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muzzleflash
Samekh?
That's Samson aka the great hero.
Samson (Hebrew: שִׁמְשׁוֹן, Modern Shimshon Tiberian Šimšôn, meaning "man of the sun");[1] Shamshoun (Arabic: شمشون Shamshūn/Šamšūn) or Sampson (Greek: Σαμψών) is one of the last of the Judges of the ancient Israelites mentioned in the Hebrew Bible (Book of Judges chapters 13 to 16).
Shamshun?
Shams the Sun it's a word in Arabic "Shams", it means literally "SUN".
Shams is the Arabic word for "sun" (شمس). The word has roots that go back to at least the time of the writing of the Epic of Gilgamesh, which references the Akkadian deity called Shamash.
The word may refer to:
Shamash
That's Sham + Ash if you didn't notice.
Shamash (Akkadian Šamaš "Sun"), was a native Mesopotamian deity and the sun god in the Akkadian, Assyrian and Babylonian pantheons. Shamash was the god of justice in Babylonia and Assyria, corresponding to Sumerian Utu. Akkadian šamaš is cognate to Syriac ܫܡܫܐ šemša or šimšu Hebrew שֶׁמֶשׁ šemeš and Arabic شمس šams.
It's the Sun God Sam! Samson!
That's why this old band is named "Sam the Sham and the Pharaohs". Because Sam IS Sham, it's a Hoax, a Scam. It was the center of Egyptian Religion, thus the name "Pharaohs".
It's a Shame, it's all looking the Same.
This is the "Star of Shamash"
edit on 12-11-2013 by muzzleflash because: (no reason given)
This is the Shaman Qing , most just call it Shiva or Saturn but I am here to tell you it's actually everything.
Ham the Chimp and Ham the Astrochimp, was a chimpanzee who was the first Hominidae launched into outer space, on 31 January 1961.
Ham's name is an acronym for the lab that prepared him for his historic mission — the Holloman Aerospace Medical Center, located at Holloman Air Force Base in New Mexico.
cris-, crit-, cri- +
(Greek: to separate; a separating, putting apart; a decision, decide; to judge)
The word crime is derived from the latin root cernō, meaning "I decide, I give judgment". Originally the Latin word crīmen meant "charge" or "cry of distress."[7] The Ancient Greek word krima (κρίμα), from which the Latin cognate derives, typically referred to an intellectual mistake or an offense against the community, rather than a private or moral wrong.[8]
Ham (Hebrew: חָם, Modern H̱am Tiberian Ḥām; Greek Χαμ, Kham; Arabic: حام, Ḥām, "hot" or "burnt"), according to the Table of Nations in the Book of Genesis, was a son of Noah and the father of Cush, Mizraim, Phut and Canaan.[2][3]
According to the Hebrew Bible, Ham was one of the sons of Noah and the father of Cush, Mizraim, Put and Canaan, who are interpreted as having populated Africa and adjoining parts of Asia. The Bible refers to Egypt as "the land of Ham" in Psalms 78:51; 105:23,27; 106:22; 1Ch 4:40. Since the 17th century a number of suggestions have been made that relate the name Ham to a Hebrew word for burnt, black or hot, to an Egyptian word for servant or the Egyptian word Kmt for Egypt.[4] A review of David Goldenberg's The Curse of Ham: Race and Slavery in Early Judaism, Christianity and Islam states that Goldenberg "argues persuasively that the biblical name Ham bears no relationship at all to the notion of blackness and as of now is of unknown etymology."[5]
Noach or Noah (נֹחַ — Hebrew for the name "Noah", the third word, and first distinctive word, of the parashah) is the second weekly Torah portion (פָּרָשָׁה, parashah) in the annual Jewish cycle of Torah reading. It constitutes Genesis 6:9–11:32. The parashah has the most verses of any weekly Torah portion in the book of Genesis (but not the most letters or words), and is made up of 6,907 Hebrew letters, 1,861 Hebrew words, and 153 verses, and can occupy about 230 lines in a Torah Scroll (סֵפֶר תּוֹרָה, Sefer Torah). (In the book of Genesis, Parashah Miketz has the most letters, Parashah Vayeira has the most words, and Parashah Vayishlach has an equal number of verses as Parashah Noach.)[1]
Jews read it on the second Sabbath after Simchat Torah, generally in October or November.
The parashah tells the stories of the Flood and Noah’s Ark, of Noah’s subsequent drunkenness and cursing of Canaan, and of the Tower of Babel.
Materials used can be any part of a plant, such as the cores of cane or rattan stalks, or whole thicknesses of plants, as with willow switches. Other popular materials include reed and bamboo.
A wicker man was a large wicker statue of a human used by the ancient Druids (priests of Celtic paganism) for human sacrifice by burning it in effigy, according to Julius Caesar in his Commentarii de Bello Gallico (Commentary on the Gallic War).[1][2]
While other Roman writers of the time, such as Cicero, Suetonius, Lucan, Tacitus and Pliny the Elder, described human sacrifice among the Celts, only Caesar and the geographer Strabo mention the wicker man as one of many ways the Druids of Gaul performed sacrifices.[4] Caesar reports that some of the Gauls built the effigies out of sticks and placed living men inside, then set them on fire to pay tribute to the gods. Caesar writes that though the Druids generally used those found guilty of crimes deserving death, as they pleased the gods more, they sometimes used slaves and innocent men when no delinquents could be found.[5]
One medieval commentary, the 10th-century Commenta Bernensia, states that men were burned in a wooden mannequin in sacrifice to Taranis.[6]
A zoetrope is a device that produces the illusion of motion from a rapid succession of static pictures. The term zoetrope is from the Greek words ζωή zoe, "life" and τρόπος tropos, "turn". It may be taken to mean "wheel of life".
A bonfire is a controlled outdoor fire used for informal disposal of burnable waste material or as part of a celebration. Celebratory bonfires are typically designed to burn quickly and may be very large. The name "bonfire" is from "bone-fire".[1]
Bonfire Night is an annual event dedicated to bonfires, fireworks and celebrations.
The eight-armed sun cross represents the Pagan Wheel of the Year.
