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An old canard used by UFO enthusiasts from the 1950s to the present has been debunked by an Italian art historian. The original material has been around since at least 2004, but since it was originally published in Skeptic magazine, most ufologists have chosen to ignore the analysis.
Diego Cuoghi examined many of the strange, saucerlike objects hovering in the background of Italian renaissance paintings, and applied a thorough knowledge of Christian iconography to show that most, if not all of these examples can be explained as representations of saints, the holy spirit, angels etc.
Cuoghi also looked at a myriad of websites dealing with UFOs in old religious paintings and explains:
…no one of the authors of these web sites takes into account the symbolic meaning of these strange elements in respect to the art of the period. Worst of all, by considering these elements as the representation of something real or really seen by the artist, they assume that the artist, eg. an Italian artist of the ‘400 [likely translation error--should be "1400s] or an anonymous Byzantine painter, [would] actually be allowed to insert any non canonical or un-codified element into a religious representation.
In other words, everything in Roman Catholic religious paintings had to be approved by the Church before any public display could be allowed. The local Cardinal would have questioned everything in the work, and if the artist just happened to have seen or heard of shiny flying plates didn’t mean that he could put them in his painting.
Shamans, kings, and warriors often (usually) bear distinctive headgear in order to distinguish themselves from others. The Hawaiians for example had some unique designs which some might say look alien.
So they have reptilian heads. So what? That means they are extraterrestrial? You can also find sculptures with cat heads, wolf heads, Ibis heads. Forget about Bast, Anubis, and Thoth?
In other words, everything in Roman Catholic religious paintings had to be approved by the Church before any public display could be allowed. The local Cardinal would have questioned everything in the work, and if the artist just happened to have seen or heard of shiny flying plates didn’t mean that he could put them in his painting.
Originally posted by Phage
When it comes to interpreting art the interpretation is often in the eye of the beholder. What is "obvious" to one is often not so obvious to another.
As has been pointed out, the religious art of the middle ages is rife with specific symbolism. Without an understanding of that symbolism it is easy to make guesses about what is depicted but it's easy for those guesses to be wrong. Something that puzzles me about the UFO interpretations in this art is that these are artistic renderings of biblical events. Where in the stories which inspired the art are the UFOs?
For me, the Inca objects bear a stylized resemblance to the family of fish, rhinobatidae, more than any aircraft I've ever seen. The arrangement of the empennage does not really make sense from an aerodynamic standpoint, with the horizontal stabilizer positioned so far forward of the vertical. Yes, it can be made to fly, but so can a lawn mower.
Interpreting very ancient drawings becomes problematic. Placing the mystical representations by ancient man into the context of reality is a reach but even so, there is no reason to call upon an extraterrestrial interpretation. Shamans, kings, and warriors often (usually) bear distinctive headgear in order to distinguish themselves from others. The Hawaiians for example had some unique designs which some might say look alien.
edit on 10/9/2010 by Phage because: (no reason given)
Originally posted by Mdv2
Are there any known written records about UFO sightings in the past (before the 20th century). Since they are portrayed on several paintings, you would think that such impressive events must have been written down in books.
I know there is room for speculation concerning some of the material you have presented. But I would like to comment on the pictures of gold figures that seem to resemble aircraft.
Because these figures are made of gold, they are hard to date, but it's certain that they are least 1000 years. Estimations place them between 500 and 800 CE. They were found around Central America and coastal areas of South America. For anyone who knows anything about aeronautics these items are simply mind blowing. They depict undoubtable knowledge of aeronautics. In the last picture you see scaled up models of these figures, three German model enthusiasts, Eenboom, Belting and Lübbers, have constructed a propeller-driven and jet-engine driven scale models of these figures, and they flew beautifully, compare them with these model RC jets. The source for these pics is the Ancient Aliens series 2010.
What draws my attention to these "aircraft" style items is not only are they made of a material meant to last, not to actually "fly", but rather last through the ages, is also the fact that there seems to be no comparison in nature with the way they are constructed. Only modern aerodynamics offers us some basis for comparison, no flying birds or insects or anything known in nature resembles the components we see in those photographs.