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Dostoyevsky once let drop the enigmatic phrase: “Beauty will save the world.” What does this mean? For a long time it used to seem to me that this was a mere phrase. Just how could such a thing be possible? When had it ever happened in the bloodthirsty course of history that beauty had saved anyone from anything? Beauty had provided embellishment certainly, given uplift—but whom had it ever saved?
www.mro.org...
“Beauty will save the world” is what writer Aleksandr Solzhenitsyn proclaimed upon accepting his Nobel Prize in 1970 and he was quoting his literary hero Fyodor Dostoyevsky. Solzhenitsyn claims that the statement is actually a prophecy rather than a truth.
craigaddy.com...
Dostoyevsky and Solzhenitsyn proclaimed that beauty will save the world and this essay explores how Blake’s prophetic writings (especially “Jerusalem”) reveal how beauty transforms individuals and societies. Beauty need not be a commodity, a thing to be craved. Beauty can be about perceiving the divine in every thing, and such spiritual materialism can engender social justice.
jesseturri.com...
Jerusalem - a poem by William Blake
And did those feet in ancient time
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?
And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark satanic mills?
Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!
I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England's green and pleasant land.
www.poetry-online.org...
Originally posted by Benevolent Heretic
I think beauty could save the world. But people are so distracted that they don't take the time or energy to seek beauty in everyday things.
We're more interested in fighting over our differences than coming together to appreciate the beauty of something.
If we could all turn our focus to the beauty of something - anything - I think it would bring us together, and that is, ultimately, what will save us. Coming together over our similarities instead of dividing over our differences.
Originally posted by masqua
Often, these days, we no longer know our neighbours. We spend our time enclosed within the walls of our homes or the fences around our back yards. We drive miles to malls rather than shop locally and , while sauntering through the shops, focus our attention between the goods displayed or our mobile phones/blackberries, etc. Yesterday, my wife and I spent time shopping in a popular and new shopping mall. It's cavernous. At the food court, we sat drinking our specialty coffees among hundreds of others and the place was actually hushed beneath soft indescript musak. All one could hear was cell phone ring tones going off all around us.
Is it that we are becoming less connected with reality? Could this be why, as you said; "...people are so distracted that they don't take the time or energy to seek beauty in everyday things"?
Fighting over differences... that's interesting, BH. A result of culture clash?
Many actually wear their political and religious opinions in clothing and jewelry. Some gangs specify clothing colours as a simple method of recognition. All these things may cause a huge distraction from what the actual personalities might be within those who walk by.
Are we coming together or actually drawing further apart, making it more difficult to see the beauty which, supposedly, might save the world.
Tough question: If a woman, sunk in the misery of poverty, turns to prostitution in order to feed her parents, brothers and sisters, is that a beautiful thing?
The good, taken separately from truth and beauty, is only an indistinct feeling, a powerless upwelling; truth taken abstractly is an empty word; and beauty without truth and the good is an idol. For Dostoevsky, these were three inseparable forms of one absolute Idea. The infinity of the human soul–having been revealed in Christ and capable of fitting into itself all the boundlessness of divinity–is at one and the same time both the greatest good, the highest truth, and the most perfect beauty. Truth is good, perceived by the human mind; beauty is the same good and the same truth, corporeally embodied in solid living form. And its full embodiment–the end, the goal, and the perfection–already exists in everything, and this is why Dostoevsky said that beauty will save the world” (Vladimir Soloviev, The Heart of Reality, trans V. Wozniuk, p. 16).
mindyourmaker.wordpress.com...
So perhaps that ancient trinity of Truth, Goodness and Beauty is not simply an empty, faded formula as we thought in the days of our self-confident, materialistic youth? If the tops of these three trees converge, as the scholars maintained, but the too blatant, too direct stems of Truth and Goodness are crushed, cut down, not allowed through - then perhaps the fantastic, unpredictable, unexpected stems of Beauty will push through and soar TO THAT VERY SAME PLACE, and in so doing will fulfil the work of all three?
nobelprize.org...
Originally posted by masqua
So... how does Beauty save the world?
Originally posted by masqua
The ancient Greeks, for their part, were convinced that an explanation of, and definition for, Beauty was as concrete and discoverable as the answer to why the days got shorter in winter or why your toga weighed more after you’d gone swimming in it. Indeed, no less a thinker than Pythagoras, he of hypotenuse fame, logged some impressive early results. In music, Pythagoras showed that the notes of the musical scale were not arbitrary but reflected the tones produced by a lute string—or any string—when its length was subdivided precisely into such simple ratios as 2:1 or 3:2. In architecture and design, similarly, he managed to show that the shapes people found most pleasing were those whose sides were related by the so-called golden ratio.
The golden ratio, briefly, is the proportional relationship between two lines a and b such that (a + b) is to a as a is to b; in other words, the ratio between the whole and one of its parts is the same as the ratio between its two parts. This doesn’t sound like much in algebra form (a/b = (a + b)/a) and still less when expressed as a decimal (1:1.61814). But draw a rectangle—or build a Parthenon—with sides of a and b, and the sheer cosmic rightness of the thing leaps out at you. If you were to be stranded on a desert island with one particular rectangle, that’s the one you’d go with. Palpably, it’s the first rectangle that occurred to God when he realized he needed another four-sided, right-angled shape to complement his juvenile masterpiece, the square.
This was good enough for Plato, the 800-pound gorilla of ancient Greek intellectual life, to include Beauty as one of his famous forms: those transcendent, invisible archetypes of which this reality is nothing but a set of blurry ramshackle imitations. Beauty was not in the eye of the beholder. On the contrary, to borrow Plato’s legendary cave metaphor, the beholder had his back to Beauty, able to see only its flickering shadows on the grimy cave wall of reality.
In short, the Science of Beauty was inaugurated by the two classical thinkers upon whose shoulders the science of pretty much everything else would eventually come to rest.
by Bruno Maddox: from Discover.com
The origins of the divine proportion
In the Elements, the most influential mathematics textbook ever written, Euclid of Alexandria (ca. 300 BC) defines a proportion derived from a division of a line into what he calls its "extreme and mean ratio." Euclid's definition reads:
A straight line is said to have been cut in extreme and mean ratio when, as the whole line is to the greater segment, so is the greater to the lesser.
In other words, in the diagram below, point C divides the line in such a way that the ratio of AC to CB is equal to the ratio of AB to AC. Some elementary algebra shows that in this case the ratio of AC to CB is equal to the irrational number 1.618 (precisely half the sum of 1 and the square root of 5).
a----------c-------b
by Mario Livio: from +plus magazine