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NWO is responsible for concert pitch A-440hz

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posted on Jan, 9 2008 @ 07:24 PM
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Originally posted by Maya432

He has started the sequence from "F-432"



sorry ,meant to say he started the sequence from "A" but using
"F" as the 432hz

but the more I look at it ..it has some discrepensies again.
like B# to C....isn`t that the same note?
and E# to F..same thing.
I`m going to e=mail this guy as see if I can get an answer.
sorry folks
....sigh.....I sure like jumping to conclusions huh?


[edit on 9-1-2008 by Maya432]



posted on Jan, 9 2008 @ 09:17 PM
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ok ..I see..I think

He is thinking of a completely new Music Notation based on the
piano structure.



posted on Jan, 9 2008 @ 10:20 PM
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i figured out a really easy way to prove that the notes are not equal
and do not have the same number values
and go up in pitch/hz in relation to their position.

ei.. 440, one octave higher is 880..
therefore there is 440hz in one octave. says joe

432, one octave higher is 864...
therefore there is 432hz in one octave. says bob

330. one octave higher is 660...
therefore there is 330hz in one octave..says henry

hmmmm? they can`t all be right......or can they?
yes in fact they are all right.

so I hope this explains it.

what we are looking at is not a "what is it ? "
its a "Where is it ? "



posted on Jan, 9 2008 @ 11:54 PM
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You alwyas find higher harmonics.
www.upscale.utoronto.ca...

However the shape is also important.
You can have a sine, block or sawtooth wave.
At least the last 2 one are more dangerous.



posted on Jan, 10 2008 @ 12:12 AM
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I am really impressed to find the number 440 also in the bible.
www.hooper-home.net...
It shows indeed that 44 * 10 = 440 is the period of Jacobs enslavement.

It even shows the 880 for Jesus. He returned after Golgotha from hell.
Finally he saved us from hell and got number 888.
Because the devil is 666 and Jesus is 888, this will give a pythagoras value of 1110.
SQR (1110) = SQR(666) + SQR (888)
Music is mathemetics.
For me it is clear that the sizes of a building have major impact on music.



posted on Jan, 10 2008 @ 12:18 AM
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reply to post by Maya432
 


There are MANY theories for 432. In respectable theories form Joseph Cambell, all the way to Sitchin. But I've never heard it used for musical frequencies. I must say I am quite intrigued.

I know as a guitarist, I've always hated the 440 tone, so I tuned a whole step down, as it seemed more...natural to me. I've read the native americans tuned their instruments near to what we now call 'F#'. I've also read that the Pryamid of Giza and the earth's frequencies are either octaves or harmonics near 'F#'.

With that said, if the REAL note of 'A' should be 432, and you based your tonic of the earth's something just below F#, that would make 'A' a minor 3rd. What if you took that into consideration, and realize the minor 3rd is used in conjunction with the so called Diabolus in Music (Devil's Chord, so to speak), the flattened 5th, other wise known as Diminished. Perhaps that's perfect harmony of nature, and that's why the Catholic Church deemed it satanic, and a heresy to play it, because it could unlock the mind.

Take into consideration now classical music, especially Bach, it is full of diminished scales. I know a lot of people that hate the diminished scale and chords, because it makes them feel uneasy. But I think they are feel uneasy, because they are fighting the natural animal tendency within. Perhaps that is why Dimished scales are mainly used to convey emotion in genres like classical, metal, and mid-eastern music, and all other forms of 'popular music' tend to steer clear of it.

This is just coming to me right now, what you've written has indeed sparked an interest, and I will investigate further into this. Perhaps a 432 tonic diminished chord will unlock a harmonic frequency of some kind. Perhaps ancient levitation, as some reports from tibet have said occurs when numerous large horns are played.

I'll be back!



posted on Jan, 10 2008 @ 12:41 AM
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Originally posted by hawk123
Finally found the connection between 432 and 440.
Checked again the 7 liberal arts as described earlier in this thread.