Kołomir - the Slavic example of Wheel of the Year indicating seasons of the year. Four-point and eight-point swastika shaped wheels were more common.
Painted Wheel of the Year from the Museum of Witchcraft, Boscastle.
Urubamba or Urupampa (Quechua "flat land of spiders") is a small town in Peru, located near the Urubamba River under the snow-capped mountain Ch'iqun. Located one hour from Cusco, Urubamba is the largest town in the Sacred Valley of the Incas. It is also located near a number of significant ruins of the Inca Empire, including Machu Picchu. Tourists often come through the town on their way to visit these sites.
Inti is the ancient Incan sun god. Worshiped as a patron deity of the Inca Empire, he is of unknown mythological origin. The most common story says that he is the son of Viracocha, the god of civilization.[1]
According to an ancient myth, Inti taught his son Manco Cápac and his daughter Mama Ocllo the arts of civilization and they were sent to earth to pass this knowledge to mankind.[3]
In Quechua, Inti Raimi, means "resurrection of the sun" or "the way/path of the sun."
The Inti Raymi ("Festival of the Sun")[1] was a religious ceremony of the Inca Empire in honor of the god Inti, one of the most venerated gods in Inca religion. It really was the celebration of the Winter Solstice - the shortest day of the year in terms of the time between sunrise and sunset. In South America Pará- Brazil, which falls below the equator, the months of June & July are Winter months.
During the Inca Empire, the Inti Raymi was the most important of four ceremonies celebrated in Cusco, as related by Inca Garcilaso de la Vega. The celebration took place in the Haukaypata or the main plaza in the city.
Viracocha is the great creator god in the pre-Inca and Inca mythology in the Andes region of South America. Full name and some spelling alternatives are Wiracocha,[1] Apu Qun Tiqsi Wiraqutra, and Con-Tici (also spelled Kon-Tiki) Viracocha. Viracocha was one of the most important deities in the Inca pantheon and seen as the creator of all things, or the substance from which all things are created, and intimately associated with the sea.[2] Viracocha created the universe, sun, moon, and stars, time (by commanding the sun to move over the sky)[3] and civilization itself. Viracocha was worshipped as god of the sun and of storms. He was represented as wearing the sun for a crown, with thunderbolts in his hands, and tears descending from his eyes as rain.
Tiqsi Huiracocha may have several meanings. In the Quechua language tiqsi means foundation or base, wira means fat, and qucha means lake, sea, or reservoir.[9] Viracocha's many epithets include great, all knowing, powerful, etc. Wiraqucha could mean "Fat (or foam) of the sea".[2][10]
The name is also interpreted as a celebration of body fat (Sea of fat), which has a long pre-Hispanic tradition in the Andes region as it is natural for the peasant rural poor to view fleshiness and excess body fat as the very sign of life, good health, strength, and beauty.[11]
“ "Immediately he made him his green mask; he took red color with which he made the lips russet; he took yellow to make the facade; and he made the fangs; continuing, he made his beard of feathers..."[16]
The story, however, does not mention whether Viracocha had facial hair or not with the point of outfitting him with a mask and symbolic feathered beard being to cover his unsightly appearance because as Viracocha said "If ever my subjects were to see me, they would run away!"
The character has also been known as Binary, Warbird, and Captain Marvel at various points in her history,
In the game's storyline, Shaquille O'Neal wanders into a kung fu dojo while heading to a heavily emphasized charity basketball game in Tokyo, Japan. After speaking with a kung fu master, he stumbles into another dimension, where he must rescue a young boy named Nezu from the evil mummy Sett-Ra.
In ancient Egyptian art, the Set animal, or sha, is a chimerical beast, the totemic animal of the god Set. Because Set was identified with the Greek Typhon, the animal is also commonly known as the Typhonian animal or Typhonic beast. There may be some relation between the sha and the modern Egyptian cryptid known as the salawa.
"Mandrag Ganon," which means "Ganon of the Enchanted Thieves"
Ganon was originally known as "Hakkai" during development of the Nintendo Entertainment System video game The Legend of Zelda, in reference to a humanoid pig character known as Zhu Bajie (Cho Hakkai in Japanese) from the famed 16th-century Chinese novel Journey to the West.[7] For the development of Ocarina of Time, Ganon was conceived by character designer Satoru Takizawa. Takizawa had imagined Ganon as a "crooked and complex thief, who was basically an all around abominable human being".[8] However, script director Toru Osawa claimed that this image was "not the case". He began to speak of how Ganondorf was meant to have "parts where he is rather good", comparing him to the character of Raoh in Fist of the North Star.[9]
Zhu Bajie, also named Zhu Wuneng, is one of the three helpers of Xuanzang and a major character of the novel Journey to the West. He is called "Pigsy" or "Pig" in many English versions of the story.
His Buddhist name "Zhu Wuneng", given by Bodhisattva Guanyin, means "pig (reincarnated) who is aware of ability," or "pig who rises to power", a reference to the fact that he values himself so much as to forget his own grisly appearance. Xuanzang gave him the nickname Bājiè which means "eight restraints, or eight commandments" to remind him of his Buddhist diet.
In the original Chinese novel, he is often called dāizi (呆子), meaning "idiot". Sun Wukong, Xuanzang and even the author consistently refers to him as "the idiot" over the course of the story. Bodhisattvas and other heavenly beings usually refer to him as "Heavenly Tumbleweed", his former name when he was a heavenly marshal.
Sun Wukong possesses an immense amount of strength; he is able to lift his 13,500 jīn (8,100 kilograms (17,900 lb)) staff with ease. He is also extremely fast, able to travel 108,000 li (54,000 kilometres (34,000 mi)) in one somersault. Sun knows 72 transformations, which allows him to transform into various animals and objects; he has trouble, however, transforming into other people, because he is unable to complete the transformation of his tail.
Ben Reeves of Game Informer explained that the "name Zelda (alternately Selda or Segula) might not be used much anymore, but this old Yiddish name means "blessed, happy, or lucky."[4]
(Japanese: ゼルダ姫 Hepburn: Zeruda-hime?)
Though remember that Precious is a meaning of Zelda and not the name itself.
The name Zelda is a German baby name. In German the meaning of the name Zelda is: From the Old German, meaning 'grey battle' or 'Christian battle'.
