of Cinge, according to an old legend recorded in the Irish ‘Book of Lecain’, was the first king of the Picts, and is supposed to have ruled for 100 years. His mysterious ‘father’, Cinge, may simply be a form of the obsolete Gaelic (or Pictish?) word ‘cing’, meaning strong or brave. It may also be a form of the word ‘cinneadh’ meaning clan, tribe, kindred or offspring. Cinge’s own pedigree is given as ‘son of Luchtai, son of Partolan, son of Agnoin, son of Buain, son of Mais, son of Fathecht, son of Japheth, the son of Noah’.
originally posted by: urbanghost
There was a mirror found in Wales very similar to the Pictish symbol.
Bronze Mirror
Cant you see what going on above? The Jungian idea promotion, and some reputable school teach it, is simply something they grab on to support their unbelief in early travel by sea, civilization colonialism, ect.
There is far to much information for cross cultural examinations of iconographic use to support some idea like Jungs. They are so desperate it seems to me that they have opted for the pseudo explanation.