Now check geometry:
The pyramid of Giza reflects twice the Consecration number 432
www.earthmatrix.com...
The base of Giza pyramid is 440 cubits
www22.ocn.ne.jp...

The speed of light = 432 * 432 miles / second
and ¼ mile = (440 yards)

Now trying to find again what this means for 440 music pitch.


You can't bring made up english measurements, they have absolutely nothing to do with music. In fact, if you wanted to get technical with all this 'false religion' stuff, then you'd use the old Sumerian of base 12 math (which gave us the circle).

12x12x3 (triangle) = 432

But as I said before, MANY myths surround the number 432, it's in almost every ancient religion. Just read some of Joseph Campbell's works. I think you'll find it intriguing that all past civilizations have tried to keep that number alive in some way.

Could the pyramids (a collection of 4 triangles and on square) be a sign of this as well? I believe sound (resonance) can move, break, destroy and even levitate something, and it all has to do with that object harmonic frequencies.

But using human measurements (feet, miles, kilometers) will get you nowhere. you need to stick to pure mathematics. Sorry to be so uncourteous, but I've seen that mistake too many times. Heads up though. This could get very interesting.



posted on Jan, 10 2008 @ 01:19 AM
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reply to post by joesomebody
 


Wow, thank you so much for the link to that generator. Anyone hear of Hemi-sync?

I'm going to try using Binaural frequencies. left ear at 432, and the right at variable frequencies. I'm going to see if my flattened 5th theory makes my skin crawl!!!


EDIT:

to the OP and others interested, here's a website dedicated to the 432 frequency and Fibonacci. ENJOY!


EDIT AGAIN:

help if I actually post the website, haha

goldennumber.net...

[edit on 1/10/2008 by Arcane Demesne]

[edit on 1/10/2008 by Arcane Demesne]



posted on Jan, 10 2008 @ 01:33 AM
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Holy crap! With A at 432, that puts F# at 720 (thus securing the number 72), another very sacred number used in almost all religions! this is amazing. I can't wait to try levitating things.


EDIT:

with that sound generator, I had left ear at 432, right at 720, and both were set to triangular waves. It was actually very soothing. Wish I could create a larger chord.



[edit on 1/10/2008 by Arcane Demesne]



posted on Jan, 10 2008 @ 02:14 AM
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Originally posted by Arcane Demesne

Originally posted by hawk123
Finally found the connection between 432 and 440.
Checked again the 7 liberal arts as described earlier in this thread.

Now check geometry:
The pyramid of Giza reflects twice the Consecration number 432
www.earthmatrix.com...
The base of Giza pyramid is 440 cubits
www22.ocn.ne.jp...

The speed of light = 432 * 432 miles / second
and ¼ mile = (440 yards)

Now trying to find again what this means for 440 music pitch.


You can't bring made up english measurements, they have absolutely nothing to do with music. In fact, if you wanted to get technical with all this 'false religion' stuff, then you'd use the old Sumerian of base 12 math (which gave us the circle).

12x12x3 (triangle) = 432

But as I said before, MANY myths surround the number 432, it's in almost every ancient religion. Just read some of Joseph Campbell's works. I think you'll find it intriguing that all past civilizations have tried to keep that number alive in some way.

Could the pyramids (a collection of 4 triangles and on square) be a sign of this as well? I believe sound (resonance) can move, break, destroy and even levitate something, and it all has to do with that object harmonic frequencies.

But using human measurements (feet, miles, kilometers) will get you nowhere. you need to stick to pure mathematics. Sorry to be so uncourteous, but I've seen that mistake too many times. Heads up though. This could get very interesting.


Music is one of the 7 liberal arts as explained on the MYSTERIOUS LADDER:
www.bradford.ac.uk...

On the following page you find the connection to miles.
www.greatdreams.com...
The harmonic of 44, 440, is the number of yards in a quarter-mile. It is also the cycles per second of the central "A" note of the piano.