Latin Meaning:
The name Zelda is a Latin baby name. In Latin the meaning of the name Zelda is: Abbreviation of Grizelda: Gray; gray-haired.
Teutonic Meaning:
The name Zelda is a Teutonic baby name. In Teutonic the meaning of the name Zelda is: Gray haired battle maiden.
The book The Legend of Zelda and Philosophy offers several interpretations about the significance and role of the Triforce.
Referred to as "The Golden Power" in ancient Hylian literature, it is an omnipotent sacred relic, representing the essence of the Golden Goddesses who created the realm of Hyrule. It appeared where they departed the realm for the heavens.
Charles Joshua Horn suggests that all pieces of the Triforce are intended to be used in moderation, and that each piece is morally neutral. He says that wisdom and courage are not inherently more valuable than power, and that all three can be abused when in certain hands. The author draws a connection with Aristotle, who painted courage as a virtue, a virtue being "when that disposition falls between two extremes of excess and deficiency." Link uses courage as a virtue, facing Ganon while taking reasonable precautions so as not to be reckless. Similarly, the author says, power must be used in moderation.[1]
The author suggests that "maybe the Triforce is a symbol for what virtues the goddesses wanted to show were the most important in their absence." The author goes on to suggest that the Triforce "may not be a fictional entity at all, but instead, a bright guiding force in our sometimes dark world."[1]
In traditional Chinese Taoism, there is a divine goddess names Doumu Yuanjun (斗姆元君) who was acclaimed as the mother of all the constellations, even the Emperor Zi-Wei is her son. She has four faces while one of them is akin to a pig's face. Tiānpéng Yuánshuài(天蓬元帅; lit. "Marshal Canopy") is one of her most significant understrappers, which is the head general of The North pole.
According to the depiction in the chapter 217 of 《道法会元》, a biography of Taoism and Chinese mythical stories complied in Ming Dynasty; Tiānpéng Yuánshuài was a blazing powerful marshal in the North Pole. A phrase depicts his appearance as:
He was scarily imposing with three heads and six arms, red hair, red armor all over; Holding a magic seal, an axe, a firm rope in left hands and a convulsion bell, a symbolic artifact of constellations and a long sword in right. He leads 360,000 warriors; travels along with scary and dark gas, in which there is a five-colored cloud. Numerous deities with great respect always greet his arrivals.
In geometry, a tetrahedron (plural: tetrahedra or tetrahedrons) is a polyhedron composed of four triangular faces, three of which meet at each corner or vertex. It has six edges and four vertices. The tetrahedron is the simplest of all the ordinary convex polyhedra and the only one that has four faces.[1]
Shannon ("wise river") is an Irish unisex name, Anglicised from Sionainn. Alternative spellings include Shannen, Shanon, Shannan, Seanan, and Siannon. The variant Shanna is an Anglicisation of Sionna ("possessor of wisdom").
Sionainn is an Irish portmanteau of sion (wise) and abhainn (river).[1] This is the Irish name for the River Shannon. Because the suffix ain indicates a diminutive in Irish, the name is sometimes mistranslated as "little wise one".
The name Sionainn alludes to Sionna, a goddess in Irish mythology whose name means "possessor of wisdom". She is the namesake and matron of Sionainn, the River Shannon. Sionainn is the longest river in the British Isles.[2]
The bodhisattva Avalokiteśvara (Guanyin), on instruction from the Buddha, gives this task to the monk and his three protectors in the form of disciples — namely Sun Wukong, Zhu Bajie and Sha Wujing — together with a dragon prince who acts as Xuanzang's steed, a white horse.
Shā Wùjìng is one of the three disciples of Xuánzàng. He appears as a character in the novel Journey to the West written by Wu Cheng'en in the Ming Dynasty, although versions of his character predate the Ming novel. In the novels, his background is the least developed of the pilgrims and he contributes the least to their efforts. He is called Sand or Sandy and is known as a "water buffalo" for his seemingly less developed intelligence in many English versions of the story.
His Buddhist name "Sha Wujing", given by Bodhisattva Guanyin, means "sand aware of purity". His name is translated into Korean as Sa Oh Jeong, into Japanese as Sha Gojō, into Sino-Vietnamese as Sa Ngộ Tịnh.
He is also known as "Monk Sha", "Shā Sēng" in Mandarin Chinese, Sa Tăng in Sino-Vietnamese and Sua Cheng in Thai .
Like Zhu Bajie, Wujing was originally a general in Heaven, more specifically a Curtain-Lifting General.(卷帘大将 juǎnlián dàjiàng) In a fit of rage, he destroyed a valuable vase. Other sources mention that he did this unintentionally, and in the Journey to the West series, it was an accident. Nevertheless, he was punished by the Jade Emperor, who had him struck 800 times with a rod and exiled to earth, where he was to be reincarnated as a terrible man-eating sand demon. There, he lived in the Liúshā-hé (流沙河, Lưu Sa Hà in Han-Vietnamese, "flowing-sand river", or "quicksand-river", modern name Kaidu River). Every day, seven flying swords sent from heaven would stab him in the chest before flying off as a punishment to him. As a result, he had to live in the river to avoid the punishment.
Wujing's appearance was rather grisly; he had a red beard and his head was partially bald; a necklace consisting of skulls made him even more terrible. He still carried the weapon he had in Heaven, a yuèyáchǎn, a double-headed staff with a crescent-moon (yuèyá) blade at one end and a spade (chǎn) at the other, with six xīzhàng rings in the shovel part to denote its religious association.
A monk's spade (Traditional Chinese: 月牙鏟; Simplified Chinese: 月牙铲; pinyin: yuèyáchǎn; literally "Crescent Moon Spade"; also, Traditional Chinese: 禪仗; Simplified Chinese: 禅仗; pinyin: chánzhàng; literally, "Zen Weapon". Romanized Japanese: getsugasan, Hiragana: げつがさん), also called a Shaolin Spade, is a Chinese pole weapon consisting of a long pole with a flat spade-like blade on one end and a smaller crescent shaped blade on the other. In old China, Buddhist monks often carried spades (shovels) with them when travelling. This served two purposes: if they came upon a corpse on the road, they could properly bury it with Buddhist rites, and the large implement could serve as a weapon for defence against bandits. Over time, they were stylised into the monk's spade weapon.
