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Originally posted by beebs
. . . the universe could be a 'paradoxical' natural system that isn't linear) . . .
Originally posted by Mary Rose
I'm curious. Anyone familiar with Anthony Garrett Lisi, his work regarding a unified theory, and how it compares to Haramein's?
By matching 226 known standard model particles to some of the 248 symmetries of E8, Lisi is able to predict the existence and quantum numbers of 22 new particles....
Since Lisi does not specify masses for these particles their prediction is not falsifiable by non-discovery in any given experiment, because the masses could exceed the experiment's reach. However, the discovery of new particles that do not fit in Lisi's classification, such as superpartners, would fall outside the model, and falsify Lisi's match to E8.
Originally posted by Arbitrageur
y=yes, n=no, for Einsten, Lisi, and Haramein in that order:
Trained physicist: y, y, n
Is this to say there was no beginning; the universe has always been here - as in infinity?
Intuitively, this makes more sense to me than a beginning, because with a beginning, you have to ask, what was here before the beginning, and how did it get here?
My impression about Einstein from what I've read is that he didn't get along with his teachers and learned very little from formal education and was virtually self-taught.
Originally posted by beebs
Institutionalized education is lacking, IMO.
Originally posted by Mary Rose
My impression about Einstein from what I've read is that he didn't get along with his teachers and learned very little from formal education and was virtually self-taught.
Originally posted by Arbitrageur
y=yes, n=no, for Einsten, Lisi, and Haramein in that order:
Trained physicist: y, y, n
Einstein....enrolled in 1896 in the mathematics and physics program at the Polytechnic in Zurich.
Einstein graduated in 1900 from the Polytechnic with a diploma in mathematics and physics
In 1905, he received his doctorate from the University of Zurich. His thesis was titled "On a new determination of molecular dimensions". That same year, which has been called Einstein's annus mirabilis or "miracle year", he published four groundbreaking papers, on the photoelectric effect, Brownian motion, special relativity, and the equivalence of matter and energy, which were to bring him to the notice of the academic world.
I wrote a paper about MHD while I was in high school. So yes, you could say I know something about it.
Originally posted by beebs
And I'm still reading up on MHD... anyone know more about it?
Originally posted by Mary Rose
I'm curious. Anyone familiar with Anthony Garrett Lisi, his work regarding a unified theory, and how it compares to Haramein's?
Originally posted by Mary Rose
I'm curious. Anyone familiar with Anthony Garrett Lisi, his work regarding a unified theory, and how it compares to Haramein's?
. . . personal wiki notebook in theoretical physics.
Originally posted by Mary Rose
. . . TED (Technology, Entertainment, Design) conference . . .
His work, explained in his paper "An Exceptionally Simple Theory of Everything," and in an ongoing discussion on FQXi, is still on science's speculative fringe. But some physicists believe he could be pointing the way toward a truly unified theory.
Originally posted by buddhasystem
Mock? I just pointed out that there have been plenty of musicians in the past who didn't feel that the frequency of 432Hz chosen for base tone made their music more powerful or cosmic as opposed to many other frequencies.
Originally posted by buddhasystem
De gustibus non est disputandum
Originally posted by buddhasystem
Good for you! I have my own studio with some decent gear and 48 channel mixing desk.
generally, the audience will perceive a clear register shift from the second to the third, high register (particularly in the tenor voice, which is stronger), as a change in color, (See Bergonzi program., 1993). Physically, the shift from the soprano's first to second register, is located in the scale precisely where the tenor's shift from second to third register occurs, which is between the F-F# above middle C, (with C tuned to the scientific tuning of C=256Hz, or A at 430.5- 432HZ.)
Third register notes, if sung with the right impostazione (placement), have a particular brilliance, which they lose if they are shouted, or sung in the throat, where they become opaque. First register notes, being sung mostly with a chest resonance, are perceived as darker notes. This implies that each note of the scale does not have the same value for singing.
Great composers such as J.S. Bach, Mozart Beethoven and Verdi were aware of these differences in registration when they wrote their vocal works, and Bach developed the well tempered scale based on this palette of vocal colors.
a milestone for the movement launched in 1988 by Lyndon LaRouche, to bring the standard tuning pitch back down to the natural value of C=256 Hz, as was demanded by the Italian opera composer Giuseppe Verdi, and as was considered the norm for all the great composers of Classical polyphony.
The Milan conference heard presentations, among others, from Prof. Bruno Barosi of the Cremona International Institute of Violinmaking, Dr. Jonathan Tennenbaum on the astrophysical basis of the C = 256 tuning, and soprano Renata Tebaldi on the absolute necessity to reverse the tendency toward raising the pitch in performance, in order to save the voices of today's and tomorrow's singers. World-famous Verdi baritone Piero Cappuccilli demonstrated the difference between the Verdi tuning and today's higher pitch by singing two Verdi arias in the two tunings.
Originally posted by buddhasystem
...and also other powerful magic enhanced with human sacrifice! What fitting content for a thread with "Haramein" in its title! Pure science.
the stone samples contained 10% of impurities and other material, not present in the quarried, natural stone. The additional matter precisely matches (within 1%) that found in the highest quality artificial stone made by Prof. Davidovits. The additional matter consists of a mix of alumina, soluble silica, and traces of (acidic) vegetable material (probably from citrus fruit, rhubarb or agave) that together make a zeolite bonding agent similar to those developed by Prof. Davidovits. According to Davidovits, if the stone he examined was natural (the very remotest of possibilities) then it certainly did not come from the Mokattam quarries historically associated with this work. However, although spectral analysis was unable to completely exclude the possibility that the stone was natural, the visual analysis of micrographic (magnified) images of the stone would seem to settle the issue. Having been almost solely responsible for the development of modern geopolymers, Davidovits is, without doubt, the acknowledged world expert on the subject: He is also a careful and meticulous scientist. Whilst not excluding the remote possibility that the casing stones are natural, from his vast experience, Davidovits claims he has only ever seen this type of inclusion in artificial stone.
"In carrying on the work, leaves of papyrus, or paper, inscribed with certain characters, were placed under the stones prepared in the quarries; and upon being struck, the blocks were moved at each time the distance of a bowshot (which would be a little over 200 feet), and so by degrees arrived at the pyramids." were the blocks placed on some unknown apparatus (mistaken by the historian to be a piece of papyrus) that would levitate them. If you strip away all the additions and embellishments to a legend, sometimes you are left with a strand of truth.
So the Jews were hauling a car battery with them through the desert? Please write to scholars of Judaica, they will be amused.
Originally posted by B.Morrison
it IS science . . .