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Minds achieving something in an act that we couldn't even dream of in music, people rehearsing like mad for 10 years, preparing fanatically for a concert, and then dying, just imagine what happened there. You have people who are that focused on a performance and then 5,000 people are dispatched to the afterlife, in a single moment. I couldn't do that. By comparison, we composers are nothing. Artists, too, sometimes try to go beyond the limits of what is feasible and conceivable, so that we wake up, so that we open ourselves to another world
I am as dismayed as everyone else about the attacks in America.
At the press conference in Hamburg, I was asked if MICHAEL, EVE and LUCIFER were historical figures of the past and I answered that they exist now, for example Lucifer in New York.
In my work, I have defined Lucifer as the cosmic spirit of rebellion, of anarchy. He uses his high degree of intelligence to destroy creation. He does not know love.
After further questions about the events in America, I said that such a plan appeared to be Lucifer's greatest work of art. Of course I used the designation "work of art" to mean the work of destruction personified in Lucifer. In the context of my other comments this was unequivocal.
I cannot find a fitting name for such a "satanic composition".
Originally posted by 0ivae
Amongst the evidence assembled, these photos would appear to reveal "Lucifer's fingers" - traces of the alleged energy beams as they pulverized the towers. Not "space beams," as often caricitured, but as beams radiating from the foundations of the cores.
Originally posted by bsbray11
Have you actually watched these collapses on video? Columns are being ejected that are giving off a lot of fine particles, but the dusty "fingers" you see are the after-effects of these trailing streams as everything is pushed out of the way below and air rushes down to fill its place, thus creating a "sucking" or "implosion" effect.
He put his little vibrator in his coat-pocket and went out to hunt a half-erected steel building. Down in the Wall Street district, he found one&endash;ten stories of steel framework without a brick or a stone laid around it. He clamped the vibrator to one of the beams, and fussed with the adjustment until he got it.
Tesla said finally the structure began to creak and weave and the steel-workers came to the ground panic-stricken, believing that there had been an earthquake. Police were called out. Tesla put the vibrator in his pocket and went away. Ten minutes more and he could have laid the building in the street. And, with the same vibrator he could have dropped the Brooklyn Bridge into the East River in less than an hour.
Originally posted by 0ivae
Anything can be made to oscillate through whatever medium, even to a resonant frequency that would cause that thing to break apart (e.g. the wine glass destroying alto).
Originally posted by FreeThinkerIdealist
They were tuned to the settings that pulverize concrete and steel on a molecular level, this is what gave us the 'turn to powder' from the top effect.
Also why there was only 0-2 stories worth of debris at the main site from 2 billion+ pounds worth of material that equal a combined height of over half a mile, it was all in the air as a fine dust.
Originally posted by FreeThinkerIdealist
ok, what about the .gif ... of the top of the tower that tilted and disintegrated, before affecting the floors below where the plane hit?
You can say they were larger ... but I know what the pictures show. You are telling me 110 stories of steel fit into such a small area.
Originally posted by 0ivae
Originally posted by bsbray11
Have you actually watched these collapses on video? Columns are being ejected that are giving off a lot of fine particles, but the dusty "fingers" you see are the after-effects of these trailing streams as everything is pushed out of the way below and air rushes down to fill its place, thus creating a "sucking" or "implosion" effect.
I say "tomAto" - you say "tomatO"
I say "beam" - you say "beam"
Meaning different things, of course....(beam weapon/beam column)....
but then again, we could be talking about the same thing...
The Stockhausen quotations were apt in perhaps more than one way. As one of the pioneers of XXth century electronic music, he made ample use
of audio oscillators, instruments which when hooked up to a loud-speaker cause air molecules to vibrate at resonant frequencies, whether in sine- square- triangle-wave or more complex wave frequencies either within or beyond our range of hearing. Anything can be made to oscillate through whatever medium, even to a resonant frequency that would cause that thing to break apart (e.g. the wine glass destroying alto).
Consider the Tesla oscillator...
He put his little vibrator in his coat-pocket and went out to hunt a half-erected steel building. Down in the Wall Street district, he found one&endash;ten stories of steel framework without a brick or a stone laid around it. He clamped the vibrator to one of the beams, and fussed with the adjustment until he got it.
Tesla said finally the structure began to creak and weave and the steel-workers came to the ground panic-stricken, believing that there had been an earthquake. Police were called out. Tesla put the vibrator in his pocket and went away. Ten minutes more and he could have laid the building in the street. And, with the same vibrator he could have dropped the Brooklyn Bridge into the East River in less than an hour.
Originally posted by FreeThinkerIdealist
Showing the antenna and the wreckage seems to prove the point. Aluminum. Almost everything that is there is aluminum.
What I see is about 20-30 floors worth of steel
and I defintely don't see hardly any concrete, how did it all turn to dust?
Originally posted by Horus8Tesla was the man,.