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The dish on the left is casting a shadow right..
The flag on the right is casting a shadow left
Are you saying you don't understand perspective? The "vanishing point" concept, in a two-dimensional representation fo a three-dimensional scene?
This pic shows the opposite..The shadows converge..
Originally posted by weedwhacker
reply to post by backinblack
Your thinking is opposite.....
This pic shows the opposite..The shadows converge..
You quoted from my post, so I assumed you read it? AND looked at the two examples I linked?
Did you miss out on Art class, somewhere...and the very basic principle of the "vanishing point" concept? (It isn't just for "art"....it's for those who wish to draw or paint in order to depict what is seen in nature, due to perspective).
Oh, and I guess my mention (and nataylor's) of the lens focal length was overlooked as well.....
edit on 7 January 2011 by weedwhacker because: (no reason given)
A wide-angle lens will make parallel lines appear to converge:
Originally posted by backinblack
This pic shows the opposite..The shadows converge..
Originally posted by Smack
We all know Foo likes videos, but he doesn't seem to like this one much.
I wonder why.
Through the magic of mathematics, information is gathered from multiple photos over time. The images are run through various algorithms that aggregate data from each to form an improved image.
Get the details here:
www.hq.nasa.gov...
Originally posted by backinblack
reply to post by nataylor
And this pic..
The astronauts shadow is over to the right but appears reasonably straight..
The dish on the left is casting a shadow right..
The flag on the right is casting a shadow left..
The photographer's shadow betrays Apollo
From: hunchbacked | December 19, 2010 | 65 views
This video shows how the photographer's shadow has been used to create incoherencies.
It shows first that the orientation of the photographer's shadow depends on its position on the photo, and second that the orientation of other shadows depend on their position relatively to the photographer's shadow.
The knowledge of these facts allows to spot numerous incoherencies on the Apollo photo which have been intentionally created by the fakers who knew eveything about the properties of the photographer's shadow.
Originally posted by nataylor
154:41:07 Duke: Roger. Would you ver - We've lost comm with you for about the last 10 minutes. Would you verify that the S-band track switch is in Reacq? Over.
154:41:17 Aldrin: Negative. It's not. Last time we broke lock, we went to Auto, and I left it there. Sorry.
154:41:22 Duke: Rog. We'd like to - have you to put it in Reacq, and monitor. In about 2 minutes, we'll be coming up on the High Gain. Would you monitor the Reacq? If it doesn't take, acquire manually. Over.
Originally posted by manmental
Hi Peeps...
Here is what I like about Jarrah... contrary to what some NASA lovers will have you believe, not only does young Jarrah admit to making mistakes, but he also creates quite cool video rebuttals to the criticisms of his films.
This to me is a very mature way to conduct ones arguments... rather than the 'I know better than you' way many on ATS like to proceed.