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Originally posted by onequestion
reply to post by SaturnFX
But in this instance... wouldn't your brain also be responsible for the experience of the others confirming for you the identity of the sofa?
So what then does that make the other person and the sofa?
Originally posted by onequestion
reply to post by SaturnFX
But if my brain is the interface module of experience for the observation of my mind, then my brain is creating you along with the sofa. It is more then likely also creating the objectivity of you based off of past experience and how, through my mind you experience the sofa subjectively. I mean essentially i have a record of you in my mind in order to remember you in the first place.
You understand what i mean?
Originally posted by PlanetZorch
I would recommend smoking some '___' and re-activating the Pineal Gland before making ANY decisions or judgments on religion or death.
Woody Allen once said that Mozart's Symphony 41 proved the existence of God. Certainly, a symphony of such grandness and scale had, until the summer of 1788, never before been seen in the musical universe. Its implications for the direction of music in the future, and its influence on future composers is immeasurable. What makes Mozart's Jupiter symphony worthy to share the name of the most powerful god of the Roman world? The answer to this question comes in the Molto Allegro, and more specifically in its coda, (8:09-8:36). In the coda, Mozart takes the five musical themes or melodies that had been developed throughout the final movement, and does something that no one has ever achieved to the extent that he did, not even the illustrious Beethoven. What Mozart does is take these five themes and combines them to create a fugato in five-part counterpoint. That is, he takes the five melodies and simultaneously plays them in a variety of combinations and permutations. Imagine five separate melodies, all with their own notes, being played simultaneously, but each constantly changing. It's impossible for the human ear to focus on the enormous amount of notes that this simultaneous playing and constant changing entails. The effect is that the music seems to encompass an infinite amount of sound. With lesser two or three-part fugues, it is occasionally possible to sense everything that is going on. Once you get to four voices, it's nearly impossible to detect all of the nuances of the melodies. With five, well, only God could completely grasp its profundity.
Originally posted by Matrix Rising
When some scientist make these silly, grand proclamations based on nothing but their personal belief system, they look bad.