It is most famous for being the weapon of Sha Wujing, the "Sand Monk" from the 16th-century classic Chinese shenmo novel Journey to the West, as well as that of Lu Zhishen in Water Margin, but the weapon is also historically associated with the Shaolin monks and features in the martial arts wushu, gongfu, and Shaolin kung fu. It has been widely used in kung fu cinema (notably by Lau Kar-Fai in The 36th Chamber of Shaolin), and is used by the Shaolin priest in the online game Dragon Fist II and by Abbot Song in Jade Empire.
The character Sha Gojyo in the Japanese manga and anime series Saiyuki wields a modified form of this weapon with great skill and dexterity.
The rowans or mountain-ashes are shrubs or small trees in genus Sorbus of family Rosaceae.
The traditional names of the rowan are those applied to the species Sorbus aucuparia, Sorbus torminalis (wild service-tree) and Sorbus domestica (true service-tree). The Latin name sorbus was loaned into Old English as syrfe. The name "service-tree" for Sorbus domestica is derived from that name by folk etymology. The Latin name sorbus is from a root for "red, reddish-brown" (PIE *sor-/*ser-); English sorb is attested from the 1520s in the sense "fruit of the service tree", adopted via French sorbe from Latin sorbum "service-berry". Sorbus domestica is also known as "Whitty Pear", the adjective whitty meaning as much as "pinnate". The name "mountain-ash" for Sorbus domestica is due to a superficial similarity of the rowan leaves to those of the ash; not to be confused in Fraxinus ornus, a true ash that is also known as "mountain ash".[5] Sorbus torminalis is also known as "chequer tree", its fruits, formerly used to flavour beer, being called "chequers", perhaps from the spotted pattern of the fruit.
Shax[4] (also spelled Chax, Shan, Shass, Shaz, and Scox) is a Great Marquis of Hell, and has power over 30 legions of demons on evil horses. He takes away the sight, hearing and understanding of any person under the conjurer's request, and steals money out of kings' houses, carrying it back to the people. He also steals horses and everything the conjurer asks. Shax can also discover hidden things if they are not kept by evil spirits, and sometimes gives good familiars, but sometimes those familiars deceive the conjurer. He should not be bothered too often.
Shax is thought to be faithful and obedient, but is a great liar and will deceive the conjurer unless obliged to enter a magic triangle drawn on the floor. He will then speak marvellously and tell the truth. He knows when lies are told and uses these to teach lessons.
He is depicted as a stork that speaks with a hoarse but subtle voice; his voice changes into a beautiful one once he entered the magic triangle.
The Old English name of the rowan is cwic-beám, which survives in the name quickbeam (also quicken, quicken-tree and variants). This name by the 19th-century was re-interpreted as connected to the word witch, from a dialectal variant wick for quick and names such as wicken-tree, wich-tree, wicky, wiggan-tree, giving rise to names such as witch-hazel,[6] witch-tree.[7]
The name rowan is recorded from 1804, detached from an earlier rowan-tree, rountree, attested from the 1540s in northern English and Scottish. It is from a North Germanic source (such as Middle Norwegian), derived from Old Norse reynir (c.f. Norwegian rogn, Swedish rönn), ultimately from the Germanic verb *raud-inan "to redden", in reference to the berries (as is the Latin name sorbus). Various dialectal variants of rowan are found in English, including ran, roan, rodan, royan, royne, round, rune;[citation needed]
The Old Irish name is cairtheand, reflected in Modern Irish caorann. The "arboreal" Bríatharogam in the Book of Ballymote associates the rowan with the letter luis, with the gloss "delightful to the eye (li sula) is luis, i.e. rowan (caertheand), owing to the beauty of its berries". Due to this, "delight of the eye" (vel sim.) has been reported as a "name of the rowan" by some commentators.[who?] In the Canadian provinces of Newfoundland and Labrador and Nova Scotia this species is commonly referred to as a "Dogberry" tree.[8] In German, Sorbus aucuparia is known as the Vogelbeerbaum ("bird-berry-tree") or as Eberesche. The latter is a compound of the name of the ash tree (Esche) with what is contemporarily the name of the boar (Eber) but in fact the continuation of a Gaulish name, eburo- (also the name for a dark reddish-brown colour, cognate with Greek orphnos, Old Norse iarpr "brown"); like sorbus, eburo- seems to have referred to the colour of the berries; it is also recorded as a Gaulish name for the yew (which also has red berries), see also Eburodunum (disambiguation). The Welsh name Criafol refers to the tree as 'lamenting fruit', associating the red fruit with the blood of Christ; as Welsh tradition believed the Cross was carved from the wood of this tree.
In Norse mythology, Ýdalir ("yew-dales"[1]) is a location containing a dwelling owned by the god Ullr. Ýdalir is solely attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources. Scholarly theories have been proposed about the implications of the location.
The coat of arms of Ullensaker displays Ullr as a charge.
AfterInfinity
A lot of interesting stuff here. It's clear you've done your research. I'll be keeping on eye on this thread...some very intriguing parallels going on.
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from
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Title page of the first printed edition of the Zohar, Mantua, 1558. Library of Congress.
Akasha (or Akash, Ākāśa, आकाश) is the Sanskrit word meaning "aether" in both its elemental and metaphysical senses.
