It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
There does not exist a finite number of positive integral of true fifths to an integer value of octaves as the Fundamental Theorem of Arithmetic states that there is no positive integral power of 3/2 is an integral power of 2.[3] Presenting an infinitely long series, a physically impracticable scale can be found by extending the scale beyond the Pythagorean limits of seven tones. One must address the fundamental effect that this would have on any musical instruments as an infinitely long scale could be “infinitely difficult” to document for the benefit of musicians, let alone offering any practical solutions to instrument development.
Originally posted by rwfresh
reply to post by fulllotusqigong
When you suggest practicing the small universe are you also suggesting a modified version of this based on your insight into sound/vibration?
Originally posted by Observationalist
reply to post by fulllotusqigong
Thank you for the videos. I think I'm starting to get a glimpse of whats happening. I like when Hamerhoff talks about a sequence of nows, that resinates with me for some reason.
Thanks for all the time your putting into this thread, its great.
Originally posted by Starchild23
Can anyone tell me exactly what notes are used in The Devil's Chord? I'm working on some concepts involving vibration and spiritual awakening, and I want to see if the chord would support my theory-in-progress...
Originally posted by rwfresh
reply to post by fulllotusqigong
Thanks for the info qi!
"practicing the 12 note scale over and over and each time increasing the frequency of the body-mind to create the spirit energy."
OK so the above statement.. this is what i was really asking about.. Is the above what appears in the book you are recommending? Or is the "12 note scale" practice a modification of the small universe taught in the book?
Does my question make sense? Is practicing the "12 note scale" version of the small universe what you came up with or is this what is taught in the book? Is it a visualization or an "auditorization" of the scale (sounds) that corresponds with focus on the specific energy center or what?
Or simply.. is the statement i quoted a specific instruction or a generalization of what happens? Hope this makes sense. thanks!
This model explains spirits -- which I did see when I had done the intensive training and so I had increased my shen third eye vision energy -- the dead spirits were floating from outside the room in towards Chunyi Lin -- hovering around him. Qigong master Chunyi Lin then said this is normal for him when he is doing his qi-emitting lectures -- that the dead spirits visit him for healing.
Originally posted by DenyObfuscation
reply to post by fulllotusqigong
This model explains spirits -- which I did see when I had done the intensive training and so I had increased my shen third eye vision energy -- the dead spirits were floating from outside the room in towards Chunyi Lin -- hovering around him. Qigong master Chunyi Lin then said this is normal for him when he is doing his qi-emitting lectures -- that the dead spirits visit him for healing.
Have you considered the implications of messing with brain chemistry like this and hallucination? At least read this. The source appears to be pro quigong.
Quigong Deviation Syndrome
Originally posted by fulllotusqigong
this also opens up the rainbow vortex
Originally posted by the_philth
Originally posted by Starchild23
Can anyone tell me exactly what notes are used in The Devil's Chord? I'm working on some concepts involving vibration and spiritual awakening, and I want to see if the chord would support my theory-in-progress...
For your spiritual journery, I'd suggest you research/Google the Solfeggio Frequencies and/or why 432 Hz is important...
The diminished fifth or the "devils chord" isn't really a chord per se; you can use it in all keys.
For instance, in the key of G, the chord would be made up of the One, the Flat Fifth and the One octave - G, D♭(flat) and high G.
Like I said, you can use this chord in any key by using the One, ♭Five and One (octave = 8va), just as long as you flatten that fifth.
Tritone in C would be = C, G♭, C
Tritone in A would be = A, E♭, E
Tritone in F would be = F, B (or C♭), F
Originally posted by the_philth
Originally posted by Starchild23
Can anyone tell me exactly what notes are used in The Devil's Chord? I'm working on some concepts involving vibration and spiritual awakening, and I want to see if the chord would support my theory-in-progress...
For your spiritual journery, I'd suggest you research/Google the Solfeggio Frequencies and/or why 432 Hz is important...
The diminished fifth or the "devils chord" isn't really a chord per se; you can use it in all keys.
For instance, in the key of G, the chord would be made up of the One, the Flat Fifth and the One octave - G, D♭(flat) and high G.
Like I said, you can use this chord in any key by using the One, ♭Five and One (octave = 8va), just as long as you flatten that fifth.
Tritone in C would be = C, G♭, C
Tritone in A would be = A, E♭, E
Tritone in F would be = F, B (or C♭), F