Three years later and it's May 2009. The much-anticipated (mega-overhyped, ala "The Blair Witch Project" through the use of the Internet and all
forms of media) Star Trek XI is released, simply known as "Star Trek" or "Star Trek 0" (I'd just as well call this zero "No Trek: From Hell It
Came"). It was a kids' movie. Presumably Paramount viewed Trek as a has-been which had run its course. That was the attitude or message they had
come to after ST X and after E, with the idiotic theory that only so many stories can be written and have been written, and only so many plots, and
only so many...before recycling them over and over again. When you limit yourself to a small group of buddy writers, what do you expect, Paramount?
Trek had been kept alive for Decades with Fan Input: fanzines and fan publications and Fan Imagination. You take the Fan Element out of it, split the
booty between half a dozen guys in suits who only know movies and TV and NOT Science Fiction, you're going to get the Same recycled #. Worse, you're
going to get it aimed at everyone But the Fans. The big brains at Paramount will never, ever understand this principle. It is simply beyond their
grasp, like a fish in a bowl will never learn to climb a tree. The era of Prequels and Remakes was more potent than ever before with the likes of
Batman being "rebooted" and TV series like Kolchak The Night Stalker, Hawii Five-O... Frank Herbert's son was also turning out plenty of "Dune"
co-authored prequel novels (not that anyone connected with The Franchise had the intellect to read them, of course). Obviously some Paramount exec
thought the future of Trek, if it was to have one, was to redo it with a younger cast and an all-new production team and writers. Young ones all
around. Young ones where weren't old enough to be fans of TOS and perhaps only had a hint of Trek's philosophy and background--if even that... ST XI
was the master-mind of J.J. Abrams, a young punk who was under two months old when the original series aired and still hadn't a clue about it to this
very day because he never watched it (well, at least he was honest about That!). No problem: his dad's a TV producer, he has money coming out of his
ass, so he gets awarded the job. Maybe he hasn't mentally developed beyond being two months old. It would explain a lot, like the hyperactive
direction apparently aimed at an audience with no attention span whatsoever. Also worthy of lynching are Alex Kurtzman and Roberto Orci (both born in
1973, days or months Before the premiere of Star Trek TAS! Some 7 years Younger than Abrams!), co-writers and executive producers of this mess
(infamously responsible for Hercules, Xena, Jack Of All Trades, and Transformers--just to name some of their familiar cartoonish faire). Kurtzman is
the son-in-law of Nick Counter, attorney and President of the Alliance of Motion Picture and Television Producers for 27 years. Roberto Orci's
stepsister is an airheaded actress named Courtney Ford, and stepbrother-in-law of actor/producer Brandon Routh, while his brother J.R. is a TV
producer and story editor of like-minded series. All three are Obviously highly-qualified professionals behind the mass-marketed trash of the moron
generation! Yeah, I was so curious about the mind-set of the background crew capable of conceiving such an insulting load-of-# that I just Had to
research it. Their various projects are intertwined and interrelated, and all aimed at the ignorant masses of young people, or adults who never
matured. They are responsible for today's over-hyped, over-rated, over-the-top "acted" movies which are jam-packed with product ads (money!), car
chases/crashes, (loud!) noise/screaming, and gunfire/explosions/things falling/breaking in every scene, and (when there really is a brief moment of
slow-down in action) the quintessential teenage sex jokes and bathroom "humor." These movies are not story-driven in the least, but are pure FX
"eye candy" made to appeal to teens with short attention spans and no brains (a.k.a. the lowest common denominator). 100% pure mindless
entertainment. The three multi-millionaires form a kind of Kirk-Spock-McCoy relationship but without any maturity or intelligence whatsoever; more
like a trio of schoolyard toddlers from upper-crust families who are gifted with very expensive toys to play with--at the expense of the Adults
surrounding them. If I could distill the worst-of-the-worst of today's filmmaking down, it would settle upon this trio of morons. Abrams draws
inspiration from Star Wars and he bases Jim Kirk's character on a young Indiana Jones & Luke Skywalker--always getting into fights, joyriding, and
rebelling against authority figures--essentially a juvenile delinquent here. And there are several "farm boy" jokes present here, too. Chris Pine
plays Kirk and he admits to never even having watched TOS nor even William Shatner! Has ANYONE here?
