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Originally posted by Pervius
(humans couldn't survive the radiation exposure)
The spacecraft were already in elongated orbits that passed close to Earth at one end and looped far into space at the other end.
why can't the ISS (space station) use the same shoe string slingshot method to get to the moon for a nice slow cruise to put the ISS in orbit around the moon?
The Command Module was called Columbia and the Apollo Lunar Module was called Eagle. The launch weight of the Saturn V was 2,923,387 kg and the total spacecraft weight was 46,678 kg. The Command Service Module weighed 30,320 kg (CM was 5960 kg, Service Module: 24,360 kg). The Lunar Module weighted 16,448 kg, of which ascent stage was 4985 kg and the descent stage 11,463 kg.
Originally posted by DJW001
reply to post by FoosM
The point is that the maps are similar in scale.
Maybe I should of said they are using the same cameras.
Why shouldn't they be to the same scale? You can enlarge a photo to any desired size. Am I missing something here?
Originally posted by Pervius
SOOOO....why can't the ISS (space station) use the same shoe string slingshot method to get to the moon for a nice slow cruise to put the ISS in orbit around the moon?
Apollo 16 and 17
Two factors improved the quality of the television still more on the last Apollo missions. NASA's using the 210-foot dish stations of the Deep Space Network, which increased the signal strength by almost 8 dB, brought about the first improvement.
Image Transform, then a startup company in North Hollywood, brought about the other improvement. They demonstrated to NASA, using Apollo 15 footage, their new proprietary system for enhancing video. NASA had them bring their system online for Apollo 16. Now the converted video from all EVA's was shipped to California, enhanced, returned to Houston, and then distributed to the network pool, all in real time.
During Apollo 15 EVA's, the camera developed a clutch problem in the tilt axis. Flight control deemed it too risky to tilt the camera during liftoff to follow the ascent stage. For Apollo 16 and 17, however, flight controllers did track the ascent stage. With the punch button command arrangement and a 3 to 4 second time delay, their command sequence had to be totally preplanned.
Originally posted by weedwhacker
See there? The Command and Service Module used different hypergolic fuels for RCS propellant. The Lunar Module used the same propellant for the RCS as for the engines. When the various substances react, they will have different visual appearances...and as already mentioned, the LIGHTING makes a big difference, too!!
(Is a match flame brighter in direct sunlight, or reflected sunlight, or in dark of night??)
If humans expect to survive long term flights to mars, for example, in 10 to 15 years,
they better start practicing in their own backyard.
Originally posted by FoosM
Its like NASA is using the same plaster of paris moon they used for Apollo for new missions.
Im starting to think that maybe they are hiding something there on that moon.
Originally posted by jra
Originally posted by FoosM
Its like NASA is using the same plaster of paris moon they used for Apollo for new missions.
Im starting to think that maybe they are hiding something there on that moon.
These two sentences contradict one another. First you imply that both sets of images are fake, but then go on to say that you think they might be hiding something on the Moon. Wouldn't you need to have gone to the Moon, to know what's there, if you're going to hide or cover-up something that's on it?
As for the two images being compared. The one from the LRO in that image is at 1.07m/pixel. (Link), but there are others that are higher like this one.
Originally posted by FoosM
Where is the antenna?
140:50:02 Shepard: Okay. Here we go. (Long Pause) Okay, Houston. The (S-band) antenna blew over.
www.hq.nasa.gov...
Originally posted by theability
Wow ppk55, I am sure you say it once again, all under the guise of asking questions. But seriously when does a question become unrealistic?
Originally posted by SayonaraJupiter
reply to post by DJW001
"real time video color correction"?
This is a part of the film making process, after all. When the shots are "in the can", a film director and editor review all the source material. Color correction is a vital part of post-production work in film making.
This is "switch-a-roo". NASA handed off the video to a Hollywood startup video CGI company called Image Transform. So it is a fact when we are watching these videos we are not seeing original NASA footage - we are not seeing original source material. We are only seeing what NASA wants us to see - copies of copies, converted conversions that have been "color corrected"?
I think it is wrong for NASA to pass off this video material as original source material and I think it is a bit problematic for vehement NASA supporters to insist that this is original NASA source material ... [sic] ... the video for A16 & A17 were "converted" and "enhanced", "shipped" from Houston to Hollywood back to Houston in "real time" before the video was released to the "network pool".