posted on Apr, 2 2018 @ 12:03 PM
a reply to:
Finspiracy
That was sort of the gist of the group - we were a vocal jazz group that focused on the heyday of jazz - 30's, 40's, 50's mostly, although we pulled
from other decades as well. We did Irving Berlin's
Puttin' on the Ritz from the 20's I believe,
My Girl by the Four Tops from the 60's,
and one of our band-only features was
Birdland by Weather Report, recorded in the 70s. Super fun times. The one photo of me in the blue
short-sleeve was during a feature piece I was privileged to do with one of the female singers and one of the male singers, although he played guitar
on our trio. We did Gershwin's
Summertime from
Porgy and Bess in a slow, bluesy feel. It was one of the highlights of my playing
career.
Entertaining story from my time with that group. Our arrangement of
Summertime began with me playing an embellished version of the melody once
through, then the guitar would enter and the singer would start. On one particular gig, I played the opening as normal. When Steve came in with the
guitar, I realized he was in a different key than I had started in. I had to transpose the rest of the piece down a 1/2 step. It was actually really
cool - I didn't realize I had it in me to pull that off on the fly, but I made it to the end with only a couple horrific off-tones coming out the end
of the horn.
One rule of improvisation: "Any note is permissible if you resolve it correctly!"