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In 2001, archaeologists digging in Peru revealed a shocking discovery: massive man-made structures, hundreds of feet in diameter, built with stone and dirt. They found dozens of these mounds in the arid valleys of Peru's Norte Chico region, running from the Andes Mountains to the west coast.
They look like flat-topped pyramids, up to 85 feet (26 meters) tall [source: ScienceDaily]. Compared to the pyramids of the Mayan empire in South America or, later, the Incan empire in Peru -- structures that were hundreds of feet tall -- that's not so impressive. Except that these mounds in Norte Chico predate any large structures attributed to either the Incas or the Mayans. (They're even older than the Egyptian pyramids, for that matter.) It seems that these Peruvian mound builders were the first complex civilization in the Americas.
Early humans, possibly even prehuman ancestors, appear to have been going to sea much longer than anyone had ever suspected.
Crete has been an island for more than five million years, meaning that the toolmakers must have arrived by boat. So this seems to push the history of Mediterranean voyaging back more than 100,000 years, specialists in Stone Age archaeology say. Previous artifact discoveries had shown people reaching Cyprus, a few other Greek islands and possibly Sardinia no earlier than 10,000 to 12,000 years ago.
The oldest established early marine travel anywhere was the sea-crossing migration of anatomically modern Homo sapiens to Australia, beginning about 60,000 years ago. There is also a suggestive trickle of evidence, notably the skeletons and artifacts on the Indonesian island of Flores, of more ancient hominids making their way by water to new habitats.
They have always been there. People noticed them before. But no one could remember who made them -- or why? Until just recently, no one even knew how many there were. Now they are everywhere -- thousands -- no, hundreds of thousands of them! And the story they tell is the most important story of humanity. But it's one we might not be prepared to hear.
Something amazing has been discovered in an area of South Africa, about 150 miles inland, west of the port of Maputo. It is the remains of a huge metropolis that measures, in conservative estimates, about 1500 square miles. It's part of an even larger community that is about 10,000 square miles and appears to have been constructed -- are you ready -- from 160,000 to 200,000 BCE!
Once the ruins were examined, the researchers were anxious to place the lost civilization in a historical perspective. The rocks were covered with a patina that looked very old but there were no items sufficient for carbon-14 dating. It was then that a chance discovery revealed the age of the site, and sent a chill down the spine of archaeologists and historians!
Scientists have finally demystified the incredible workings of a 2,000-year-old astronomical calculator built by ancient Greeks.
A new analysis of the Antikythera Mechanism [image], a clock-like machine consisting of more than 30 precise, hand-cut bronze gears, show it to be more advanced than previously thought—so much so that nothing comparable was built for another thousand years.
"This device is just extraordinary, the only thing of its kind," said study leader Mike Edmunds of Cardiff University in the UK. "The design is beautiful, the astronomy is exactly right…In terms of historical and scarcity value, I have to regard this mechanism as being more valuable than the Mona Lisa."
Located in the recently restored church of San Pietro, Montalcino, Italy, are three beautiful works of art. The one located immediately behind the alter is called the Glorification of the Eucharist and was painted just before 1600 AD by the very talented artist Ventura Salimbeni. What makes this painting both rare and unusual is the focal point which features a mechanical device that strongly resembles a satellite or observation drone. Although this has been refuted as nothing more than a creation globe there are a few points worth noting that challenge this rather high-handed dismissal.
The device clearly has telescopic antenna, what appears to be a camera (or lens) as well as a spotlight. According to some people the lens is a depiction of the moon and the light is a depiction of the sun. If this is the case then the moon is a double crescent and the Sun is depicted proportionally smaller than it should be. In addition, the antennas are clearly fixed to the globe with grommet-like devices and are tipped with aerial spheres. The globe also displays lines which have been claimed to represent early longitude lines on the globe of the Earth. (We should have better image soon.) In fact, the lines look like the joins in metal plates and perhaps that is what they are.
Originally posted by SammyB0476
reply to post by Hanslune
Of course its a bird. Everyone is talking about the metal globe beneath the bird.
Finally there is the controvert discussion about the so called UFO or “Sputnik” of Montalcino. This is actually the name so often used by certain sites to refer to the object represented in the church of St. Peter in Montalcino. The pages of Edicolaweb for example reads: “it recalls indeed the Russian artificial satellites”. It is worth to mention that hypothesis of this kind lost strength after the publishing of the article by Samuele Ghilardi, Amos Migliavacca and Elenio Salmistraro: “The Satellite of Montalcino”.
The authors describe how the painting has been analyzed by means of photographs taken from short distance and declare to agree with Ion Hobana, who states:
«It's very interesting the interpretation of Ion Hobana, great expert of UFOs and author of the optimal volume " Enigme pe cerul istoriei ". He said the object would be an ancient map of the world, representative the Creation Globe, in which the sun is visible and a primitive shape of marking of the meridians and parallels; moreover the small cylinder would be the hinge for being able to fix to a support the sphere. An example is visible in Vatican. From the analyses carried out on the photographies and the painting originates them cannot be gained elements that make to suppose a ufologico event, while they have been finds numerous points to you in common with Greek-orthodox religious raffigurazioni. In many icons coming from from the East it is possible to notice spheres with the same symbols and tracings, accompanied or from the single figure of the Christ or from all the Trinity.»
Even this painting proves to be at least not so different from any other of the same gender. Indeed all paintings in which the Trinity is represented show Jesus, the Father and the Holy Spirit in the shape of a dove. Usually even the “Creation Globe” is presented, symbolizing not simply the Earth but the universe as a whole. In addition many paintings present also the “wands” hold by Jesus and the Father, which are frequently described as the antennas of the sputnik. The first two are "The Adoration of the Holy Trinity" (1640) by Johann Heinrich Schonfeld and " La Messe de Fondation de l'order des Trinitaires" (1666) by Juan Carreno De Miranda. Both the paintings are displayed at the Louvre Museum, Paris.
Originally posted by NoRegretsEver
As far as Im concerned art is explained by the person who see it, not the painter.
I have seen "art" with 2 streaks from a brush and people see an entire story. Art is something that I have never been able to understand, but its fascinting, and open to all and any interpretations.
Peace, NRE.
Originally posted by NoRegretsEver
reply to post by Hanslune
I wanted to close with this one. I have never seen it before, but wondered what was being conveyed here?
I thought this was interesting.
That was ALL I wrote concerning that painting. There is nothing wrong with other members seeing different interpretations of the same painting, and I was pointing that out.
The device clearly has telescopic antenna, what appears to be a camera (or lens) as well as a spotlight. According to some people the lens is a depiction of the moon and the light is a depiction of the sun. If this is the case then the moon is a double crescent and the Sun is depicted proportionally smaller than it should be. In addition, the antennas are clearly fixed to the globe with grommet-like devices and are tipped with aerial spheres. The globe also displays lines which have been claimed to represent early longitude lines on the globe of the Earth. (We should have better image soon.) In fact, the lines look like the joins in metal plates and perhaps that is what they are.