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Originally posted by ELECTRICkoolaidZOMBIEtest
i dont know why youre asking these questions. they seems to be relatively pointless in the big picture of this.
Originally posted by dino1989
A plane did not crash
Originally posted by ELECTRICkoolaidZOMBIEtest
i dont know why youre asking these questions. they seems to be relatively pointless in the big picture of this.
Originally posted by exponent
So you can insult me, but not provide evidence, I see.
Originally posted by ATH911
OK, back on topic:
How did officials know most of Flight 93 was buried?
Originally posted by gavron
That's like asking how officials knew Flight 447 From Brazil to Paris crashed in the ocean, since the water covered up the plane debris when it entered the water.
You cant honestly believe the ground looked "undisturbed" after the impact?
The New Physics?
LESSON 1, EFFICIENT DISPLACEMENT: A character passing through a solid object will leave a hole in the outline of its body.
(Also called the silhouette of passage, this phenomenon is the speciality of victims of direct-pressure explosions and reckless cowards who are so eager to escape that they exit directly through the wall of a house, leaving a cookie-cutout perfect hole. The threat of skunks or matrimony often catalyzes this reaction.)
LESSON 2, VARYING GRAVITY: Everything falls faster than an anvil. Corollary: Boulders, pianos, and safes fall only slightly faster than an anvil.
LESSON 3, GRAVITATIONAL COGNIZANCE: Gravity does not take effect until characters notice that they are not standing on anything.
(Wile E. steps off a cliff, expecting further cliff. He loiters in midair, soliloquizing flippantly, until he chances to look down. At this point, the familiar principle of 32 feet per second per second takes over.)
LESSON 4, MANIC AERONAUTICS: Any character who holds a feather in each hand can fly if he flaps his arms. Corollary: This flight is only temporary, lasting long enough to place the character over a large drop.
LESSON 5, EXPLOSIVES: An explosion cannot cause fatal injuries, but only leave a character temporarily charred and smoking.
LESSON 6, BASICS OF CARTOON THEORY: Gravity poses the greatest threat to cartoon characters.
LESSON 7, GRAVITATIONAL SOUND EFFECTS: Characters sometimes generate the sound of a nose-diving plane when falling great distances. Corollary: Boulders and other heavy items whistle when falling.
LESSON 8, ACOUSTIC DENTITION: Any coyote, cat, or duck will have piano keys for teeth after a piano is dropped on it. Corollary: This holds true regardless of whether or not the creature originally had teeth.
LESSON 9, CARTOON MAIL ORDER: Any item ordered by mail will arrive as soon as the order is deposited in a mailbox.
LESSON 10, CARTOON CESSATION: After enduring a certain level of abuse, a character can end a cartoon.
LESSON 11, CARTOON MOTOR VEHICLE CODE: Animals can drive. They are encouraged to drive large vehicles, such as 18-wheelers.
LESSON 12, CARTOON EXISTENCE: Chased characters are never harmed. Corollary: Chasing characters always lose.
LESSON 13, CARTOON EXISTENCE II: Cartoon characters have remarkable recuperative abilities.
LESSON 14, INVENTOR'S PRINCIPLE: Chasing characters are often great inventors. Corollary: Invariably, each of their inventions has a fatal flaw.
LESSON 15, INFINITE MOMENTUM: Any body in motion will tend to remain in motion until solid matter intervenes suddenly.
(Whether shot from a cannon or in hot pursuit on foot, cartoon characters are so absolute in their momentum that only a telephone pole or an outsized boulder retards their motion absolutely Sir Isaac Newton called this sudden termination of motion the Stooge's Surcease.)
LESSON 16, ILLUSORY LANDSCAPES: Chased characters can escape into fake landscapes painted on solid walls and giant easels. Corollary: Chasing characters will experience the same fake landscape with a much more realistic result.
(This trompe l'oeil inconsistency has baffled generations, but at least it is known that whoever paints an entrance on a wall's surface to trick an opponent will be unable to pursue him into this theoretical space. The painter is flattened against the wall when he attempts to follow into the painting. This is ultimately the problem of art, not science.)
LESSON 17, PROTOPLASMIC DISPLACEMENT: In an impact, the character temporarily takes the shape of the inanimate object with which it collides.
LESSON 18, TEMPORARY ATOMIZATION: Characters can produce large objects from behind their backs or inside their clothes or fur.
(Characters who are intended to be 'cool' can make previously non-existent objects appear from behind their backs at will. For instance, the Road Runner can materialize signs to express himself without speaking.) 'Uncool' characters (e.g. Wile E. Coyote,) may also bend the rules of object permanence, but only in times of impending doom. See Wile E.'s use of such signs as "YIPE!" or "OH, NO!")
LESSON 19, VEHICULAR SPONTANEITY: Large moving vehicles will not appear until a chasing character steps into the road.
LESSON 20, CREEPING GRAVITY: Gravity affects a falling character's body in sections.
LESSON 21, EXPLOSIVES II: If an explosion is powerful enough, it can blast a character clear through the earth to China.
LESSON 22, VARYING GRAVITY II: The time required for an object to fall twenty stories is greater than or equal to the time it takes for whoever knocked it off the ledge to spiral down twenty flights to attempt to catch it unbroken.
(Such an object is inevitably priceless, the attempt to catch it inevitably unsuccessful.)
LESSON 23, FEARFULL GRAVITATION: All principles of gravity are negated by fear.
(Psychic forces are sufficient in most bodies for a shock to propel them directly away from the earth's surface. A spooky noise or an adversary's signature sound will induce motion upward, usually to the cradle of a chandelier, a treetop, or the crest of a flagpole. The feet of a character who is running or the wheels of a speeding auto need never touch the ground, >especially when in flight.)
LESSON 24, SPEEDY MULTIPLICATION: As speed increases, objects can be in several places at once.
(This is particularly true of tooth and claw fights, in which a character's head may be glimpsed emerging from the cloud of altercation at several places simultaneously. This effect is common as well among bodies that are spinning or being throttled. A 'wacky' character has the option of self-replication only at manic high speeds, and may ricochet off walls to achieve the velocity required.)
LESSON 25, FELINE INDENTABILITY: A violent rearrangement of feline matter is impermanent.
(Cartoon cats possess even more deaths than the traditional nine lives might comfortably afford. They can be decimated, spliced, splayed, accordian-pleated, disassembled, folded, spindled or mutilated, but they cannot be destroyed. After a few seconds of blinking self-pity, they reinflate, elongate, snap back, or solidify.Corollary: A cat will assume the shape of its container.)
LESSON 26, SPITEFULL REVERSABILITY: For every vengeance there is an equal and opposite revengeance.
(This is the one law of animated cartoon motion that applies to the physical world at large. For that reason, we need the relief of watching it happen to a coyote.)
www.geocities.com...
Originally posted by ATH911
Just shows you no plane was buried in the ground, therefore proving the official story a lie and thus proving a conspiracy.