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Originally posted by musikman
You mean to tell me there's not a single piece of optical equipment on these multi-million dollar rovers capable of taking TRUE color pictures?
Again, I'm no expert on this topic and maybe I'm missing something, but why the need for all these "COLOR CORRECTIONS" everytime a new picture is released?
Originally posted by II HAL II
.... but if wind blew the dust onto the rover in the first place where did the CLEAN wind come from?
No, they don't know the colour of every object that appears on the photos, and that is the only way of recreating the real colours without all the data.
Originally posted by zorgon
But they DO know what the color should look like... they just prefer to tint it reddish just like the conspiracy sites love to tint it with too much blue...
Originally posted by ArMaP
No, they don't know the colour of every object that appears on the photos,
Originally posted by weedwhacker
Sorry, Z, to be contradictory...but Red, Green, Blue are not primary colors.
Let's not confuse the issue...Red, Yellow, and Blue are primary colors.
Originally posted by TheoOne
Ok, here's the much more zoomed-in image of this humanoid object -
Weird for sure.
Originally posted by Estess
I found a pic of MARS from the ESA website, looks like there's grass on the planet:
This colour picture was taken by the HRSC camera on board ESA's Mars Express, from an altitude of 320 kilometres. It shows the centre of crater Gusev with the landing site of the NASA Spirit rover (marked). Gusev is a crater of 160 kilometres diameter. Earlier in the history of Mars, it appears that this area was covered by water. Because of the probable existence of sediments from this ‘lake’, Gusev is a highly interesting target in the search for traces of water and life on Mars. The area shown measures about 60 kilometres across at the bottom; North is at the top.
Originally posted by musikman
Now lets say a "second" picture was taken and the "humanoid" object WASN'T there... then what??
Originally posted by weedwhacker
Sorry, Z, to be contradictory...but Red, Green, Blue are not primary colors.
The Pancam does an acceptable job on the red, blue, and green panels; however, the yellow panel appears orange in the Pancam image. This may be a result of the unusual pigments used on the calibration target and the narrowness of the Pancam filters. The image in Figure 3 on the far right shows the calibration target taken by the Pancam on Mars. The Pancam image on Earth and the Pancam image on Mars appear quite similar. This is not the result one would expect if the illumination on Mars was substantially redder than that on Earth.
Perhaps this is the best goal for the production of color imagery from Mars. Rather than search endlessly for the unknown illumination of the surface, the color calibration charts should be used to render the Martian scenery as it would appear on Earth. Martian objects would be more easily understood if they were illuminated by lighting conditions with which we are all familiar.
In any case, the corrections for the Martian illumination are suspect. In any published final image, it is essential that the assumed illumination model be the same for the colored panels as it is for the gray. These panels are only centimeters apart and they are surely bathed identical illumination.
3. SUMMARY
Images of the color calibration chart taken on Mars for the express purpose of verifying calibration seem to be in reasonable agreement with calibration images taken on Earth under Earth-like illumination conditions. However, calibration charts shown inadvertently on production panoramic images are not compatible with those images made for the express purpose of calibration. This incompatibility is in two areas. First, the gray panel pixel values, while having the same slope in both images, have substantially different offsets. A hypothesis of variable illumination is only expected to change the slope. The offset at the darkest pixel values should always be zero. Black pixels, which are at the intercept, should not be affected by illumination. The observed offsets are preferential to the red and minimize blue. However, in addition to these unusual linear changes, there is also observed a non-linear suppression of blue reflectivity in the L6 channel on the blue color panel. The L6 channel in the mosaic panorama shows virtually no response on the blue color panel.
Color calibration charts in production MER images should either match the charts generated during calibration or should differ from them by a single uniform illumination model, expressed as overall multipliers for the red, green and blue channels.
Otherwise, production Martian images should either be made using the color chart to match Earth illumination, or should be made by trusting the luminosity calibrations made on Earth before launch.