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Originally posted by StargateSG7
In conclusion, I suggest that we wait and see
before we rush to judgement and that cooler heads
must prevail before "we doth protest too mucheth".
So hold your horses and let the guy do his job
and only THEN can we comment with a modicum
of certainty or truth!
Originally posted by StargateSG7
His demeanor on the phone was professional and courteous,
although he did express his obvious chagrin at the myriad
of "Conspiracy Sites" and "Nutcases" that have created
a worldwide furore over his efforts. He indicated his
displeasure at being hampered by the constant and
bothersome interruptions and would prefer that he
be allowed to continue his efforts in peace.
Originally posted by zorgon
Originally posted by ZeroGhost
They where using airbrushes in the 20's. Just look at Art Deco works to see proof.
Yes but on photos? In Photoshop?
It was the world's first 64-bit workstation. Crimson was a member of Silicon Graphics's SGI IRIS 4D series of deskside systems; it was also known as the 4D/510 workstation. It was similar to other SGI IRIS 4D deskside workstations, and could utilise a wide range of graphics options (up to RealityEngine).
Originally posted by Electro38
reply to post by BlasteR
Thanks for posting that, I did not see it. They really are doing something there.
So these were previously classified, and now declassified tapes?
Originally posted by Phage
As the Apollo Knowledge Transfer presentation says; this is a collaborative effort between NASA, Dennis Wingo of Skycorp, Inc, and the University of Alabama at Huntsville. Skycorp has had contracts with NASA since 2005. The contracts have been for; Aeronautics and Space Technology -- Basic Research (R&D), ADP Input/Output and Storage Devices, and Arts/Graphics Services.
Originally posted by ZeroGhost
reply to post by zorgon
I am an Airbrush expert. I used several types and brands daily for illustrating from the 70's to the late 90's photo retouching, illustrating and such.
ZG
Originally posted by zorgon...MAKE THEM AVAILABLE TO THE TAXPAYERS
Originally posted by MrPenny
It would be different if Mr. Wingo had signed some sort of release permitting the publication of his image and words. Obviously, that was not obtained and he exercised his rights as a citizen.
They normally had 8 tracks and also recorded to a special standard (which I forget - Google it) developed by Ampex and NASA for the space programme. Typically the transport used one inch tape (70mm????) and had speeds of between 15/16th and 60 inches per second. Actually at 60 IPS you can record monochrome video pictures (at poor resolution) but I don't think that NASA did this. They didn't have high definition video in those days and used (as I understand it - the SMPTE journal has information on it) a combination of something like a still camera and a videcon pick up tube at the focal plane. Apparently they put a shutter in front of a videcon tube and would quickly expose a single image on it. Because of the inherent image lag of the tube they would have enough time to fairly slowly scan the target and be able to make an analogue recording on one of these instrumentation recorders. They could have probably used an audio recorder! In fact on one of their space probe camera systems the shutter was designed by a certain Mr Bolsey who once designed the Bolex cine camera and the Alpa still camera... I suppose they played the signal back onto a long persistence tube and photographed it. They might even have used a tube with a fibre optic faceplate and taken a contact print.
Originally posted by Zelong
A "zorgon" I don't know how to reach you?