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Electron micrograph of an adult male Schistosoma parasite worm. The bar (bottom left) represents a length of 500 μm.
Bybyots
Hey ya know what?
It's a flail. Usually the gods of ancient Aegypt and pharaohs are shown with both crook and flail, but Min is shown just with his flail. I pulled the detail from another Min stele so that the beaded lengths of hide can be seen more easily.
Bybyots
ETA: Oh wow! Why is the flail sort of hovering there. Has Min suspended the activity of the flail by pouring out the waters of life?
I had a feeling that these steles might represent some seasonal celebration in the fall of the year because they all seem to show hieroglyphs related to enumeration and others that seem related to full jars of water and full baskets of food.
So it's fall, Min pours out, the flail is suspended?
Bybyots
Okay one final thing in terms of the microscopy question.
The ancient Egyptians had worms. I know, it's hard to imagine them like that, but even Egyptian royalty was loaded with Schistosomiasis.
They were plagued by the little boogers and their medical texts reflect their struggle with the tiny invaders.
You'd think that if they had microscopes that the worms would be the first thing that they would point them at. The adults are large enough to see with the naked eye, But the microscopic eggs which are incubated by water snails in the Nile are much larger than sperm and would be a good candidate for being visualized by some ancient system of lenses.
They would have solved that problem if they had had any sort of microscopy at all.
Electron micrograph of an adult male Schistosoma parasite worm. The bar (bottom left) represents a length of 500 μm.
edit on 23-3-2014 by Bybyots because: . : .
Bybyots
As for Min's issuance making contact with the glyph, we can see our way through to how that makes sense now; I find it very easy to accept that his issuance would be making contact with the issuance of the jar.
So I'll split the difference with you here in the final analysis: the the part of Min's issuance that passes the stream from the jar to the left was not intended to be part of the original stonework and is likely the result of some form of vandalism.
But, was the vandalism meaningful? Is it graffiti that has an intended meaning? What does it mean that Min's issuance does not merge with the outflowing of the water of life any longer but cut's it?
Bybyots
So I'll split the difference with you here in the final analysis: the the part of Min's issuance that passes the stream from the jar to the left was not intended to be part of the original stonework and is likely the result of some form of vandalism.
I could go on about the universality of that tradition, I love this subject, but will keep it at that. The oddness of it is only that touching is encouraged still.
Bybyots
reply to post by KilgoreTrout
I could go on about the universality of that tradition, I love this subject, but will keep it at that. The oddness of it is only that touching is encouraged still.
I'm wrong about the fall, aren't I, it's the spring, isn't it?
The "Akhet season" ran approximately from mid-July to mid-November in Ancient Egypt, and was followed by Peret and Shemu.[2] It is the first of three seasons of the ancient Egyptian calendar--the inundation season. This was the time of the Egyptian calendar year when the Nile waters flooded farmland and brought much nutrients to the tilled soil.
The Beautiful Feast of Opet (or Opet Festival) was an Ancient Egyptian festival, celebrated annually in Thebes, during the New Kingdom period and later in time. The statues of the gods of the Theban Triad — Amun, Mut and their child Khonsu — were escorted in a joyous procession, though hidden from sight in a sacred barque, from the temple of Amun in Karnak, to the temple of Luxor, a journey of around 2 miles, in a marital celebration. The highlight of the ritual is the meeting of Amun-Re of Karnak with the Amun of Luxor.[1] Rebirth is a strong theme of Opet and there is usually a re-coronation ceremony of the pharaoh.[2]
In earlier celebrations of the opet festival, the statues of the god proceeded down the avenue of sphinxes that connect the two temples, stopping at specially constructed chapels en route.[3] These chapels would have been filled with offerings, providing for the gods themselves and the attending priests. At the end of the ceremonies in the Luxor Temple, the barques journeyed back by boat to Karnak.[4] In later celebrations, the statues would be transported both to and from Karnak/Luxor by boat.[5] The festival was celebrated in the second month of Akhet, the season of the flooding of the Nile.
We are a research team at PrakashLab at Stanford University, focused on democratizing science by developing scientific tools that can scale up to match problems in global health and science education. Here we describe Foldscope, a new approach for mass manufacturing of optical microscopes that are printed-and-folded from a single flat sheet of paper, akin to Origami.
Skyfloating
reply to post by LUXUS
Just to reply to you directly and acknowledge that I can see the JAR. I apologize for my previous ignorance.
(...but still think its uncanny that the jar is made to look like a sperm with its squiggly tail and head)
John Ernst Worrell Keely, 1894
A building, pyramidal in shape, two hundred feet high, one hundred feet at the base, and having at the apex a disc with a minute aperture in its center, and a triple combination of reflectors, which must concentrate upon one center which must be focalized upon the minute aperture in the disc, - the image being received at the base of the pyramid upon a white surface prepared to receive it, - would yield results beyond the dreams of the most sanguine astronomer of the present day. The distinctness of the image taken would be the most wonderful part of the phenomenon, and the size of the magnification would be limited only to the diameter of the base of the pyramid.