posted on Oct, 9 2013 @ 06:07 AM
The rap on Kubrick is that he was an insider and told too much.
He got help on the 20001 movie from the insiders in government for working on the moon project.
Kubrick’s movies from The Killing all through Eyes Wide Shut were insider commentaries on the social mores of the country controlled by the
Illuminati. So at first he was an insider
Starting with the 50’s classic “The Killing” a gritty crime drama that captured the environment of the criminal element in modern society as
Kubrick was so adept at in his realistic portrayals of life. This theme of crime continued in Kubrick’s repertoire in another classic “A Clockwork
Orange” done in 1971 16 years after “The Killing”.
Both drama’s as noted emphasized crime in modern society, “The Killing,” a tale about robbery and the criminal underground and Clockwork a more
updated tale of not only crime but the kinds of crimes that are relative to the Charles Manson and spree killers of our time.
The themes in these two movies seem to be portents by Kubrick of a coming era were such crime and types of crimes as in Clockwork will be rampant and
pervade American society. Certainly such a criminal element was around at the time that Kubrick made these movies, but the degree certainly was not as
extensive as it would become.
Similarly, as in two other Kubrick classic’s, “Dr Strangelove, in 1964, and “2001Space Odyssey,” in1968, we have portents of the Star Wars,
Star Trek syndrome in the case of 2001, and the macho “nuke em” mentality of a certain type of American patriot in Dr Strangelove.
Indeed, notwithstanding the genius in Mr. Kubrick, we may have here a pattern of not only unique talent and insight, but if we look closely some kind
of pre-knowledge or prescience of Kubrick that indicates he may have been tapped into some occult thought stream—if not being a secret adept
himself—dedicated to revealing to us through the popular entertainment vehicle of movies, the plans that the elite have for molding society to their
desires.
reply to post by Doomsday 2029