I applaud Mr. Williams for sharing his story with us here at ATS. With the recent mainstream news of British releases of their
'x-files',
Britain releases batch of files on UFO sightings hopefully all the british
tabloids will gain wind of this thread through the powerful system of tubes called the 'inter-web', and kick themselves for ridiculing Mr. Williams
instead of providing him an opportunity to tell his side of the story, and selling thousands of copies of their rag in the process. I guess that
comes from being the number one British solo artist in history. (Ironically, as an American, I am unsure if I have ever really heard his music,
although I must have, right?) Personally, I fault the same system of Tabloids, and their insatiable needs, for the death of Princess Diana. (above
and beyond the possible ritualistic/esoteric connections/causes discussed at length here at ATS) So thank you Mr. Williams for stepping up to the
plate, and not allowing the yellow journalists to sway your opinions or decisions.
In regard to the two separate incidents, I sense that in some ways, although isolated, they are somewhat connected. The experience with the
triangular craft probably was one of the nexus points in the creation of the song "Arizona" that 'interacted' with the phenomena that was
experienced. Some of my recent research leads me to believe that the intent of the mind can have profound effects on future outcomes in regard to
what the mainstream calls 'metaphysical' energies. That the intent and life experiences that were 'put into' the song, can convert to other forms
of 'energies'. The simplest example is the way that audiences respond to certain performers and performances. In regard to the song 'Arizona", I
think that the energies of the people who were listening to it with Mr. Williams amplified the messages that he embedded consciously and
subconsciously. Think about the excitement anyone one of would feel hearing an unreleased track from a world superstar coupled with all the other
energies were put into to the song to get to that point (writing, recording, mixing, mastering). All that energy. Maybe I am off base, but it almost
seems like common sense if you forgo what we are taught about what energy actually 'IS'.
And in regard to the second incident, it seems to me that some sort of communication was occurring to a degree, and that for some reason, that caught
the attention to some one/thing that then spanked you with some energy, and then did some sort of surveillance. Perhaps it is the intent and energy
put into the song that sparked (pun intended) the attention, but I would recommend that Mr. Williams be very careful. I almost feel that if any
sliver of the UFO/Reptilian/Mind Control stuff that Icke speaks on is real, there is a very real possibility that what prevents Mr. Williams from the
same amount of success here in the US as elsewhere in the world and is part of the same 'force' behind the dark ribbon that spied on him and his
friends.
Perhaps it is not a fair question to ask, but I wonder if Mr. Williams has ever been approached and then rebuffed any 'offers' or something like
that from shadowy elite types. I am not being literal, but to a degree it would be interesting if he ever had an experience that left him baffled in
that way. Perhaps he said yes to some, but no to others....
Then again, perhaps Mr. Williams telling his stories here combined with the timing of the British X File releases are are all a part of the same
Cointelpro program, and he already said Yes, Yes, Yes, and is only here to dupe us already here and drive more new traffic to the sweet sweet honey
pots at ATS. Right Springer? (wink)
DocMoreau
[edit for grammar]
[edit on 16/5/2008 by DocMoreau]