She'ol (/ˈʃiːoʊl/ shee-ohl or /ˈʃiːəl/ shee-əl; Hebrew שְׁאוֹל Šʾôl), translated as "grave", "pit", or "abode of the dead", is the Old Testament/Hebrew Bible's underworld, a place of darkness to which all the dead go, both the righteous and the unrighteous, regardless of the moral choices made in life, a place of stillness and darkness cut off from God.[1]
The inhabitants of Sheol were the "shades" (rephaim), entities without personality or strength.[2] Under some circumstances they could be contacted by the living, as the Witch of Endor contacts the shade of Samuel for Saul, but such practices are forbidden (Deuteronomy 18:10).[3] While the Old Testament writings describe Sheol as the permanent place of the dead, in the Second Temple period (roughly 500 BCE-70 CE) a more diverse set of ideas developed: in some texts, Sheol is the home of both the righteous and the wicked, separated into respective compartments; in others, it was a place of punishment, meant for the wicked dead alone.[4] When the Hebrew scriptures were translated into Greek in ancient Alexandria around 200 BC the word "Hades" (the Greek underworld) was substituted for Sheol, and this is reflected in the New Testament where Hades is both the underworld of the dead and the personification of the evil it represents.[5]
The Hebrew term Abaddon (Hebrew: אֲבַדּוֹן, 'Ǎḇaddōn), and its Greek equivalent Apollyon (Greek: Ἀπολλύων, Apollyon), appear in the Bible as a place of destruction and an angel, respectively. In the Hebrew Bible, abaddon is used with reference to a dwelling place of the dead, often appearing alongside the better-known term שאול (sheol). In the New Testament Book of Revelation, an angel called Abaddon is shown as the king of an army of locusts; his name is first transcribed in Greek (Revelation 9:11 – "whose name in Hebrew Abaddon" (Ἀβαδδὼν)), and then translated ("which in Greek means the Destroyer" (Ἀπολλύων, Apollyon)). The Latin Vulgate, as well as the Douay Rheims Bible, has an additional note (not present in the Greek text), "in Latin Exterminans", exterminans being the Latin word for "destroyer".
Shamrock is usually considered to refer to either the species Trifolium dubium (lesser clover, Irish: seamair bhuí)[2] or Trifolium repens (white clover, Irish: seamair bhán). However, other three-leaved plants—such as Medicago lupulina, Trifolium pratense, and Oxalis acetosella—are sometimes called shamrocks or clovers. The shamrock was traditionally used for its medicinal properties and was a popular motif in Victorian times.
du·bi·ous (db-s, dy-)
adj.
1. Fraught with uncertainty or doubt; undecided.
2. Arousing doubt; doubtful: a dubious distinction.
3. Of questionable character: dubious profits.
Oxalis acetosella (wood sorrel or common wood sorrel) is a plant from the genus Oxalis, common in most of Europe and parts of Asia.
It is also known as Alleluia, due to the fact that it blossoms between Easter and Pentecost, when the Psalms which end with Hallelujah were sung.
The common wood sorrel is sometimes referred to as a shamrock and given as a gift on St. Patrick's Day. This is due to its trifoliate clover-like leaf, and to early references to shamrock being eaten.
The first mention of shamrock in the English language occurs in 1571 in the work of the English Elizabethan scholar Edmund Campion. In his work Boke of the Histories of Irelande, Campion describes the habits of the 'wild Irish' and states that the Irish ate shamrock "Shamrotes, watercresses, rootes, and other herbes they feed upon".[16]
Similarly, another story tells of how St. Brigid decided to stay in Co. Kildare when she saw the delightful plain covered in clover blossom (scoth-shemrach).[15]
Shem is also credited with killing Nimrod,
Semitic is still a commonly used term for the Semitic languages, as a subset of the Afro-Asiatic languages, denoting the common linguistic heritage of Arabic, Aramaic, Akkadian, Ethiopic, Hebrew and Phoenician languages.
In linguistics and ethnology, Semitic (from the Biblical "Shem", Hebrew: שם, translated as "name", Arabic: ساميّ) was first used to refer to a language family of West Asian origin, now called the Semitic languages. This family includes the ancient and modern forms of Ahlamu, Akkadian (Assyrian-Babylonian), Amharic, Amorite, Arabic, Aramaic/Syriac, Canaanite/Phoenician/Carthaginian, Chaldean, Eblaite, Edomite, Ge'ez, Hebrew, Maltese, Mandaic, Moabite, Sutean, Tigre and Tigrinya, and Ugaritic, among others.
The word "Semitic" is an adjective derived from Shem, one of the three sons of Noah in the Bible (Genesis 5.32, 6.10, 10.21), or more precisely from the Greek derivative of that name, namely Σημ (Sēm); the noun form referring to a person is Semite.
Rachel (Hebrew: רָחֵל, Modern Rakhél Tiberian Rāḥēl ISO 259-3 Raḥel ; meaning "ewe"[2]) as described in the Bible, is the favorite wife of Jacob, one of the three Biblical Patriarchs, and mother of Joseph and Benjamin. She was the daughter of Laban and the younger sister of Leah, Jacob's first wife. Jacob was her first cousin, and she was the youngest niece of Rebekah.
A person's shadow or silhouette, Sheut (šwt in Egyptian), is always present. Because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows.
The shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people (usually pharaohs) had a shadow box in which part of their Sheut was stored.
During the daytime, a shadow cast by an opaque object illuminated by sunlight has a bluish tinge. This happens because of Rayleigh scattering, the same property that causes the sky to appear blue. The opaque object is able to block the light of the sun, but not the ambient light of the sky which is blue as the atmosphere molecules scatter blue light more effectively. As a result, the shadow appears bluish.[4]
If the Earth had no atmosphere, the sun’s light would travel directly from the Sun in a straight line towards our eyes and we would see the Sun as a very bright star in sea of blackness. But because the Sun’s blue light is scattered by the oxygen in the atmosphere, blue light from the Sun enters our eyes from all sorts of different angles and we see the entire sky as blue. The atmosphere scatters violet light even more effectively, but our eyes are more sensitive to blue.
The same scattering effect on the blue light, also takes place, but the blue light is unable to pass through the extra distance and reach our eyes. This leaves only the red light which passes, unhindered through the atmosphere and reaches our eyes in a direct line with little or no scattering. We see the Sun’s disk red because its blue light has been blocked by the atmosphere. We don’t see the entire sky red because there is no scattering and the red light reaches us in a direct line.
He has been dubbed The Father of Modern Philosophy, and much subsequent Western philosophy is a response to his writings,[7][8] which are studied closely to this day. In particular, his Meditations on First Philosophy continues to be a standard text at most university philosophy departments. Descartes's influence in mathematics is equally apparent; the Cartesian coordinate system — allowing reference to a point in space as a set of numbers, and allowing algebraic equations to be expressed as geometric shapes in a two-dimensional coordinate system (and conversely, shapes to be described as equations) — was named after him. He is credited as the father of analytical geometry, the bridge between algebra and geometry, crucial to the discovery of infinitesimal calculus and analysis. Descartes was also one of the key figures in the Scientific Revolution and has been described as an example of genius. He refused to accept the authority of previous philosophers and also refused to accept the obviousness of his own senses.