How's that for casting! So Abrams just tells him to play Kirk "as a young Indy!" The other characters are worse off: half-baked cardboard cutouts
that neither look, nor sound, nor act like the originals, yet forced to utter their unique catch-phrases on cue, (almost parodies of the originals).
Throughout this farce I had to keep reminding myself "That guy is supposed to be Scotty." "This guy is supposed to be Chekov," etc. (the only
characters spared this are Nurse Chapel and Yeoman Rand who don't appear in this film though Majel Barrett's voice is used briefly in one scene as
the computer voice--spoken TNG-style, not TOS-style. One can only imagine who would have been chosen to play young blondes...Paris Hilton for one?
Best not to even Think about it!). This aspect alone was embarrassing enough, while the plot is an absolute insult to fans and non-fans alike. To
anyone with a piece of brain. Regardless of the flaws, the ten previous Star Trek movies were written by, and aimed at, Adults. That's not the case
here. There is too much character stupidity going around for me to waste my time summarizing it all here, I'll just point out the "Spock and Uhura
as lovers" subplot and be done with it. And I'll also mention an earlier subplot where Uhura does not get assigned to the Enterprise so she has a
tantrum, and curses and bitches at Spock (her superior officer, incidentally) about it while at the Academy until she gets her way. This is not the
Lt. Uhura I grew up watching on TV, in theaters, and reading about in countless novels.
Everyone connected with this film is New to Star Trek and is shows (Oh, Geoffrey Mandel is credited as an artist and Marc Okrand is credited for
Vulcan and Romulan languages--but so is an unknown woman credited for being a science consultant--and none of this appears in the final film! There is
No Science in this film! This mess should not be Called a "Science fiction" movie even! The Star Wars prequels at their very worst had far superior
"Science" than anything to be found here.). Oh, Leonard Nimoy is present to reprise the older Spock character--but he's used as a token actor to
somehow legitimize this film; a sort of passing-of-the-torch. With the few lines and scenes he's given, our Spock is truly wasted material.
He walks away at the end of the film with this hopeless attitude that the timeline's changed, that's that, so the hell with it.
I could just imagine the scripted line "May the Force be with you" scratched out and replaced at the last moment with "Live long and prosper"
after a quick consultation with The Encyclopedia just to save face with any Trek fans who might be watching.
Star Trek history as we know it is thoroughly destroyed in this pathetic reboot. Everything is rebuilt from scratch--sets, props, uniforms,
characters--without any intellectual guidance or brain cells, much less a shred of respect for Trek's long history... That was part of the Plan of
course, since all Previous sets, costumes, props etc. from the 40-year-old franchise had been Auctioned Off three years ago. Now they can make all-new
junk to feed the franchise's toy and merchandise vendors. This universe, we can all at least agree, is unquestionably an alternate timeline--or to be
more honest, a complete reboot of Star Trek (30 years before TOS there were no ships like the U.S.S. Kelvin with Star Fleet Bold Extended lettering on
the hull, a wacko NCC preceded by 0, an interior that looks to be a dimly-lit bombed-out factory more fitting for a ship from an "Aliens" movie,
armed with Phasers which Treknically hadn't even been invented yet, and crewed by an unprecedented 800 in never-before-seen Star Fleet uniforms which
bear Enterprise arrowhead insignias, manning a rough redress of the decades-Later film's Enterprise bridge--and what's Both of Kirk's parents doing
aboard her!?!). One we're kind of stuck with it now in a permanent sort of way... That includes the destruction of the planet Vulcan, the death of
Kirk's father, and the death of Spock's mother...all in a twisted timeline, compliments of a madman from the 24th Century (in reality, children from
the early 21st Century). That's right, I Did say the destruction of the planet Vulcan: one of those "so what?" throwaway subplots that's treated
like an everyday occurance by all characters in this film! The death of a single, throway "red shirt" in TOS held far more emotional impact. (I
still get choked up over Yeoman Thompson in "By Any Other Name"--only Shatner could do that with a hand of sand!). The way I see it, destroying
Vulcan was symbolizing Abrams' literal destruction of Logic and Reason in this movie and, presumably, to eliminate these qualities from its
sequel.
