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many scholars have nominated Montségur as the Holy Grail castle. In Wolfram von Eschenbach's epic poem Parzival (circa 1200-1210), the linguistic correlations are intriguing. His Grail castle is called Monsalvat, which is similar to Montségur and has the same meaning: "safe mountain".
It was given into the safe-keeping of the Cathars, and smuggled out of the last stronghold at Montségur, France, and hidden, by four Cathar women on the night of 14 March 1244.
1-7The pelican (?) came forth from the holy reed-beds. It came forth from the holy reed-beds. The wise pelican (?) spent the day high in the skies. The pelican (?) cried out in the sky: its singing was sweet and its voice was pleasing. My lady ...... her pelican (?) with beauty. The mistress mother Nance ...... her pelican (?) with beauty.
In ancient Egyptian mythology, Aaru (/ɑːˈruː/; Ancient Egyptian: jꜣrw "Reeds, rushes"), known also as sḫt-jꜣrw or the Field of Reeds, is the heavenly paradise where Osiris rules. It has been described as the ka (a part of the soul) of the Nile Delta.
a terracotta vessel with many little bowls stuck on to it. In them there is sage, white poppy heads, wheat, barley, peas (?), vetches (?), pulse, lentils, beans, spelt , oats, cakes of compressed fruit, honey, olive oil, wine, milk, and unwashed sheep's wool. When one has carried this vessel, like a liknophoros, he tastes of the contents
Now this association of the Grail Bearer with the mysteries of Cybele is supremely significant since it is with the cult of Cybele and Attis, her consort, that Miss Weston long since connected the Grail initiation rite.
We hear of the image of the mutilated god placed on a couch, of lamentations by night about the bier, of the bringing in of a light, the anointing of the weepers by the priest, and a pronouncement that all should rejoice because the god is healed and their salvation has come.
There is good reason to infer that the god too was anointed to bring about his renewed vitality. We hear also of a ritual feast at the beginning of the ceremony and of a ritual marriage of the initiate with the goddess at the end.
If we combine the myths about Demeter and Iasion with the mysteries of Cybele and Attis, we can explain an incredible number of features in the Grail legends.
For it has generally been assumed that the name of Gawain, who, as we have seen, plays the role of Cuchulinn both in the rescue of the flower maiden and in the Beheading Game was derived from the Welsh Gwalchmai. To be sure, there were difficulties. No influences could be detected that would produce the n in Galvain; Rhys himself had to admit that he could not tell why a solar deity should be called “hawk of May,” presumably the meaning of Gwalchmai
Neolithic Anatolia has been proposed as the homeland of the Indo-European language family
so the Goddess of the Abyss had the Swan as her standard
In the Japanese folk- tale of The Heron Maiden, a young man comes across a wounded heron, and he takes it in and nurses it back to health. When the heron has regained the use of its wings, he releases it, and the heron flies away.
Time passes and the young man meets a beautiful young woman with whom he falls in love. They get married and begin living happily together. The young wife weaves a particular kind of silk brocade in which the designs appear in relief. The young man sells the fabric, and the two are able to support themselves in this way.
But the young woman places a constraint upon the man: He must never observe her while she is weaving her fabric. Of course the young man cannot resist the temptation to look, and when he does he sees a heron at the loom.
Under his gaze the heron is transformed into a beautiful woman – she is his wife.
Now that the secret has been exposed, The heron Maiden’s happy life with the young man must come to an end. The young woman bids her husband a fond goodbye, and flies away with her heron companions.
We passed through the gates of Anu, Enlil and Ea,
We passed through the gates of Sin, Shamash, Adad and Ishtar,
We did obeisance together, you and I,
I saw a house with windows, it had no seal
I.... and went inside.
A remarkable young woman was seated therein,
She was imposing... beautiful of feature.
A throne was set out, the ground was trodden down,
Under the throne [ ] lions were crouching,
As I went in, the lions sprang at me.
I awoke with a start and shuddered [ ]".
The eagle said to him, to Etana:
" My friend, the [ ] are obvious,
Come, let me take you up to heaven
originally posted by: Madrusa
a reply to: primalfractal
The myth may indicate the translation of the tree cult from Kish which fell into sharp decline post-Akkadian period to Uruk, but i think it would horrify the Kisites that Inaana transformed the tree of herbal knowledge into a bed rather than learning to make cakes or practise medicine, but there was some association and a connection to the cult of the tavern, but as you source there was connection between fertility and the plants related to such
O heroic Utu who produces malt and beer for the alehouse
O my brother, you the lord of the fearsome glory,
Let me climb up with you to the highlands
the thing of the women, the male member, I do not know
the thing of the women, having sex with men, I do not know
the thing of the women, kissing, I do not know
On the mountain, let us feed on anything, really anything.
after we have eaten the herbs, after we have eaten the cedar
There was a linguistic connection between the Eagle and the Cedar in terms of Erin, likely from meaning high. erin.sup.musen, there's a paper looks at this and also what might be involved in transgressing the limits of Shamash or being caught in his entanglements, were the Eagle is grounded, and can perhaps no longer exit the Solar system.
Etana in Eden