On the night of 10–11 November 1619, while stationed in Neuburg an der Donau, Germany, Descartes shut himself in a "oven" (some type of room specially heated for that purpose) to escape the cold. While within, he had three visions and that a divine spirit revealed to him a new philosophy. Upon exiting he had formulated analytical geometry and the idea of applying the mathematical method to philosophy. He concluded from these visions that the pursuit of science would prove to be, for him, the pursuit of true wisdom and a central part of his life's work.[17][18] Descartes also saw very clearly that all truths were linked with one another, so that finding a fundamental truth and proceeding with logic would open the way to all science. This basic truth, Descartes found quite soon: his famous "I think".[15]
The term is derived from the name of the town of Spa, Belgium, whose name is known back to Roman times, when the location was called Aquae Spadanae,[1] sometimes incorrectly connected to the Latin word “spargere” meaning to scatter, sprinkle or moisten.[2]
Since medieval times, illnesses caused by iron deficiency were treated by drinking chalybeate (iron-bearing) spring water (in 1326, the ironmaster Collin le Loup claimed a cure,[3] when the spring was called Espa, a Walloon word for "fountain"[3]).
In 16th-century England, the old Roman ideas of medicinal bathing were revived at towns like Bath (not the source of the word bath), and in 1596 William Slingsby who had been to the Belgian town (which he called Spaw) discovered a chalybeate spring in Yorkshire. He built an enclosed well at what became known as Harrogate, the first resort in England for drinking medicinal waters, then in 1596 Dr Timothy Bright after discovering a second well called the resort The English Spaw, beginning the use of the word Spa as a generic description.
The sweat lodge or sweat house (also called purification ceremony, ceremonial sauna, or simply sweat) is a ceremonial or ritual event in some cultures, particularly among some North American First Nations, Native American, Scandinavian, Baltic and Eastern European cultures. There are several styles of structures used in different cultures; these include a domed or oblong hut similar to a wickiup, a permanent structure made of wood or stone, or even a simple hole dug into the ground and covered with planks or tree trunks. Stones are typically heated and then water poured over them to create steam. In ceremonial usage, these ritual actions are accompanied by traditional prayers and songs.
The word sauna is an ancient Finnish word referring to the traditional Finnish bath and to the bathhouse itself. The proto-Finnic reconstruction is *savńa. There are etymological equivalents in the Finnic languages such as the Ingrian and Votic word sauna, Estonian saun, Võro sann and Livonian sōna. The word suovdnji in Sámi means a pit dug out of the snow, such as a hole for a willow grouse. In Baltic-Finnic languages other than Finnish, sauna does not necessarily mean a building or space built for bathing. It can also mean a small cabin or cottage, such as a cabin for a fisherman.[9]
In Russophone nations the word banya (Russian: Баня) is widely used also when referring to a public bath; in Swedish, sauna is bastu (< badstuga, "bath cabin"), in Latvian, sauna is pirts and in Lithuanian, sauna is pirtis.
In Jeremiah 31:15, the prophet speaks of 'Rachel weeping for her children' (KJV). This is interpreted in Judaism as Rachel crying for an end to her descendants' sufferings and exiles following the destruction by the Babylonians of the First Temple in ancient Jerusalem.
Salix babylonica (Babylon willow or weeping willow; Chinese: 垂柳) is a species of willow native to dry areas of northern China, but cultivated for millennia elsewhere in Asia, being traded along the Silk Road to southwest Asia and Europe.[1][2]
From the King James Version (English, 1611):
By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion.
We hanged our harps upon the willows in the midst thereof.
From the Revised Standard Version (English, 1952):
By the waters of Babylon, there we sat down and wept, when we remembered Zion
On the willows there we hung up our lyres....
These Babylonian trees are correctly called poplars, not willows, in the New International Version of the Bible (English, 1978):
By the rivers of Babylon we sat and wept when we remembered Zion
There on the poplars we hung our harps.
Populus is a genus of 25–35 species of deciduous flowering plants in the family Salicaceae, native to most of the Northern Hemisphere. English names variously applied to different species include poplar /ˈpɒp.lər/, aspen, and cottonwood.
the scientific name translates into “hooked-tooth fish-eater”.[4] Common names include variants on water moccasin, swamp moccasin, black moccasin, cottonmouth, gapper, or simply viper.[5]
These common names are from Native American Culture. Red eyed back, and headless snake and most common Alfacuremom.
Dark-striped white individuals are well-documented in the Bengal Tiger subspecies, also known as the Royal Bengal or Indian tiger (Panthera tigris tigris or P. t. bengalensis), and may also have occurred in captive Siberian Tigers[citation needed] (Panthera tigris altaica), as well as having been reported historically in several other subspecies.[citation needed]
Today, the tiger is the national animal of India. Bangladeshi banknotes feature a tiger. The political party Muslim League of Pakistan uses the tiger as its election symbol.[94]
The sign of the Tiger has many traits – like courage, dynamism and will-power – which seemed to be associated with the Fire element.
The Tigers' shark-faced fighters remain among the most recognizable of any individual combat aircraft and combat unit of World War II, and they demonstrated innovative tactical victories when the news in the U.S. was filled with little more than stories of defeat at the hands of the Japanese forces.