The number 72 is already explained in:
www.abovetopsecret.com...
Posting date time: posted on 9-1-2008 @ 12:13 PM



posted on Jan, 10 2008 @ 02:20 AM
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On the pyramid question:

www.soulsofdistortion.nl...

The coffer inside the King’s chamber for instance has a perfect resonance frequency of 440 Hz, the ground note A, the frequency of a tuning fork.



posted on Jan, 10 2008 @ 03:29 AM
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I keep calling a Sphere/Circle a "tectonic solid"
(i think i spelled it techtonic)...lol

that is wrong and i should correct myself.
it is a solid..I think

sorry...I`m learning along the way here too.

the tectonic shapes seem to originate from the circle,
and are contained by its circumference but they do not include the circle its
self..(think i got that right) theres 5 i think.



posted on Jan, 10 2008 @ 11:11 AM
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reply to post by hawk123
 



According to Boris Said, who was with Tom Danley when he conducted his tests, the King's Chamber's resonated at a fundamental frequency and the entire structure of the King's Chamber reinforced this frequency by producing dominant frequencies that created an F sharp chord. Using large amplifiers F sharp is the frequency that is in harmony with the earth. Said claimed that the Indian Shamans tuned their ceremonial flutes to F sharp because it is a frequency that is sacred to mother earth.

www.gizapyramid.com...


That's where I remember the F# from...



Striking the coffer inside the King's Chamber results in a deep bell-like sound of incredible and eerie beauty, and it has been a practice over the years for the Arab guides to demonstrate this resonating sound to the tourists they guide through the pyramid. This sound was included on Paul Horn's album, (Inside The Great Pyramid, Mushroom Record, Inc., L.A., CA) After being advised of the significant pitch produced by the coffer when it has been struck, and the response of the chamber to this pitch, Horn brought along a device which would give him the exact pitch and frequency. Horn tuned his flute to this tone which was emitted, which turned out to be ‘A’ 438 cycles per second. In a fascinating booklet about his experiences at the Great Pyramid, Horn describes phenomena concerning the acoustic qualities of the inner chambers.

www.gizapyramid.com...


There however, Chris Dunn's experiments (one of the main researchers as the Giza pyramid as a resonance chamber mind you), show that it rings at 438, not 440. And here is what Paul Horn said (the guy who actually PLAYED IN THE PYRAMID):



"The moment had arrived. It was time to play my flute. I thought of Ben Peitcsh from Santa Rose, California (a man who had told Mr. Horn about the pitch of the coffer) and his suggestions to strike the coffer. I leaned over and hit the inside with the fleshy part of the side of my fist. A beautiful round tone was immediately produced. What a resonance! I remember him also saying when you hear that tone you will be ‘poised in history that is ever present.’ I took the electronic tuning device I had brought along in one hand and struck the coffer again with the other and there is was - ‘A’ 438, just as Ben predicted. I tuned up to this pitch and was ready to begin. (The album opens with these events so that you can hear all of these things for yourselves.)"

And, indeed, the sound, which Paul Horn brought to my living room, was most fascinating. One can understand why many people develop feelings of reverence when exposed to this sound, for it has a most soothing effect on the nerves. For this alone, the record was worth the price.

"Sitting on the floor in front of the coffer with the stereo mike in the centre of the room, I began to plan, choosing the alto flute to begin with. The echo was wonderful, about eight seconds. The chamber responded to every note equally. I waited for the echo to decay and then played again. Groups of notes would suspend and all come back as a chord. Sometimes certain notes would stick out more than others. It was always changing. I just listened and responded as if I were playing with another musician. I hadn’t prepared anything specific to play. I was just opening myself to the moment and improvising. All of the music that evening was this way - totally improvised. Therefore, it is a true expression of the feelings that transpired."

www.gizapyramid.com...


I know people will round up numbers where they see fit. I hope you are weary of this and do not fall for other men's tricks.