Let me put it to you another way: Everything Star Trek ever published--all manuals, books, and previous movies and series (except maybe for E, of all
fragging series!) are now NON-CANON--If you give this film any sort of legitimacy! Having a ship come from the future to alter the timeline is the
ultimate excuse to free these Non-Fan jerks from any form of accountability to 40 years of Trek continuity, and allow them to do whatever the hell
they want with Their newly-spawned "Trek" universe. With Trek history wiped clean, they can write future movies any way they wish. Nice trick. It's
rather akin to the Coming of Okuda and how He made all the FASA and Tech Fandom works Disappear via the introduction of the "Canon" Mentality--then
cleverly put the blame on Paramount Pictures and/or "Gene wanted it this way." Maybe Modern Trek fans will now understand what I went through,
futily fought against, and lost. You could say that this is the final turning of the tables on Canonheaded Fans. The masses are very happy with the
movie however, because it's sufficiently dumbed-down to attract new fans to the new franchise (probably the under two-month-old newbies--it Does
shine as a children's film!), which was its sole purpose. Everyone is so thrilled with CGI here, there and everywhere, with rocking cameras, motion
blur, and especially with Abrams' "magic" of using lens flares galore (literally standing on the sets shining hand-held flashlights into camera
lenses to give it that "real" taste of reality!) which for some inexplicable reason is applauded as the mark of a film-making genius! "J.J. Abrams
it the new Steven Spielberg!" The exterior space visuals, notably the villain's super-sized ship, are also nothing much but a blur in my memory. For
all the money they've wasted, they probably could have just filmed some cheap plastic models and swooshed the camera about them for the final visuals
remain the same. The rebuilt bridge looks like a cross between an Apple store and Progressive.com's store seen in TV commercials (minus Flo, though
give her a uniform and that airhead would fit right in just fine), complete with a window in place of a viewscreen, and heads-up displays. With
Abrams' fixation on Star Wars, it's a wonder there aren't any droids in this movie (Flobot would also fit right in), or even guys manning gun
turrets. There is very little acknowledgement of previous designs, much less design lineage. Engineering is this bloated area of raw piping and
tankage--literally filmed in a brewery so the cast and crew could get free beer (I kid you not!). It neither looks nor sounds like a Star Trek movie,
and unquestionably is the most juvenile Trek film ever. Staff the Enterprise with teens and young adults who haven't even graduated from the Academy,
and just let 'em do their thing. Completely ignore the chain-of-command--No, ignore Rank itself, for the kid with the biggest Mouth commands! Yeah,
even non-fans will be asking themselves what the hell this Star Fleet (para-)military organization is doing handing over the Flagship to cadets! And
all the old Enterprise crew members were cadets attending the Academy at the exact same time together, too. Spock maroons Kirk on a random ice planet
simply because he's too annoying to be allowed to remain (play) aboard the Enterprise. Starships have Brigs for a reason, but the writers don't know
this. Abrams probably got the idea of an ice planet from The Empire Strikes Back, and it's even inhabited by a nasty monster (presumably the
counterpart to the Wampa Ice Creature from the same SW film--but 100% CGI, which goes through the motions of getting devoured by an even larger CGI
creature, as seen in SW Episode I). Coincidentally Kirk meets the older Spock there (seemingly portrayed as the likes of Obi-Wan Kenobi of Star Wars
Episode IV: A New Hope, crossed with Yoda's wisdom) and even Scotty is found there (used for comic relief--Chewbacca?), all coincidentally marooned
together in the same general area. Really, really, really amazing coincidence. There is no concept of Scale in this movie, much less the Size of
Space. It would have been more plausible to set everything on One planet and have the villain simply travel around destroying town after town... This
planet is called Delta Vega which, in Real TOS, was located at the very edge of the galaxy and was more of a desert planet. Here the planet, according
to Spock's statements, is presumably orbiting Vulcan or in the Vulcan system (since the villain marooned Spock there to watch the planet Vulcan die,
or so a subplot claims). That's as Far as "continuity" with TOS actually gets. Being a "reboot" this Delta Vega is probably merely an homage to
