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FeistyFemme
The carved balls has the same carved lines like some of the ancient tombs of Ireland. I wonder what they mean?
Danbones
I just had to add this little find:
Phoenicians being known as 'purple people’ by the Greeks (as the Greek historian Herodotus tells us) because the dye would stain the skin of the workers. Herodotus cites Phoenica as the birthplace of the...
www.ancient.eu.com...
relevance?
the phone- (home)-et-ians were aryan blue in budda land
so we have budda, odin, moses, our lord amen, manis-tu, etc
and we have the pictish stones and glyphs in all the places to I think ...
the sumerian symbol for an the father of the gods is two stylus marks forming a cross
So I think the pagan stones are everywhere, and the symbols go back to thier language...sumerian phonecian and the related peoples, and the language of the pre flood civilization....the Yin Yang is a good example of that older bunch's language.
Ramcheck
Possibly Bolas or they could have been Oracles used by Druids as the tools of 'communication' with the other side, same way we roll dice nowadays to decide our fate in games. I actually think it's both. The deformed stones and the ones with holes in could have been held in ropes and used to bring down Oxen or Reindeer. An ancient hunting technique used all over the world by the time the Northern tribes arrived.
beansidhe
Incidentally, the map was not a waste of time, nor was the three hours I spent reading about the cheese making process of the Neolithic age, last night!
Logarock has put a PhD equivalent amount of information into examining the probability that no singular culture was responsible in influencing the Picts, and that they seem to share an awful lot with much older cultures.
beansidhe
reply to post by Logarock
That stone has a mirror and what looks like the back of a mirror directly across from it. Would the Minoans have used mirrors as a symbol of beauty, vanity, scrying, otherworld, wealth?
The mirror is certainly a prominent motif for the Picts, and shown in front of Carthimandua (as part of her name). Why did the Minoans depict it?
reply to post by Logarock
Actually I am trying to narrow it down. The seahorse, the winged dish, personal icons protocol, the dogs of war on martial cooperatives, ect looking for them in better conjunction. However at this point to me anyway it looks like they Pict stones represent more Etruscan, the nearby kingdom of Alba in Italy, as a whole that any one other Med influence.
I read that the Etruscans were strong enough at one point to block all other Med sea/trading powers at the Pillars of Hercules. They had good enough relations with Carthage to form an alliance. They are said to be by the Greeks the royal line that fled Troy. Anyway enjoy!
Site Form Standing Structure
Site Condition Complete 2
Details Two sculptured stones. One stone is roughly pillar shaped of blue-grey gneiss, Pictish Class I with notched double disc and a serpent with Z-rod (the serpent has scales). The other stone, the 'Newton Stone', is of blue gneiss and is around 2.03m high. It has 6 horizontal lines of characters inscribed at the top which are thought to be a debased Roman script, the meaning of which is unknown. To the left of this, down the side of the stone, runs an ogam inscription. It contains a personal name (Ethernan) and additional material that is either incomplete or not wholly legible. An incised 'kidney-bean' shape was observed on the lower side of this stone, identified as a possible Pictish mirror symbol.
www.minoanatlantis.com...
Sir Arthur Evans believed the Minoan “djew-like” symbol represented the horns of the sacrificial bull and named it the “horns of consecration” (Banou, 2008). By the Middle Minoan II (MM II) period this “sun symbol” could commonly be found throughout Crete on altars and the rooftops of architectural structures.
The name of the aborigines, unfortunately, is not preserved in the existing versions; but we have seen that these aborigines, whose extant skeletal and other remains date back to the Old Stone Age, were clearly the Picts or "British Celts." And a memory of them seems to be preserved in the Scottish version of the Brutus legend, which places the newly-arrived Brutus, as we have seen, on "The Sea of Icht (or of the Picts)," when he "banishes" from the island his "big brother," his kinsman the Tiberian Sylvius Alba and his people, who had preceded Brutus in the possession of the tin-mines and in the domination of the island. And significantly the traditional place where Brutus landed is still reputed the especial haunt of the earth-dwelling dwarfish "Pixies," who, we have seen, are a memory of the earth-burrowing Picts.
THE AMORITE PHOENICIAN TIN MINES OF CASSITERIDES OR CORNWALL (?) REFERRED TO ABOUT 2750 B.C. BY SARGON I. OF AKKAD, & KAPTARA OR "CAPHTOR" AS ABDARA IN SPAIN.
Thus this bi-lingual inscription records that: "This Sun-Cross (Swastika) was raised to Bil (or Bel, the God of Sun-Fire) by the Kassi (or Cassi-bel[-an]) of Kast of the Siluyr (sub-clan) of the "Khilani" (or Hittite-palace-dwellers), the Phoenician (named) Ikar of Cilicia, the Prwt (or Prat, that is 'Barat' or 'Brihat' or Brit-on)."
Sir Arthur Evans believed the Minoan “djew-like” symbol represented the horns of the sacrificial bull and named it the “horns of consecration” (Banou, 2008). By the Middle Minoan II (MM II) period this “sun symbol” could commonly be found throughout Crete on altars and the rooftops of architectural structures.
beansidhe
reply to post by Danbones
Sir Arthur Evans believed the Minoan “djew-like” symbol represented the horns of the sacrificial bull and named it the “horns of consecration” (Banou, 2008). By the Middle Minoan II (MM II) period this “sun symbol” could commonly be found throughout Crete on altars and the rooftops of architectural structures.
'The Receptive Crescent' from Carthage
The picts' crescent and V rod.
It's all a bit of a coincidence! I can't help thinking that the V-rod is showing a compass, for drawing circles, particularly in the more stylised stones like this: