It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
The work was sold in May 2007 by Sotheby's on behalf of David Rockefeller[1] to the Royal family of Qatar; Sheikh Hamad bin Khalifa Al-Thani, and his wife, Sheikha Mozah bint Nasser Al-Missned.[2] The painting sold for 72.84 million (USD), setting the record of the current most expensive post-war work of art sold at auction.[3][4]
*
After yesterday's sale he said he (Rockefeller) bought the picture on the advice of an old friend, Dorothy Miller, the first curator of MoMA, New York's Museum of Modern Art. "Dorothy told me Rothko was going to be important because of his bold stripes and vibrant, almost luminous use of colours. She was absolutely right."
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
*
On February 25, 1970 Rothko’s assistant, found the artist in his kitchen, lying dead on the floor in front of the sink, covered in blood. He had sliced his arms with a razor found lying at his side. During autopsy it was discovered he had also overdosed on anti-depressants. He was 66 years old.
At the root of Rothkos presentation of archaic forms and symbols as subject matter illuminating modern existence had been the influence of Surrealism, Cubism, and abstract art.
The year 1946 saw the creation of Rothko’s transitional "multiform" paintings. In viewing the catalogue raisonné, one can recognize the gradual metamorphosis from surrealistic, myth-influenced paintings of the early part of the decade to the highly abstract, Clyfford Still-influenced forms of pure color.
I insist upon the equal existence of the world engendered in the mind and the world engendered by God outside of it. If I have faltered in the use of familiar objects, it is because I refuse to mutilate their appearance for the sake of an action which they are too old to serve, or for which perhaps they had never been intended. I quarrel with surrealists and abstract art only as one quarrels with his father and mother; recognizing the inevitability and function of my roots, but insistent upon my dissent; I, being both they, and an integral completely independent of them.
The work is regarded by some as a major landmark in 20th century art. Replicas commissioned by Duchamp in the 1960s are now on display in museums.
...he purchased a standard Bedfordshire model urinal from the J. L. Mott Iron Works, 118 Fifth Avenue. The artist brought the urinal to his studio at 33 West 67th Street, reoriented it to a position 90 degrees from its normal position of use, and wrote on it, "R. Mutt 1917".
Originally posted by Skyfloating
The guy had severe drug and alcohol problems throughout his life, which could be a reason his paintings look so dull. And yet everyone raves about him in self-important, pseudo-intellectual art-speak...
Originally posted by whaaa
Don't blame the artist.
What do you have against the free market system? If anything.
More, the reason Picasso was so lionized was that he was the mid-20th century urban professional's dream. Think Kate Winslet and Leonado di Caprio in 1950s 'Revolutionary Road.' Their dream is to get out of their Connecticut suburb and go to Paris to live.
Though I have never been sure it is so much 'inspiration' as 'cribbing.' After 1914, Picasso had no fresh ideas. So he recycled other men's work, and packaged it up for the market
Indeed - and I wouldn't be the first to say it - if Picasso had died in 1914, modern art would have continued exactly as it did.
The trouble is, Picasso lived another 66 years, dying in 1973 at age 92. All he did in all that time was develop himself into a celebrity who painted.
TV presenter and artist Rolf Harris has said controversial modern artists are conning the public and frightening them away from art galleries.
The 71-year-old star, famed for the huge landscape paintings he did for children's programmes, took a swipe at artist Tracey Emin, and her infamous work My Bed.
The artwork, which was shortlisted for the Turner Prize, was a recreation of the scene where she spent four days contemplating suicide.
"I don't see how getting out of bed and leaving the bed unmade and putting it on show and saying that's worth, I don't know £31,000... I don't believe it, I think it's a con," he said during an interview with the unmissabletv.com website.
The bed did not win the prize but it was bought by art collector Charles Saatchi for £150,000.
Originally posted by buttking
I guess you don't "get" art.
Originally posted by buttking
Originally posted by Skyfloating
The guy had severe drug and alcohol problems throughout his life, which could be a reason his paintings look so dull. And yet everyone raves about him in self-important, pseudo-intellectual art-speak...
uhhh, what? Have you never seen or heard, like all artwork ever created? 99% of art, regardless of the medium is put out there by drug users.
Originally posted by crazyinthemiddle
No joke, he bought a urinal, nailed it to a board sideways, submitted it to an art show, and it is a major landmark in 20th century art!
Originally posted by concernedcitizan
increasing politicization at the expense of the aesthetic.
Originally posted by colloredbrothers
art has become soooo sophisticated that most of us just don't understand the fuss.
Originally posted by nerbot
I firmly believe that some modern art is sold for huge amounts for the purpose of money-laundering.
Originally posted by OzWeatherman
Ive seen chimps paint better stuff than that rubbish
Picasso: 'Excitedly anticipated?' Why should he be? Surely by now even the British art establishment - you know, the people who spend your tax money on their own intellectual prejudices - must admit that Picasso was the biggest piece of over-hype of the 20th century.
Yes, he was 'influential' around 1900, and in particular his cubist 'Les Demoiselles d'Avignon' of 1907 did influence a lot of other painters.
'Desmoiselles' is that eight-foot tall picture of five prostitutes of the rue d'Avignon with two of their faces portrayed like African masks.
If Picasso had been allied to the rightwing of society instead of the left, doing that to naked women, taking away their identities and substituting blocks of cut-up wood, would have been condemned as misogyny, even sexual perversion.
But because Picasso was a man who had formed himself into the ideal leftwing 'bohemian artist' of the time, even now the Museum of Modern Art in New York, who own the picture, just present it as a 'pivotal work in the development of modern art.' (Where are the feminazis when you need them?)
Originally posted by Dock9
The two paintings from the Black on Maroon series have been hung vertically with bold stripes running from top to bottom.
....
However, Rothko is thought to have wanted the works - which he donated to the Tate before committing suicide in February 1970 - to be hung with the stripes running horizontally and the location of his signature on the back of the paintings is believed to reflect this wish
Further complicating the issue is which of the two possible horizontal displays is the correct one, creating a risk of hanging the paintings upside-down.
and finally, LOL
The artist himself appears to have changed his mind more than once. A deed of gift he signed in 1969 lists the two disputed paintings as vertical portraits, while the direction of the paint dribbles shows that one of the works was painted at least two different ways up.