the planet from TOS' 2nd pilot episode, and can literally be Anywhere in the Abrams' Trek universe. Scott's reason for being on this planet is
shamefully inadequate (E-reference!), almost as if it's a penal sentence, but he's got a cute, pint-sized alien sidekick to keep him company
(presumably inspired by Jar Jar Binks--Abrams' Star Wars heritage strikes again!). There are in fact various silly-looking token aliens scattered
about as background scenary in this movie, each one is a completely original creation never before seen in Trek of course (with the exception of an
Orion whore girl), notably present in an earlier bar brawl scene (Abrams' Star Wars cantina, in all its glory). Anyway, Spock tells Scotty about
transwarp beaming (giving him a Formula) and they pop up back on the Enterprise despite it moving at warp speed, probably being hundreds of light
years away... Does This Seem Even Remotely Plausible In Any Way, Shape, Or Form?!? Can even a Non-Trek Fan who'se never heard of teleportation
swallow this crap? Had Q appeared from out of nowhere to lend the team a hand, it would have been infinitely more plausible! By this point in the
storyline, any serious fans still watching are probably demanding that the movie turn out to be a bad dream rather than a legitimate Trek adventure
film. That request won't be granted. Throughout all this, Dr. McCoy wields a hypo for joke effect in a manner the Real McCoy never would have. The
villain is a tattooed Romulan (shades of Darth Maul?) named Nero from the future who goes around destroying worlds with a mining ship (which naturally
looks absolutely nothing like any mining ship we've seen anywhere in Trek, Romulan or otherwise--but is big, bad, and for all practical purposes a
Death Star in this movie) because he's Evil, and certifiably so because he's carrying throat-worms to torture people. Somehow he demolishes planets
by dropping "red matter" blobs, extracted with a hypodermic needle (?!), into planetary fissures he drills which turn into black holes. Does that
make any sense? I Did say that there's virtually no Science present in this film. ("Brown" matter would have been more appropriate, in
retrospect--the film's symbolically full of it. No sign of "grey matter" anywhere.) Oh yeah, and in the future a supernova could have destroyed the
galaxy. Really believable stuff.
I won't even Bother to tackle the countless Treknical nightmares in this movie (like the U.S.S. Enterprise being built ON Earth...in Iowa?) since
it's as devoid of any Treknological background as it is devoid of Science. Once upon a time, Star Trek episodes and films made one Think and they
Said Something. The new film, to quote another fan, actually encourages the viewer Not to Think. Even the abysmal "Nemesis" film which preceded it,
contained themes of sacrifice and being responsible for one's own actions while exploring aspects of the characters. Star Trek 2009 doesn't have
characters so much as kids on joyrides, and running away from one situation only to find themselves facing some new CGI threat in another. That is the
entire mentality both on the screen and behind the scenes. If I could show you the shooting script, you would laugh. One scene describes young Kirk
flying, and I quote, "#ing fast" across the landscape. Kids writing a kid's script, handed over to them from a once-proud, classic 40-year-old
science fiction legacy. Poor, poor Roddenberry. The idiotic movie is for all intents and purposes a live-action cartoon. There are huge explosions and
ships flying around, guys shootings, a sword fight... It was almost a parody of Galaxy Quest, but I think Quest had Characters. Now that I come to
think of it, maybe it was Based more on this movie rather than on TOS. Indeed, one could almost make the case that ST XI was penned by people who hate
(or at least despise) Star Trek, and view the original series (which they obviously Never Viewed) as a 60's "camp" has-been.
Critics gave the film rave reviews of course because of the FX and (illogical) action sequences (this is, after all, from the kid who made the new
Mission Impossible III film so popular--and quite Insulting to fans of the original, Intelligent 1960's Mission Impossible series, such as myself!).
I know I sound like a broken record caught in that same groove but again: Critics of science fiction movies Today merely judge the films Based On the
Effects Work not on the acting and certainly not on the Writing! People going in to see this movie were literally Programmed into believing it was to
be a great film because of all of the previous hype pre-generated by the industry. Fans were revved up into awaiting a new and flashy take on Trek.
