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"It was as if de Mohrenschildt had handed off the Oswalds to the Paines like a football in a reverse end run. When the Dallas play-action began, the Oswalds were being carried by a prominent White Russian anti-communist. As de Mohrenschildt with CIA assistance left the Dallas action for Haiti, the Oswalds were suddenly in the hands of a Quaker-Unitarian couple who belonged to the ACLU. If it was in fact a handoff, one trick play in a larger game plan, its sleight of hand was so successful that when the game was over, hardly anyone even remembered this one critical play."
(April 23, 1962, the president's words directly after the 4 -10 -'62 meeting with Mr. Blough were printed in the New York Times. "My father always told me that all businessmen were sons-of-b*tches, but I never believed it until now!")
originally posted by: SayonaraJupiter
What a great series of posts by CornShucker This one quote caught my attention:
(April 23, 1962, the president's words directly after the 4 -10 -'62 meeting with Mr. Blough were printed in the New York Times. "My father always told me that all businessmen were sons-of-b*tches, but I never believed it until now!")
originally posted by: CornShucker
If I remember correctly, aren't you the one who recommended the movies "Executive Action" (I think that's right) and "True Believers"? I thoroughly enjoyed both and had on H*ll of a belly laugh at the end of "TB".
originally posted by: SayonaraJupiter
originally posted by: CornShucker
If I remember correctly, aren't you the one who recommended the movies "Executive Action" (I think that's right) and "True Believers"? I thoroughly enjoyed both and had on H*ll of a belly laugh at the end of "TB".
Is this the thread you were thinking about?
Mark Lane and Executive Action (1973)
www.abovetopsecret.com...
There is a name in JFK conspiracy lore that I don't hear mentioned too much and that name is Mae Brussell. Hopefully you are familiar with her ground breaking research, her audio archives and her influence in the JFK assassination research community.
It comes down to control of the narrative. Who has control of the narrative on JFK? The powers that be take for granted that they can control the historical by placing certain players in certain positions. But what if a new narrative began to coalesce out of the fragmentary research that we do here on ATS? Sometimes I wonder if ATS is just a joke.
It's a bummer to know that the Z-film is not the "Gold Standard" it was thought to be.
originally posted by: SayonaraJupiter
a reply to: CornShucker
It's a bummer to know that the Z-film is not the "Gold Standard" it was thought to be.
The Z-film basically comes down to chain of custody and in your version of the narrative NPIC is involved. What if I were to say to you that NPIC was closely involved with the chain of custody with the Apollo pictures? Wouldn't that blow your mind?
originally posted by: SayonaraJupiter
a reply to: CornShucker
There seems to be a localized memory loss amongst modern JFK reviewers when Mae Brussell's name is mentioned. If you haven't heard Mae Brussell's radio show tapes then you have missed an important source of contemporary JFK research. She was broadcasting from the Nixon era. Her tapes are a message from the past that are critically ignored in modern reviews of the JFK assassination.
Check out the Worldwatcher archive
www.worldwatchers.info...
And please visit my thread MAE BRUSSELL Happy Birthday Conspiracy Queen
www.abovetopsecret.com...
Mae shares the same birthday as JFK. Go ahead and look that up. It's May 29.
originally posted by: theunredacted
There's 1 major flaw with the idea that the Zapruder film is a fake - how come it matches numerous other films and photos of the assassination? If zapruder film is a fake then they are aswell, and suddenly the task faced by the conspirators becomes vast and open-ended. There were potentially hundreds of people in desley plaza taking filme and photos, you'd have to somehow be sure you could Hoover up all of those films and alter them all in an identical way so as not to expose the deception. Nobody in their right mind would organise a plot where that was the plan because it's logisitscslly far too complex and complicated. It would only take one film or photo to slip through the net that showed something else and they'd be busted.
They did the assassination in public because they didn't care that it was filmed. And that means Zapruder is authentic.
originally posted by: theunredacted
a reply to: CornShucker
Yes I've seen that film and it definetly provides the single best case for Zapruder film alteration, but I remain unconvinced.
He's talking about a short piece of film he saw briefly 50 years ago. His recollections just aren't strong enough to suggest it was radically altered.
Again, it comes down to the basic fact that the zapruder film matches the other films and photos. So if it's faked, they all are aswell.
He along with two of his brothers, worked for the General Services Administration as maintenance men. It was there that Orville befriended SSAIC Forrest Sorrels. In 1963, Orville was promoted to the Terminal Annex Building at the NW corner of Houston and Main Streets. On November 22, 1963, while waiting to meet his wife, daughter-in-law Elaine and granddaughter Gayle, he filmed what many consider to be a home movie of as great importance as the more familiar Zapruder film of the JFK assassination. Using a Keystone K-810 camera, his film shows the grassy knoll area throughout the assassination sequence. His film begins with the motorcade turning right onto Houston Street from Main Street. Realizing he could see more with his 6’6″ stature, he then moved to the south curb of Main about 20 to 30 feet west of Houston to film the most famous home movie of the grassy knoll in Dealey Plaza. His camera was an auto-zoom camera with a handle grip that he emotionally squeezed while watching the horror of the thirty-fifth president’s death unfold before him. He wasn’t sure until he had the film developed a week later that he had assassination footage, but he believed until his death on January 17th, 1972 that shots came from the “stockade fence” area now called the grassy knoll. The FBI kept his film for three days and his camera for over five months. When his film was returned he felt it looked “different” and when his camera was finally returned, it came back in pieces. The FBI had taken it apart to “study” it. He sold the copyright to UPI in 1963. It was subsequently returned to Gayle Nix Jackson and family in 1990.
It was at that time the family learned the camera original film was missing. Who has it? Why is it missing? What does it show? His story is one of an ordinary American who finds his life changed by the secretive and often ruthless powers of the government, the media and society due to his place in history. It is thought-provoking and passionate in its representation of how an unassuming patriotic man lived through years of lies, intimidation and threats only to become disillusioned with the idea of an America that no longer existed. It is a story that is long over-due. It is the story of everyman. It is the story of Orville Nix.
originally posted by: theunredacted
a reply to: CornShucker
-- snip --
And it still boils down to one simple choice. Do we believe the conspirators were rational and clever or crazy and stupid?
-- snip --