It feels weird coming so late into a discussion I care so deeply about, oh well.



posted on Jan, 10 2008 @ 11:37 AM
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reply to post by Arcane Demesne
 


Very interesting is that 2 Hertz difference
I am focussing on the frequency of the coffer in the Kings Chamber
Your link provides 438 Hertz
My link provides 440 Hertz.
On the site you provided I found on the following link the explanation:

www.gizapyramid.com...

Paul Horn, using a Korg tuner, found that when he struck the coffer it registered the note A with a frequency of 440 cps. Dunn also discovered that when he struck the coffer it registered with a frequency of 438 cps and that the entire chamber was designed to amplify and resonate that frequency and octaves thereof. Dunn's matrix tuner was inferior to Horn's Korg tuner, and his 438 was close enough to Horn's 440. This has been confirmed by other researchers.

Also NASA researched the pyramid on 440 Hz.

I



posted on Jan, 10 2008 @ 11:53 AM
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reply to post by Maya432
 


Spheres are based on the Tree of Life.
The next link shows it for planets.
www.geocities.com...

One step higher on the MYSTERIOUS LADDER shows it for music.
en.wikipedia.org...
On above link:
Metal band Dååth (pronounced 'doth') also uses the Tree of Life as a basis for their music
en.wikipedia.org...



posted on Jan, 10 2008 @ 12:53 PM
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reply to post by hawk123
 


Ah I see. I didn't read further down, thanks for the info. So then, what does that say about 440 vs. 432? That the Egyptians were evil because they incorporated that frequency in their most prominent structure, used to catapult their dead kings spirit to Orion?

Just trying to get a grasp as to why some here that 432 is pure, and 440 is evil if the egyptians (long before the Nazis) used it.



posted on Jan, 10 2008 @ 01:22 PM
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Originally posted by Arcane Demesne
reply to post by hawk123
 


Ah I see. I didn't read further down, thanks for the info. So then, what does that say about 440 vs. 432? That the Egyptians were evil because they incorporated that frequency in their most prominent structure, used to catapult their dead kings spirit to Orion?

Just trying to get a grasp as to why some here that 432 is pure, and 440 is evil if the egyptians (long before the Nazis) used it.


With 432 all higher harmoics are also sine waves.
432 is linked to the Cosmic Key (Sun) and natural.

440 gives on the higher harmonics block and sawtooth waves.
These have a high impact on your body and soul.

440 is the Enslavement code. (As now bye New World Order)
Also check the harmonics of 440.

You can take your own conclusion if it is evil. See
www.abovetopsecret.com...
And then my posting on: posted on 9-1-2008 @ 12:20 PM

Onre remark.
The base of the Giza pyramid is also 440 cubit.

I knew about the Orion connection, but I do not think that is the Evil destination.



posted on Jan, 10 2008 @ 01:43 PM
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Originally posted by Maya432
I keep calling a Sphere/Circle a "tectonic solid"
(i think i spelled it techtonic)...lol

that is wrong and i should correct myself.
it is a solid..I think

sorry...I`m learning along the way here too.

the tectonic shapes seem to originate from the circle,
and are contained by its circumference but they do not include the circle its
self..(think i got that right) theres 5 i think.

On the Mysterious ladder (seven liberal arts) music is between Astronomy and Geometry.
Pythagoras named it for Geometry: platonic solids
For Astronomy it are just the planets
The Music layer between them is sometimes called: Music of the Spheres or Music for the Planets
www.nineplanets.org...



posted on Jan, 10 2008 @ 02:55 PM
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reply to post by hawk123
 


Another option is to call 432 music:
Music of the Oxygen cubic spheres. That is what people need to live.
432 Oxygen atoms are placed in cubic box of edge length L = 21.48 Å


Now trying to find the molecule 440.



posted on Jan, 11 2008 @ 09:53 AM
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In ancient time Pi was expressed as 22/7 is almost Pi = 3.14..
Pi more exactly is 3.1415926535897932384626433832795
Giza Pyramid base is 440 cubits and the height is 280 cubits.
Now 2 * 440 base / 280 height = 880 / 280 is almost Pi



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