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Originally posted by LUXUS
Ancient Sumerian clay tablet showing strange looking device with spheres suspended by wires connected to rods with pointed tips. Looks like some kind of technology?
Originally posted by LUXUS
Ancient Sumerian clay tablet showing strange looking device with spheres suspended by wires connected to rods with pointed tips. Looks like some kind of technology?
What I find interesting is the person kneeling, on thin air, a foot off the ground.
Originally posted by LUXUS
Ancient Sumerian clay tablet showing strange looking device with spheres suspended by wires connected to rods with pointed tips. Looks like some kind of technology?
Originally posted by zroth
What I find interesting is the person kneeling, on thin air, a foot off the ground.
Originally posted by OpinionatedB
reply to post by Hanslune
That said, some may have come from the Sumerian religion, as there are some commonalities in certain areas, but apparently this can be said for all three of the modern monotheistic relgions. If you go by the teaching of Islam, that all religions were once the same religion, and all became twisted over time, then this might explain the commonalities....edit on 15-7-2012 by OpinionatedB because: (no reason given)
Originally posted by Hanslune
reply to post by Hanslune
Here is the information on that cylinder seal I received by email. So not Sumerian at all but Assyrian
fairly standard, its a Neo Assyrian (934BCE-609BCE), representation of the king of heaven, in this case it shows the two gods Tammuz and Gishzida either side who guard the gateway to Heaven. You can tell that straightaway because they both have wings, the Assyrians put wings on all their creatures of heaven, to show how they were able to travel there and Tammuz and Gishzida are always depicted as twins. The God Ashur, figure on left (king of heaven) who is surrounded by five stars representing the five known classical planets:-
Mercury, Venus, Mars, Jupiter, and Saturn the two poles are Assyrian style standards, they are very distinctive, here is a better picture
...normally there is an image in the circular part, but this cylinder seal being only a couple of inches wide, it was just not possible for their artisans to fit an image in there. That is why the pole terminates in a point, because in real life that part was stuck into the ground. The human figure shown kneeling is a head priest (because he is bald), who is shown praising the king of heaven, the line with the semi circle is the roof of heaven. The entire flimsiness of the structure is supposed to remind the viewer of tents, which is a house that is capable of movement, which is how they imagined the heavens, never static, as above, so below
cylinder seals always represent well known aspects of mythology that were so popular to certain individuals that they used an image of them to sign/stamp their business contracts. They weren't the place to see experimental technology, because the image had to be known by the artisan who was commissioned to make it.
We thank Marduk for his rapid answer!edit on 15/7/12 by Hanslune because: Edited to fix the link to the image
Originally posted by bigfatfurrytexan
ATS member Marduk? Former AtlantisRising Marduk?
If so, you referred to Marduk in an earlier post as "she". That is interesting. I have not met as many people as caustic as Marduk on line.
He tells the following story about their time at the Sitchin section of that website:
new poster : so the annunaki were aliens right?
marduk : no, that was an invention by a person not qualified to make those statements
new poster : no it wasn't, Sitchin said it
..............
marduk : have you ever read any books on Mesopotamia
new poster : yes, I've read everything sitchin ever wrote
marduk: AAAAAAAAAAAAGGGGGHHHHHHH make it stop, make it stop
...... week in week out it was the same thing
This seal is interesting. But, as Hanslune is cautioning, there is a well documented understanding of Sumerian/Assyrian imagery. Having said that, it doesn't mean that some images might be more about a real event and less about artistic renditions of dogma.
Originally posted by LUXUS
So this conical shaped device with a spark jumping off of it is called "shem-an-na" or in English a fire stone. Apparently the Sumerians venerated them as objects of power.