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Originally posted by Xoanon
reply to post by Starchild23
Thank you, I thought the idea was weird enough to make a thread. I'm glad you found something intriguing in there. What did you think of the actual bullroarer noise?
X.
Maybe the Dogon heard noises like the ones that are being recorded today and the only way they could reproduce the sound was to make the bullroarer thingy?
Originally posted by Mkoll
If I recall correctly the being that supposedly taught the Sumerians civilization come up out of the sea as well?
Abstract
A paradigm of Breath that integrates voluminous research on bullroarers and magic wheels is developed using Puterbaugh's (1999) definition of timbre within sonopoietic space -an articulated, individually experienced, culturally situated environmental dynamic. These two whirling aerophone's have appeared worldwide since the Paleolithic in similar (though not identical) artistic, narrative and magico-mythological contexts within which initiation, weather modification, social justice, consciousness alteration, and other social necessities were enacted. Invoking Edinger's (1999) archetypal analysis, their timbre is Breath, not merely metaphor, and synonymous with the all-encompassing mysteries of metamorphosis-birth, growth, fertility, sexuality, excretion, decay, death, and rebirth. Traditionally, the instruments themselves were community service providers that mediated this spiraling, transformative energy within a supportive group context. Bullroarers especially were much-loved toys among boys and men, their timbre a refrain that triggered a socially-sanctioned time-out from the opposite sex and a welcome break from the ordinary. Life within this sonopoietic sphere brought ever more subtle, highly personalized experiences and understandings of social and mystical dimensions of ecstasy, fear, lust, pain, deprivation, justice, and oneness of body-in-cosmos. An inherently interdisciplinary geometric model of the cosmos in Plato's Timaeus is used to extend this research into Archaeoastronomy and the emerging field of World History.
missionignition.net...
In addition to the chromatic space of color, we live in the sonopoietic space of sound. Inspired by Maturana and Varela’s concept of autopoiesis, I coined the term sonopoiesis by combining the Greek sono- (sound) and poiesis (creation, production). Sonopoietic space is the space of listening that we create through the act of listening to sound. Just as we create and live in visually constructed spaces, we similarly create sonically constructed spaces. These spaces are customized by us for specific purposes and necessarily bear our imprint. We are coupled to our environment and change our responses to sounds as we interact with them.
Timbre cannot exist in physical space. The timbres contained in our space of listening are created by our interaction with the environment. For example, the nerve firings along the auditory pathway are simultaneously excited by sound waves from the physical world and other nerve firings originating from different portions of the brain. Maturana and Varela make a similar case for vision, stating that “... our experience is moored to our structure in a binding way. We do not see the space of the world; we live our field of vision. We do not see the colors of the world; we live our chromatic space” (Maturana and Varela 1987, p. 23).
John Puterbaugh, 1999
www.music.princeton.edu...
(Page 23 no less)
God this universe we live in is so awesome
Originally posted by DanielET
reply to post by EyezOpen
I hope that 2012 is the year of their return!
Enough is enough!
Originally posted by artistpoet
Originally posted by DanielET
reply to post by EyezOpen
I hope that 2012 is the year of their return!
Enough is enough!
I believe they are here already in Human Incarnation/form but I know no one believes it.