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The offerings found at the base of the pyramid in the Teotihuacan ruin site just north of Mexico City include a green serpentine stone mask so delicately carved and detailed that archaeologists believe it may have been a portrait.
Originally posted by Hanslune
reply to post by AllUrChips
Beat your thread by 17 seconds.....
Originally posted by puzzlesphere
reply to post by Hanslune
Yes you did... but the article linked in this thread has pics, a video and more information than the article that you linked to in your thread
Teotihuacan is referred to as the city of the gods. By 600 A.D. it was the sixth largest city in the world. Situated in a temperate, fertile basin its fame spread as quickly as its prosperity, with well-established trade routes and a culture that is still impressive today. With a booming economy an urban elite arose fostering intellectual activity, monumental building and the belief Teotihuacan was where the cosmos and the present cycle of life began. The concept of monumentality can apply not only to great architectural structures such as the Pyramid of the Sun, but also to much smaller objects which have an intensity that makes them larger than life. This very lovely mask falls into that category. There is a mystery surrounding this type of mask in the fact they are believed to have been part of funerary furniture, yet none have been found in burial chambers. Rather, they have been discovered near temples and complexes aligning the Street of the Dead. It is speculated they were attached to wooden armatures in temples to represent deities who are in the process of becoming gods. Hence the four drill holes. They may also have been worn on the arm as an insignia of an important person. The surface of the green stone emits palpable warmth; its face is full of compassion and serenity as if in a state of meditation. The small dot-like indentations in the eyes once contained mirror-like pyrite that would have caught the light with dazzling effect. Seeing this beautiful sculpture it is easy to imagine a secret ceremony in a temple with torches burning and masks hanging everywhere like faces from another world peering through the veil of incense.
Originally posted by AllUrChips
Originally posted by Hanslune
reply to post by AllUrChips
Beat your thread by 17 seconds.....
I smell a conspiracy
Excellent job
Originally posted by isyeye
www.barakatgalleryuae.com...
Teotihuacan is referred to as the city of the gods. By 600 A.D. it was the sixth largest city in the world.
omg the mask ! Put it on !
Teotihuacan is referred to as the city of the gods.
Originally posted by butcherguy
Good thing that the mask is made of stone.
A person would tend to walk into things while wearing it, no holes for the eyes.
It could be.
Originally posted by citizen6511
Originally posted by butcherguy
Good thing that the mask is made of stone.
A person would tend to walk into things while wearing it, no holes for the eyes.
could it be a mask for the dead.
George Cowgill, an anthropologist at Arizona State University, called the find “pretty important” and suggested the Tlaloc offerings may thicken the debate about whether the pyramid was linked to the sun, the underworld or Tlaloc, who was also considered a war god
The palaces contained 40 or 50 one-story rooms arranged around a sunken central court. The walls were decorated with multicolored frescoes of gods, animals and gardens. One fresco depicts the Rain God’s paradise with dancing figures and flowering trees effused with butterflies. No other Mesoamerican city had so many painted walls.
en.wikipedia.org...
In Aztec religion, Huitzilopochtli, also spelled Uitzilopochtli (Classical Nahuatl: Huitzilopōchtli [hwitsiloˈpoːtʃtɬi] "Hummingbird on the Left", or "Left-Handed Hummingbird", huitzilin being Nahuatl for hummingbird), was a god of war, a sun god, and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan.
Huitzilopochtli was said to be in a constant struggle with the darkness and required nourishment in the form of sacrifices to ensure the sun would survive the cycle of 52 years, which was the basis of many Mesoamerican myths. While popular accounts claim it was necessary to have a daily sacrifice[citation needed], sacrifices were only done on festive days. There were 18 especially holy festive days, and only one of them was dedicated to Huitzilopochtli.