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I believe you are pointing out a key distinction – the definition of "truth" as defined by our culture (a left-brain construct of beliefs about our shared environment) which is certainly dependent on the individual. I believe that Keats was speaking of a much deeper Truth.
Originally posted by rom12345
Beauty always presents natural harmonic proportions
Dissonant proportions are the opposite.
That doesn't make any sense. Dissonance can certainly be beautiful. (Western) Musical theory, for instance, as it relates to consonance and dissonance, is based on the harmonic series found in nature, but I'm not sure how that somehow defines what "beauty" is.
Originally posted by Astyanax
reply to post by AlphaZero
That doesn't make any sense. Dissonance can certainly be beautiful. (Western) Musical theory, for instance, as it relates to consonance and dissonance, is based on the harmonic series found in nature, but I'm not sure how that somehow defines what "beauty" is.
Exactly. And then we have the additional complication that, since the Baroque period, Western ears have grown used to hearing musical intervals that are not based exactly on the harmonic series but on a compromise called the equal-temperament scale, in which many notes are actually slightly flat or sharp – strictly speaking, out of tune. And now the rest of the world has got used to hearing those same intervals rather than perfect harmonic ones.
I think our friend Open2Truth is trying to have it both ways – arguing that beauty is both absolute and in the eye of the beholder. Obviously, that won’t wash.
however often "the beauty is in the eye"... first its in "the eyes"...the most often in the blue/ green eyes of tall, rather slender, most times- brighthaired - european-looking women
You can call me racist as much as you like
not convinced? look on the miss world competitions or the top model lists...
Originally posted by Astyanax
reply to post by AlphaZero
That doesn't make any sense. Dissonance can certainly be beautiful. (Western) Musical theory, for instance, as it relates to consonance and dissonance, is based on the harmonic series found in nature, but I'm not sure how that somehow defines what "beauty" is.
Exactly. And then we have the additional complication that, since the Baroque period, Western ears have grown used to hearing musical intervals that are not based exactly on the harmonic series but on a compromise called the equal-temperament scale, in which many notes are actually slightly flat or sharp – strictly speaking, out of tune. And now the rest of the world has got used to hearing those same intervals rather than perfect harmonic ones.
I think our friend Open2Truth is trying to have it both ways – arguing that beauty is both absolute and in the eye of the beholder. Obviously, that won’t wash.