Here's a secret: in today's American movie-making industry, where millions of dollars (bordering on billions of dollars) are at stake, praise can
now be Purchased. It's no different than dirty politics. Mindless momentum does the rest.
I read at least one Bozo who compiled a list of "the greatest sci-fi movies of all-time" and placed this load towards the top! They came out
proclaiming Abrams to be a genius--because other morons had said it, so it must be true. Abrams has no business meddling with Star Trek. No Business!
If today's Trek fans (the same lot who backed E!) weren't zomboid franchise-fools, I would Demand that we band together and draft a Petition to ban
this twit from going anywhere near future Star Trek movies. Bring him and his accomplices to justice before Gene Roddenberry's son and the fan
community. Too late. I know, Paramount's Borg got 'em.
The other big, burning shame is the immense waste: $140 Million for This! Had anyone been Serious about a prequel, with this budget they could have
re-created Every starship Enterprise set of TOS in exquisite detail, in addition to every starship Enterprise movie era set--with money to spare! The
fan-film maker's dream. Honestly the only good thing I can say about it is that it brought in some newbie fans and guarantees a sequel and another
sequel and...I suppose it will keep Trek alive in some lobotomized form for the masses; creating a demand for more trash at this level. But that's
like destroying the world in order to create a new one. Exactly what's happened here. Any pure Trek fan would have preferred to have Trek fade away
into the sunset and survive in book form than This atrocity! And at least Roddenberry and his wife were lucky to have died before having to witness
this nightmare bastardization rape the name Star Trek. Another Plus: No Okuda in sight! Some fans will undoubtedly say this is why the new film was
Treknically brain-dead: as it needed technobabble or Some dose of Science. But does Michael Okuda need to be present to, let us say, substitute
"quantum-collapsed phased degenerative matter" for "Red Matter"? Any asshole can do that, too bad nobody gives a # anywhere in this dog to even
Bother. We're left with that along with "space lightning" and related bad terminology, and even worse lack of science, to shudder from. One final
Plus for this film--from my personal perspective: It's the only "Star Trek" movie I never saw in theaters. You see, I knew what was coming so I got
myself a pirated copy off of the internet instead and I was Glad that I didn't fork over one cent at the box office. The following year I did a good
DVD rip after its legal release just to go over it again in proper detail, and to make sure that I wasn't hallucinating and that the bootleg I saw
wasn't a fan-made hack or incomplete copy. Yup, the film really Did happen and just as badly as I remembered it. Not even Alan Dean Foster--the
famous Trek TAS novelist--could save this in any way, shape, or form when he novelizied the movie. Foster was famous for fleshing out episodes and
movies, adding in detailed background information and delving into characters' psyches. Not this time. If anything, ADF's book shows how little even
he cared for the final product; a complete workmanlike job and uninteresting read. In an attempt to redeem and smooth-over fans, and to ensure that
they Don't come to their senses and go on a rampage, a fully-authorized comic book series called "Countdown" was released which tried to
"explain" the various BS elements in the movie in the form of a prequel. They thought of everything. This is probably why so many assholes still
hold "Star Trek (2009)" in such high regard--they were snowed over Twice. If only they'd have put as much work and research into the Film as they
put into this comic book, then maybe it wouldn't have been neccessary to write a comic book After the movie bombed to somehow Save it. I love this
cockeyed logic. And now I can use this movie as ammo against all those Canonhead Okuda-kissers out there: To become a starship captain you only need
to have a big mouth and punch people out, in Star Fleet you can whore your way through the ranks (ala Uhura), Starships are built On planets... Hey,
it's Now Canon, guys! We Saw It on the big screen! C-A-N-O-N! Fully Authorized And Approved By Paramount Pictures, Inc. "We Know better Now! It's
Official!" How do you like it shoved up Your Ass! TOS fans of old, how does this sound to You? Incidentally, this little movie review would be
considered "inappropriate" for posting on a Star Trek message board today (even with the ass comment omitted), since it consists of "trolling" and
fingers certain prominent names. That's just now allowed. It would at the very least get me a "warning" from a moderator and at the most a
permanent ban. That's why you're reading it Here.