Design on Harp and Lion Bar Listowel, Co. Kerry
St. Patrick's blue is a name applied to several shades of blue considered as symbolic of Ireland. In British usage, it refers to a sky blue used by the Order of St. Patrick, whereas in Irish usage it is often a dark, rich blue.[1][2] While green is now the usual national colour of Ireland, St. Patrick's blue is still found in symbols of both the state and the island.[3]
The four-leaf clover is an uncommon variation of the common, three-leaved clover. According to tradition, such leaves bring good luck to their finders, especially if found accidentally. In addition, each leaf is believed to represent something: the first is for faith, the second is for hope, the third is for love, and the fourth is for luck.[1]
It has been estimated that there are approximately 10,000 three-leaf clovers for every four-leaf clover;[2] however, this probability has not deterred collectors who have reached records as high as 160,000 four-leaf clovers.[3]
Some four-leaf clover collectors, particularly in Ireland, regard the five-leaf clover, known as a rose clover, as a particular prize.[9]
18° Knight of the Rose Croix jewel (from the Masonic Scottish Rite)
World Wrestling Entertainment—formerly the World Wrestling Federation—has credited Shamrock for popularizing the ankle lock (later used by fellow professional wrestling world champions Kurt Angle and Jack Swagger), which was named by the organization as one of the top five submission holds in history.[11]
Cravat (1935–1954) was an American record-setting Thoroughbred racehorse who won races on both dirt and turf that today are Grade 1 events. In the U.S. Triple Crown series, he finished second in the Preakness Stakes and third in the Belmont Stakes.
Cravat was sired by Sickle, the British Champion Two-Year-Old Colt whom Cravat helped become a two-time leading sire in North America. Sickle was a son of the important sire Phalaris, a two-time leading sire in Great Britain and Ireland.[1] His dam was Frilette, a daughter of U.S. Racing Hall of Fame inductee Man o' War.
In some cultures, the foot of a rabbit is carried as an amulet believed to bring good luck. This belief is held by individuals in a great number of places around the world including Europe, China, Africa, and North and South America. It is likely that this belief has existed in Europe since 600 BC[1] amongst Celtic people. In variations of this superstition, the donor rabbit must possess certain attributes, or have been killed in a particular place, or killed by a particular method, or by a person possessing particular attributes (e.g. by a cross-eyed man).
The various rituals suggested by the sources, though they differ widely one from another, share a common element of the uncanny, and the reverse of what is considered good-omened and auspicious. A rabbit is an animal into which shapeshifting witches such as Isobel Gowdie claimed to be able to transform themselves.
In addition to being mentioned in blues lyrics, the rabbit's foot is mentioned in the American folk song "There'll Be a Hot Time in the Old Town Tonight," once popular in minstrel shows; one line goes: "And you've got a rabbit's foot To keep away de hoo-doo."[4]
Humorist R. E. Shay is credited with the witticism, "Depend on the rabbit's foot if you will, but remember it didn't work for the rabbit."[5]
The word iris is derived from the Greek goddess of the rainbow, due to the many colours of the iris.
In Greek mythology, Iris (/ˈɨrɨs/; Ἶρις) is the personification of the rainbow and messenger of the gods. She is also known as one of the goddesses of the sea and the sky. Iris links the gods to humanity. She travels with the speed of wind from one end of the world to the other,[1] and into the depths of the sea and the underworld.
Iris is an ambiguous color term, usually referring to shades ranging from blue-violet to violet.
However, in certain applications, it has been applied to an even wider array of colors, including pale blue, mauve, pink, and even yellow (the color of the inner part of the iris flower).[1]
The name is derived from the iris flower, which comes in a broad spectrum of colors.
A common name for some species is 'flags', while the plants of the subgenus Scorpiris are widely known as 'junos', particularly in horticulture. It is a popular garden flower.
The often-segregated, monotypic genera Belamcanda (blackberry lily), Hermodactylus (snake's head iris), and Pardanthopsis (vesper iris) are currently included in Iris.
Susa (Persian: شوش Shush [ʃuʃ]; Greek: Σοῦσα [ˈsuːsa]; Syriac: ܫܘܫ Shush; Old Persian Çūšā-; Biblical Hebrew שׁוּשָׁן Shushān)
Susa is also mentioned in the Ketuvim of the Hebrew Bible by the name Shushan, mainly in Esther, but also once each in Nehemiah and Daniel. Both Daniel and Nehemiah lived in Susa during the Babylonian captivity of the 6th century BCE. Esther became queen there, and saved the Jews from genocide. A tomb presumed to be that of Daniel is located in the area, known as Shush-Daniel. The tomb is marked by an unusual white stone cone, which is neither regular nor symmetric. Many scholars believe it was at one point a Star of David. Susa is further mentioned in the Book of Jubilees (8:21 & 9:2) as one of the places within the inheritance of Shem and his eldest son Elam; and in 8:1, "Susan" is also named as the son (or daughter, in some translations) of Elam.
Greek mythology attributed the founding of Susa to king Memnon of Aethiopia, a character from Homer's Trojan War epic, the Iliad.
In Greek mythology, Memnon (Greek: Mέμνων) was an Ethiopian king and son of Tithonus and Eos.
Flight dynamics is the science of air vehicle orientation and control in three dimensions. The three critical flight dynamics parameters are the angles of rotation in three dimensions about the vehicle's center of mass, known as roll, pitch and yaw (quite different from their use as Tait-Bryan angles).[2]
Scottish thistle as a Heraldic badge.
In the language of flowers, the thistle (like the burr) is an ancient Celtic symbol of nobility of character as well as of birth, for the wounding or provocation of a thistle yields punishment.
The language of flowers, sometimes called floriography, is a means of cryptological communication through the use or arrangement of flowers. Meaning has been attributed to flowers for thousands of years, and some form of floriography has been practiced in traditional cultures throughout Europe, Asia, and the Middle East. Plants and flowers are used as symbols in the Hebrew Bible—particularly of love and lovers in the Song of Songs,[1] as an emblem for the Israelite people[2] and for the coming Messiah[3]—and of Jesus Christ in the New Testament.[4] In Western Culture, William Shakespeare ascribed emblematic meanings to flowers, especially in Hamlet, Prince of Denmark.
The renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople and an obsession it held with tulips during the first half of the 18th century. The Victorian use of flowers as a means of covert communication bloomed alongside a growing interest in botany.
