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I, Daniel, saw in my vision by night the four winds of heaven stirring up the great sea”
The “four winds of heaven” correspond exactly to four winds, created by Anu and delivered to his son Marduk in Enuma Elish
He created four winds, Anu begot these he filled his hands, (saying) “whirl these,my son!
“and four great beasts came up out of the sea, different from one another.”
These monsters are, of course, with similarities to the enemies of Ninurta or of Marduk in Enuma Elish, which are traditionally numbered eleven . The last monster in Daniel’s vision has comparably eleven horns. That there are only four monsters in Daniel’s vision, is dictated by the political message of Daniel.
The main enemy of Ninurta in Mesopotamian mythology is considered the eagle Anzu, which becames one with Ninurta, his symbol, after Ninurta has conquered him
On the second night I had a dream: I saw rising from the sea an eagle that had twelve feathered wings and three heads. I saw it spread its wings over the whole earth, and all the winds of heaven blew upon it, and the clouds were gathered around it
In the Second Esdra Book the Son of Man rises from the Sea and then prepares for the battle ‘against multitudes’ on the mountain, thus resembling the demon Azag in the Sumerian Lugal-e hymn:
And I looked and saw that he carved out for himself a great mountain, and flew up on to it… I saw only how he sent forth from his mouth something like a stream of fire and the flaming breath and the great storm (ud-gal, one of Ninurta’s weapons), his “word” and fell on the onrushing multitude that was prepared to fight, and burned up all of them, so that suddenly nothing was seen of the innumerable multitude.
(Ninurta’s weapon šár-ùr “the Slayer of the Multitudes”)
Ninurta in the Lugal-e myth makes his “new creation” from the material of the subdued Azag and his stones. Thus the kingship of the antagonist ends up in the new creation
The last of the beasts is different from all the beasts that preceded it, and it had ten horns. I was considering the horns, when another horn appeared, a little one coming up among them; to make room for it,
A Neo-Assyrian mystical text mentions also the horns of the “dromedary”of Tiamat , which is not evidenced at all in the Epic, but certainly was part of the myth: “The dromedary is the ghost of Tiamat. Bel defeated her. Bel cut off her horns, clove her feet and docked her tail.” The same text mentions also a particular horn, which is somehow identified with Tiamat herself
In some passages the Son of Man occurs as the divine judge, who comes at the end of days, riding on the clouds, and also in some cases in the context of a deluge, The last two cases are especially telling, because Ninurta himself is also “a great deluge,” and causes a flood in Atrahasis,with the victory over the forces of chaos Ninurta became the king of the universe,like the kerygmatic Christ.
Ninurta’s chariot is drawn by the ghost of Anzu, and Marduk rides, one may infer, on the ghost of Tiamat who is named logographically “donkey of the sea” At Mari the donkey also has symbolic value as the riding animal of the victorious king and symbol of his legitimate kingship
In Sumero-Akkadian lexical texts, the Thunderbird Anzu is said to be imeru šamê “Donkey of Heaven.”
You trampled the sea with your horses, and with the donkey of the big waters
They have appealed to you, because of your father; son of Enlil, Lord, because of your superior strength they are looking to you here; since you are strong, my master,they are calling for your help, saying, Ninurta, that not a single warrior counts except for you
The god’s word is an independent and fixed entity, expressing his irrevocable decision. The god’s word is also a weapon, comparable to an arrow or deluge. Once released from the bow, it travels inexorably to its designated target.
In an inscription of Šamši-Adad , Ninurta is given the epithet “victorious son whose position is resplendent in the bright starry heaven.”
Ninurta was associated with several stars, among them the star called “arrow" This star is the principal star of Canis Maior , Sirius.
The “deluge bow,” which already occurs in Sumerian mythology as the weapon of Ninurta, is of course nothing but the rainbow, which is given as a name of Ištar
“Arrow-star by name, making battle resound , making everything perfect”
In the eleventh month Sirius stands exactly in the south at sunset and in the sixth month it stands there at sunrise. This recalls Ninurta’s epithets maintainer of symmetry
O greatest Ninurta, warrior god, vanguard of the Anunna-gods, commander of the Igigi-gods, judge of the universe, who oversees (its) equilibrium, who makes bright darkness and illumines gloom, who renders verdicts for teeming mankind!
According to the holistic world view of the ancient Mesopotamians, responsibility for the sicknesses of the body was assigned to various malevolent demons.
These were also Ninurta’s mythological enemies, Ninurta was a god of healing also on the basis of his marital relations with the goddess Gula.
