It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
It’s been called a war weapon, a candlestick, a child’s toy, a weather gauge, an astronomical instrument, and a religious symbol -- just to name a few. But what IS this mystery object, really? There are books and websites dedicated to properly identifying it, dissertations dedicated to unveiling the truth, textbooks and class curriculums spent arguing over what its function is. Fans can even “Like” it on Facebook. Yet the only thing historians will agree on is a name for the odd object: a Roman dodecahedron.
That part was easy, seeing as the mathematical shape of this artifact is a dodecahedron. Best described as a bronze or stone geometric object, it has twelve flat pentagonal faces, each with a circular hole in the middle (not necessarily the same size). All sides connect to create a hollowed out center. It’s dated from somewhere around the second and third century AD, and has been popping up everywhere in Europe. Archeologists have found the majority of them in France, Switzerland and parts of Germany where the Romans once ruled.
But its use remains a mystery, mostly because the Romans who usually kept meticulous accounts make no mention of it in records. And with sizes varying from 4 to 11 cm, and some bearing decorative knobs, it only gets harder to pinpoint a function
Plutarch, the famous Greek historian reportedly identified the dodecahedron as a vital instrument for zodiac signs. The twelve sides represent the twelve animals in the circle of the Zodiac, but even this theory comes under contest when the argument of the knobs as decoration is presented.
The last measuring point is obtained on the day that sunbeams fall through all the measuring points. In spring, the same measurements can be done (at the end of the measuring period, there will be no measuring point through which the light will fall through because the sun will be higher in the sky), but the hypotheses assumes that the dodecahedrons were only used in autumn.
Plutarch, the famous Greek historian reportedly identified the dodecahedron as a vital instrument for zodiac signs. The twelve sides represent the twelve animals in the circle of the Zodiac, but even this theory comes under contest when the argument of the knobs as decoration is presented.
In the Timaeus (55c), Plato suggested that the ideal Earth is spherical, but the actual material Earth is only roughly spherical, a dodecahedron or twelve-sided figure which might be the closest approximation to the Form of a sphere that earthy matter is capable of assuming. So the Earth from space, according to Socrates, might look something like a soccer ball: spherical, yet with hollow regions like the inhabited areas surrounding large seas, like the Mediterranean Sea and the Caspian Sea. These hollow regions would appear from space to flatten out some patches of the globe.
“Well, my dear boy, said Socrates, the real Earth, viewed from above, is supposed to look like one of these balls made of twelve pieces of skin, variegated and marked out in different colors....” (Plato, Phaedo, 110b, Hamilton and Cairns, 91.)
In other words, Socrates suggests that the Earth, if viewed as a globe from space, would display a patchwork of 12 flattened or hollow regions. Later, the Roman-era writer Plutarch argued that just such a view is presented to us on the face of the Moon: “let us not think it an offense to suppose that she [the Moon] is Earth and that for this which appears to be her face, just as our Earth has certain great gulfs, so that Earth yawns with great depths and clefts which contain water or murky air; ...”
Then Heracleon: "But again, we hear you grammarians referring your notions to Homer, as though he divided the Universe into Five Worlds; viz., Heaven, Water, Air, Earth, Olympus: of which, two he leaves in common; Earth, belonging to all that is below; Olympus to all that is above; and the three in the middle are assigned unto the three gods. In this way, then, Plato appears to connect the first and most beautiful forms and patterns of bodies with the divisions of the Universe, and calls them Five Worlds—viz., that of Earth, that of Water. that of Air, that of Fire, and last, that which envelopes them all—namely, that of the Twelve-sided figure, which is widely diffused and versatile, by which supposition, forsooth, he has invented a figure the most appropriate and congenial to the revolutions and the movements of souls."