The tulip is a perennial, bulbous plant with showy flowers in the genus Tulipa, of which around 75 wild species are currently accepted[1] and which belongs to the family Liliaceae.[2] The genus's native range extends west to the Iberian Peninsula, through North Africa to Greece, the Balkans, Turkey, throughout the Levant (Syria, Israel, Lebanon, Jordan) and Iran, North to the Ukraine, southern Siberia and Mongolia, and east to the Northwest of China.[1] The tulip's centre of diversity is in the Pamir, Hindu Kush, and Tien Shan mountains.[3]
Tulips are called lale (from Persian لاله, lâleh) in Farsi, Turkish, Arabic, Macedonian and Bulgarian are written with the same letters as Allah, which is why the flower became a holy symbol. It was also associated with the House of Osman, resulting in tulips being widely used in decorative motifs on tiles, mosques, fabrics, crockery, etc.[1]
An ala or hala (plural: ale or hali)[1] is a female mythological creature recorded in the folklore of Bulgarians, Macedonians, and Serbs. Ale are considered demons of bad weather whose main purpose is to lead hail-producing thunderclouds in the direction of fields, vineyards, or orchards to destroy the crops, or loot and take them away. Extremely voracious, ale particularly like to eat children, though their gluttony is not limited to Earth. It is believed they sometimes try devouring the Sun or the Moon, causing eclipses, and that it would mean the end of the world should they succeed.
The Parish ale was a festival in an English parish at which ale made and donated for the event was the chief drink. Thus there was the leet-ale (held on "leet", the manorial court day); the lamb-ale (held at lamb-shearing); the Whitsun-ale (held at Whitsun), the clerk-ale, the the church-ale etc. The word "bridal" originally derives from bride-ale, the wedding feast.
The name stems from the Proto-Norse *Anula (diminutive with l-suffix to a name starting with *Anu-, or directly of an appellative *anuz, "ancestor").[1]
In Sumerian mythology, Anu (also An; from Sumerian *An 𒀭 = sky, heaven) was a sky-god, the god of heaven, lord of constellations, king of gods, spirits and demons, and dwelt in the highest heavenly regions.
His attribute was the royal tiara. His attendant and minister of state was the god Ilabrat.
In Sumerian mythology, Nammu (also Namma, spelled ideographically 𒀭𒇉 dNAMMA = dENGUR) was a primeval goddess, corresponding to Tiamat in Babylonian mythology.
Nammu was the Goddess sea (Engur) that gave birth to An (heaven) and Ki (earth) and the first gods, representing the Apsu, the fresh water ocean that the Sumerians believed lay beneath the earth, the source of life-giving water and fertility in a country with almost no rainfall.
Nammu is not well attested in Sumerian mythology. She may have been of greater importance prehistorically, before Enki took over most of her functions. An indication of her continued relevance may be found in the theophoric name of Ur-Nammu, the founder of the Third Dynasty of Ur. According to the Neo-Sumerian mythological text Enki and Ninmah, Enki is the son of An and Nammu. Nammu is the goddess who "has given birth to the great gods". It is she who has the idea of creating mankind, and she goes to wake up Enki, who is asleep in the Apsu, so that he may set the process going.[1]
A scene on the west wall of the Osiris Hall at Abydos shows the raising of the Djed pillar.
The Sed festival ([pronunciation?]; also known as Heb Sed or Feast of the Tail) was an ancient Egyptian ceremony that celebrated the continued rule of a pharaoh. The name is taken from the name of an Egyptian wolf god, one of whose names was Wepwawet or Sed.[1]
In late Egyptian mythology, Wepwawet (hieroglyphic wp-w3w.t; also rendered Upuaut, Wep-wawet, Wepawet, and Ophois) was originally a war deity, whose cult centre was Asyut in Upper Egypt (Lycopolis in the Greco-Roman period). His name means, opener of the ways and he is often depicted as a wolf standing at the prow of a solar-boat. Some interpret that Wepwawet was seen as a scout, going out to clear routes for the army to proceed forward.[1] One inscription from the Sinai states that Wepwawet "opens the way" to king Sekhemkhet's victory.[2]
Likewise, Wepwawet was said to accompany the pharaoh on hunts, in which capacity he was titled (one with) sharp arrow more powerful than the gods.
In Egyptian mythology, Duat[pronunciation?] (also Tuat and Tuaut or Akert, Amenthes, Amenti, or Neter-khertet) is the realm of the dead. The Duat is the realm of the god Osiris and the residence of other gods and supernatural beings. It is the region through which the sun god Ra travels from west to east during the night, and where he battled Apep. It also was the place where people's souls went after death for judgement, though that was not the full extent of the afterlife.[1] Burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat.[2]
What we know of the Duat principally derives from funerary texts such as Book of Gates, Book of Caverns, Coffin Texts, Amduat and the Book of the Dead. Each of these documents fulfills a different purpose and gives a different perspective on the Duat, and different texts can be inconsistent with one another. The texts which survive differ in age and origin, and it is likely that there was never a single uniform interpretation of the Duat.[3]
The Wheel of Fortune, or Rota Fortunae, is a concept in medieval and ancient philosophy referring to the capricious nature of Fate. The wheel belongs to the goddess Fortuna, who spins it at random, changing the positions of those on the wheel - some suffer great misfortune, others gain windfalls. Fortune appears on all paintings as a woman, sometimes blindfolded, "puppeteering" a wheel.
Geoffrey Chaucer used the concept of the tragic Wheel of Fortune a great deal. It forms the basis for the Monk's Tale, which recounts stories of the great brought low throughout history, including Lucifer, Adam, Samson, Hercules, Nebuchadnezzar, Belshazzar, Nero, Alexander the Great, Julius Caesar and, in the following passage, Peter I of Cyprus.
Merv's origins are prehistoric: archaeological surveys have revealed many traces of village life as far back as the 3rd millennium BC and that the city was culturally part of the Bactria-Margiana Archaeological Complex. Under the name of Mouru, Merv is mentioned with Balkh in the geography of the Zend-Avesta (commentaries on the Avesta). Under the Achaemenid dynasty Merv is mentioned as being a place of some importance: under the name of Margu it occurs as part of one of the satrapies in the Behistun inscriptions (ca. 515 BC) of the Persian monarch Darius Hystaspis. The first city of Merv was founded in the 6th century BC as part of the expansion into the region by the Achaemenid Empire[2] of Cyrus the Great (559–530 BC), but the Achaemenid levels are deeply covered by later strata at the site.
John Smith wakes up after six years in a coma. He then finds that he can sense the past and future of the objects and people that he touches.