She had the theriomorphic form of a dog and was called azu gallatu“ the great physician”
Ninurta’s status as the god of healing was corroborated with the emergence of the first dynasty of Isin whose kings married Ninurta to their city-goddess Ninisina
The Tablet of Destinies was one of the cosmic “bonds” which chained together the various parts of the Mesopotamian cosmos, like some of theMesopotamian temples and cities. It is called “the bond of supreme power”
What i'm hoping to do here is look at Biblical Apocalyptic tradition as it was sourced from the Babylonian state cult of Marduk…
The understanding then that a singular person could overcome all the multitudes of the Earth and establish his own absolute rule was already formulated in Babylon, the Hebrews liked what they saw and developed their own expectations, adapting the Babylonian texts, and creating the potential job vacancy that awaited taking up.
originally posted by: intrptr
What i'm hoping to do here is look at Biblical Apocalyptic tradition as it was sourced from the Babylonian state cult of Marduk…
I am trying to understand the complex symbology represented in their images and how that translates today. (imo)These are pictographs wherein they attempt to describe the modern world they saw in visions and had no clue about from their perspective.
Imagine 'seeing' bombers with men aboard, dressed like Gods, flying in the air, coming down: a pilot, bombardier, radio man, flying a "dragon" high in the sky and dropping things that destroy many lives.
Revelations (to be revealed), or Apocrypha meaning "hidden" has its roots in wondering what these fantastical images the seers recorded a lonnng time ago. We take the modern world for granted, they were desperate to have our world revealed to them.
(Ninurta’s weapon šár-ùr “the Slayer of the Multitudes”) --- may have just been them trying to describe one of these…
originally posted by: Kantzveldt
a reply to: intrptr
Yes i love The Cosmic Superweapon of Ninurta and also the Anzu bird Sumerian Flying Wing which he masters, as you suggest both of those could have had an earlier technological basis in terms of some over-powered Celestial powers and then found their way into the storm God mythos.
You extend that into Messianic expectation and you can come up with all sorts of scenarios...!?!
The larger part of theses Sumerian renderings are recording of the events that took place during the antediluvian world. When the sons of god and men waged war and fought for kingdoms. These were the Sumerian kingdoms priest lines retelling the story. They brought this all forward into their history and interpretations of themselves and their legitimacy.
Save for the fact that they are not extensions. The Sumerian lines co-opted, twisted, distorted and used to justify their position as the true line of revelators and then sought to subdue the whole earth with this corruption.
The Sharur, that which brings forth light like the day. The perfect weapon which consumes the rebellious land like fire. Obliterator-of-the-mountains, the maintainer of the people in heaven and earth. The tireless one who never sleeps. No-resisting-this-storm, a falcon against the foreign lands whose wing bears the deluge of battle. The right arm of Lagash whose awesome radiance covers the Land."
He embedded its Šar-ur weapon beside Lagaš like a big standard, placed it in its dreadful place, the Šu-galam, and made it emanate fearsome radiance. On the dais of Ĝir-nun, on the place of making judgments
An enormous hurricane, irresistible, went before the hero, stirred up the dust, caused the dust to settle, levelled high and low, filled the holes. It caused a rain of coals and flaming fires; the fire consumed men. It overturned tall trees by their trunks, reducing the forests to heaps, Earth put her hands on her heart and cried harrowingly; the Tigris was muddied, disturbed, cloudy, stirred up.
The birds there tried to lift their heads to fly away, but their wings trailed on the ground. The storm flooded out the fish there in the subterranean waters, their mouths snapped at the air. It reduced the animals of the open country to firewood, roasting them like locusts. It was a deluge rising and disastrously ruining the mountains.
Ninurta was also the protector and guardian of all tablets and seals or covenants, including the Tablet of Destiny, again this can relate to his identification with the Planet Mercury as this effectively also made him patron of commerce, he could also be expected to take action against oath breakers, so he was an excellent all rounder.
Most important is that Ninurta was a 'King Maker', that is he granted the King the right to rule, but he was never directly associated with Kings in Sumeria in terms of the King as the personification of Ninurta, that would have made for an over-powered King, Ninurta might be expected to fight on his behalf but that was all, the point being one does not simply become Ninurta...
I just don't think it the sort of thing Jesus would involve himself with.
Right. But these are Gods not men.
as you suggest both of those could have had an earlier technological basis in terms of some over-powered Celestial powers and then found their way into the storm God mythos.
originally posted by: Klassified
a reply to: Logarock
From a xtian and biblical perspective, what you say would make sense, because belief in the bibles inerrancy and/or authority would dictate how you view and measure other historical documentation. The problem is, we have no archaeological evidence to back up the bibles claims, and therefore xtian claims, this is the case. So for non-xtians, who see the bible as just another collection of historical documents, it all looks to us like rewritten stories borrowed from previous cultures. And I personally believe this to be the case. But then, I am not bound by my beliefs to recognize the authority of only one view of history.
An enormous hurricane, irresistible, went before the hero, stirred up the dust, caused the dust to settle, levelled high and low, filled the holes. It caused a rain of coals and flaming fires; the fire consumed men. It overturned tall trees by their trunks, reducing the forests to heaps, Earth put her hands on her heart and cried harrowingly; the Tigris was muddied, disturbed, cloudy, stirred up.
The birds there tried to lift their heads to fly away, but their wings trailed on the ground. The storm flooded out the fish there in the subterranean waters, their mouths snapped at the air. It reduced the animals of the open country to firewood, roasting them like locusts. It was a deluge rising and disastrously ruining the mountains.