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n. pl. dog·mas or dog·ma·ta (-m-t)
1. A doctrine or a corpus of doctrines relating to matters such as morality and faith, set forth in an authoritative manner by a church.
2. An authoritative principle, belief, or statement of ideas or opinion, especially one considered to be absolutely true. See Synonyms at doctrine.
3. A principle or belief or a group of them: "The dogmas of the quiet past are inadequate to the stormy present" (Abraham Lincoln).
adj.
1. Relating to, characteristic of, or resulting from dogma.
2. Characterized by an authoritative, arrogant assertion of unproved or unprovable principles. See Synonyms at dictatorial.
n. Informal A distinctive doctrine, system, or theory: "Formalism, by being an 'ism,' kills form by hugging it to death" (Peter Viereck).
n.
1. A local geographic or global human population distinguished as a more or less distinct group by genetically transmitted physical characteristics.
2. A group of people united or classified together on the basis of common history, nationality, or geographic distribution: the German race.
3. A genealogical line; a lineage.
4. Humans considered as a group.
5. Biology a. An interbreeding, usually geographically isolated population of organisms differing from other populations of the same species in the frequency of hereditary traits. A race that has been given formal taxonomic recognition is known as a subspecies. b. A breed or strain, as of domestic animals.
6. A distinguishing or characteristic quality, such as the flavor of a wine. [
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French, from Old French, from Old Italian razza, race, lineage.]
Usage Note: The notion of race is nearly as problematic from a scientific point of view as it is from a social one. European physical anthropologists of the 17th and 18th centuries proposed various systems of racial classifications based on such observable characteristics as skin color, hair type, body proportions, and skull measurements, essentially codifying the perceived differences among broad geographic populations of humans. The traditional terms for these populations Caucasoid (or Caucasian), Mongoloid, Negroid, and in some systems Australoid are now controversial in both technical and nontechnical usage, and in some cases they may well be considered offensive. (Caucasian does retain a certain currency in American English, but it is used almost exclusively to mean "white" or "European" rather than "belonging to the Caucasian race," a group that includes a variety of peoples generally categorized as nonwhite.) The biological aspect of race is described today not in observable physical features but rather in such genetic characteristics as blood groups and metabolic processes, and the groupings indicated by these factors seldom coincide very neatly with those put forward by earlier physical anthropologists. Citing this and other points such as the fact that a person who is considered black in one society might be non-black in another. Many cultural anthropologists now consider race to be more a social or mental construct than an objective biological fact.
Originally posted by Kali74
reply to post by Jean Paul Zodeaux
I think it comes from a lack of being able to appreciate the differences in our one race, at the least we should be tolerant by now. Aren't we well past the time when we have had pretty good exposure to each other. At least enough to know the differences can't hurt us, only when we allow fear to turn to anger.
Siiiiigh......
Racism is a product of capitalism. It grew out of early capitalism’s use of slaves for the plantations of the New World, it was consolidated in order to justify western and white domination of the rest of the world and it flourishes today as a means of dividing the working class between white and Muslim or black, and native and immigrants or asylum seekers.
However, historical references indicate that class society before capitalism was able, on the whole, to do without this particular form of oppression. Bad as the society of classical Greece and Rome were it is historically reasonably well documented that the ancient Greeks and Romans knew nothing about race. Slaves were both black and white and in fact the majority of slaves were white. The first clear evidence of racism occurred at the end of the 16th century with the start of the slave trade from Africa to Britain and to America.
CLR James in his Modern Politics[1] writes that “the conception of dividing people by race begins with its slave trade. Thus this [the slave trade] was so shocking, so opposed to all the conceptions of society which religious and philosophers had . . .the only justifications by which humanity could face it was to divide people into races and decide that Africans were an inferior race"
"You shall not abhor an Edomite, because he is your brother. You shall not abhor an Egyptian, because you were a stranger in his land." Deuteronomy, 23.7
Very nice sentiments. Very politically correct. But let us call a spade a spade. This parasha [weekly Pentateuchal reading] contains laws that are racist. An Ammonite or a Moabite may not come into the assembly of the Lord, namely assimilate himself to the Jewish people. Such a one is, by virtue of his ethnic background excluded for ever. This is racism, pure and simple. Edomites and Egyptians were subject to a less severe rule, but it is racist nevertheless. The third generation lost the stigma of belonging to a special excluded group. Till then, they too were excluded.
Originally posted by Jean Paul Zodeaux
reply to post by petrus4
That said, my attempts of objectivity compel me to admit that it is far easier to recognize the divisive language used in your post than it is in mine, but I hope you can appreciate that I have no doubt I fell prey to this language problem in the O.P.
Originally posted by Jean Paul Zodeaux
Racism, and how we handle the issue of it in these modern times has become so convoluted in its understandings, and such a tool of divisiveness that there exists the very real dogma of the Klu Klux Klan as well as the National Association for the Advancement of Colored People, to name just two distinct dogmas concerning race. The problem seems to have only worsened in many ways.
