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'Their bubblegum sound,' eh? That just about says it all.
The prosecution rests, M'lud.
originally posted by: alldaylong
a reply to: ZetaRediculian
Complete rubbish.
The main instruments and technical aspects used in psychedelic music i.e. The Sitar, The Tabla, The Mellotron, guitar feedback, reverse tape " raga" tempos etc where pioneered by The Beatles and other British Bands. So where do you get the idea it was invented in what you call the " Bay Area"
McCartney had an idea for a song that eventually formed the impetus of the Sgt. Pepper concept.[15] His idea involved an Edwardian-era military band that Evans invented a name for in the style of contemporary San Francisco-based groups such as Big Brother and the Holding Company and Quicksilver Messenger Service.
Here is the first psychedelic song recorded by The Kinks in 1964., That's a year before The Grateful Dead and Jefferson Airplane where even formed
The songs you picked were from [the Beatles'] "psychedelic" phase. That sound originated from the Bay Area where bands like the Grateful Dead and Jefferson Airplane (hot tuna) were the originators.
I forgot how annoying it is to listen to people argue about music.
I personally think the Beatles are crap. Highly overrated, three chords and a hook crap.
I'm just not going to listen to the Beatles.
originally posted by: Astyanax
Could you please post an example of a three-chord Beatles song?
originally posted by: Astyanax
(Take your time...)
originally posted by: Astyanax
a reply to: ChaosComplex
Try again. Chords of 'I Feel Fine'
(Take your time...)
originally posted by: ChaosComplex
originally posted by: Astyanax
a reply to: ChaosComplex
Try again. Chords of 'I Feel Fine'
(Take your time...)
Dang, what a doody head I am! The chorus has FOUR chords!
I personally don't hear the passing Am claimed on the oh so accurate tab site (which can't be trusted for even a Green Day song 9 times out of 10), sounds like another C to me. I can't make a distinction through the video, because the only time it shows the change whoever it is in the middle messes up and changes the chord mid strum...he even gives Paul the look like "Heh...I screwed up."
originally posted by: Astyanax
a reply to: ChaosComplex
Excuses, excuses.
Though since you apparently think a major chord is the same thing as a dominant seventh chord, I'll excuse you.
Are you aware that the verse of that thing you posted, 'Hit Single #1', is a note-for-note rip-off of this?
The Steve Miller Band is an American rock band formed in 1966 in San Francisco, California.[1]
Miller decided to record "Jet Airliner" for his band's Book of Dreams album in 1977
America's Choice was the fifth album by the American blues rock band Hot Tuna, recorded in 1974, and released in 1975
STEVE MILLER BAND
CAROUSEL BALLROOM,
S.F.,CA.,USA
MAY 11,1968
** W/ JORMA KAUKONEN,JACK CASADY,ELVIN BISHOP?,OTHERS?
Douglass admits that "Jungle Love" was the second attempt to recycle the tune's signature guitar part.
"It was used by [my mid-'70s trio] Mistress; I wrote a song called 'Paul' that used the same riff. And I also tried it while I was in Hot Tuna in a co-write with Jorma Kaukonen, but it never really gelled."
Rewriting musical history now, are we?
en.wikipedia.org...
Each San Francisco band had its characteristic sound, but enough commonalities existed that there was a regional identity. By 1967, fresh and adventurous improvisation during live performance (which many heard as being epitomized by the Grateful Dead) was one characteristic of the San Francisco Sound. A louder, more prominent role for the electric bass—typically with a melodic or semi-melodic approach, and using a plush, pervasive tone—was another feature.[6] This questing bass quality has been wryly characterized as a "roving" (rather than the conventional "stay-at-home") style. In jazz it had been exuberantly pioneered by numerous musicians — and such bassists as Charles Mingus, Scott LaFaro, and Steve Swallow had taken it into very exploratory places. A musician who was a leading example of this, Jack Casady of Jefferson Airplane (and the offshoot Hot Tuna) pioneered this playing, best shown on the album Bless Its Pointed Little Head. Phil Lesh, bassist with the Grateful Dead, furthered this sound. Lesh had developed his style on the foundation of having studied classical, brass-band, jazz, and modernist music on the violin and later the trumpet.[7]
If you were watching the Grammy’s last month you might have spotted the Gold Top being played byBrian Ray the bass player in Paul McCartney’s band. Below is a video of Brian joining Paul on an awesome version of “Golden Slumbers.” See if you can spot Jack’s Bass.