Some may argue that the Civil Rights Movement improved race relations, but this is a dubious claim, and many members in this site, if not all of us, know full well that race relations, if improved, are still a supercharged and highly emotional time bomb. There are some who will claim they are not racist, and some of them who will use the word racism to beat over the head any person they disagree with on certain issues.
However, such an argument is antithetical to my own beliefs that rights are natural and all people,
before that government we are less likely to succumb to the ravages of racism than we would be by empowering an institution (government) so much so that this government alone decides what rights are given and because of this authority it is only inevitable that they will decide who gets what rights.
Originally posted by Kali74
reply to post by Jean Paul Zodeaux
True enough but I choose the word race because people use it to separate us. I'd like to see it used to unify instead. Great OP by the way.
The Race Is On: Muslims and Arabs in the American Imagination by Moustafa Bayoumi March 2010
(Moustafa Bayoumi, an editor of Middle East Report, is author of How Does It Feel to Be a Problem? Being Young and Arab in America [Penguin, 2008].)
“We are so racially profiled now, as a group,” the Arab-American comedian Dean Obeidallah says in his routine, “that I heard a correspondent on CNN not too long ago say the expression, ‘Arabs are the new blacks.’ That Arabs are the new blacks.” Obeidallah continues:
When I heard that -- I’m going to be honest -- I was excited. I’m like, “Oh my God, we’re cool.” Before you know it, hot Asian women will stop dating black guys and start dating Arabs. White kids in the suburbs, instead of acting and dressing black to be cool, will now start pretending to be Arab…. Pimping their car to look like a taxi cab. Dressing like Arabs, some old-school in traditional Arab headdress…. Tilt to the side a bit. Walkin’ up to each other, goin’, “What up, Moustafa?” Sayin’, “Where my Arabs at?” “Arab, please!”
It is a funny bit, but Obeidallah is on to something more than a joke, something about the mischievous power of race and representation in contemporary US culture both to incorporate and to reject. By taking an observation -- the analogy of Arabness to blackness -- to its literal extreme, Obeidallah is playing with general perceptions of blackness and whiteness along the way. And by turning a liability into an asset, he flips the script of social exclusion to one of popular inclusion. What is more American today, after all, than the African-American?
Of course, Jackie Brown may be the music selector within the movie but director Quentin Tarantino probably had more of a hand in picking which songs he would work with (though, interestingly, he doesn’t do as much virtuosis framing and editing of sound with image here as with, say, Reservoir Dogs, where he indelibly altered how many viewers would remember Stealers Wheel’s “Stuck in the Middle With You”). In Jackie Brown, a lot of the songs simply exist in a scene, creating a mood or an atmosphere, or providing an orientation point, usually for the heroine.
At the same time, having a white dude center an entire soundtrack around vintage funk, soul, and R&B (and hail the blaxploitation) is not without its problems. The same can be said for Tarantino’s put-on “black” voice when announcing that “Pam Grier is Jac-kie Browwwn” in the trailer. Clearly Tarantino wishes he could be black, for however limited a time and in whatever essentialized capacity.
possibly the gayest rap band know on the face of earth or any other inhabitated planet in the universe D 12's frontman,eminem, really wishes he was black.
But most people mean something else when they talk about Arabs (or Muslims) becoming “the new blacks,” a sentiment routinely expressed since the terrorist attacks of September 11, 2001. Perhaps most directly, the idea is meant to evoke the practice of racial profiling.
One of the big criticisms was that I had not provided an answer for racism in the movie, which is insane. And what’s even more insane is people like Joe Klein and David Denby felt that this film was going to cause riots. Young black males were going to emulate Mookie and throw garbage cans through windows. Like, “How dare you release this film in summertime: You know how they get in the summertime, this is like playing with fire.” I hold no grudges against them. But that was twenty years ago and it speaks for itself.
Proving once and for all that there's nothing quite as awesome as benevolent whites, DMD shows black folk the benefits of being nice to curmudgeonly old cracker bitties: You get to drive them around a bunch, hip them to how your problems actually mirror theirs, let them teach you how to read, and, when it's all said and done, feed them pie in a rest home. Sweet!
Because she is Jewish and he is black, both are outsiders. Mr. Uhry does not press down too hard on this, though it is a fact of life that, at a key moment, provides an unexpected point of alliance. Miss Daisy and Hoke are as much outsiders for their age and sensibility as for anything else. Theirs is the friendship of equals.
Agitating and preaching are effective means of persuasion, but few devices invite receptiveness to the message like a simple feel-good story. With its blameless yet pointed look at racism and intolerance in the mid-twentieth-century American South, playwright Alfred Uhry’s Driving Miss Daisy is engineered to have few detractors.
Originally posted by Jean Paul Zodeaux
Of course, if the question is can we solve this problem, can we find any answer to this conundrum, perhaps the the deafening silence is that answer, and that answer is an emphatic no!