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I remember one night staring into them so long that I would get glimpses of the living room (my eyes are closed remind you), and other scenes or places.
Originally posted by bigfatfurrytexan
Masqua...i think it was you that one time posted a video showing how the brain and eyes can short circuit, allowing you to actually see the waves of patterns washing across the brain.
Sometimes my entire field of vision will fill with a brilliant light. It is phosphene in type, not like a real light. But a brilliant shape that is so large that it fills my entire field of vision. After a little while it starts to pulsate, but not in rhythm with my pulse. it will flash between brilliant hues of yellow, teal, and white. The edges are always white, and sometimes have "tendrils" that shoot off the primary body of the image.
Originally posted by bigfatfurrytexan
reply to post by masqua
one more thing...you know the video I am talking about?
.D. Lewis-Williams and T.A. Dowson (1988) in their article 'The Signs of All Times' propose a neurobridge backwards in time to the Upper Palaeolithic by which we can gain insight into the nature of the origins of art. Our nervous system has not changed much in the past 100,000 years. We are still physically very much the hunter-gatherers we were prior to agrarianism. In the signs of Upper Palaeolithic art Lewis-Williams and Dowson see entoptic phenomena very similar to those produced by people in altered states of consciousness today. 'Entoptic' is derived from the Greek for 'within vision', that is, anywhere within the optic system between and including the eye itself and the cortex where signals from the optic nerve are interpreted (Lewis-Williams and Dowson, 1988). Lewis-Williams and Dowson further break these down into 'phosphenes' which can be produced by physical stimulation (such as the patterns seen when you close your eyes and apply gentle pressure to your eyelids), and 'form constants' which are produced beyond the eye in the cortex itself. It is the latter which Lewis-Williams and Dowson (1988) primarily focus on, though they do not exclude phosphenes, and refer to both under the general term 'entoptics'. They do, however, distinguish between entoptics and hallucinations. Entoptics are geometric patterns whose origins are in the nervous system itself, whereas hallucinations are iconic and culturally determined and may be experienced in all senses (aural, visual, tactile, olfactory and synesthetic) not just the visual. Hallucinations may arise out of entoptics as will be outlined shortly.
Recent research findings in the fields of archeology, anthropology and neuropsychology, among other social and physical sciences, bear upon the elaboration of these two ideas in the first two thirds of the book, while the final third details the author's interpretations of the animal and geometric imagery found in such sites as France's Lascaux and Gabillou caves. Having presented the science supporting his views of prehistoric images, Lewis-Williams is particularly winning as he subtly reveals his devotion to the art and people he attempts to explain. He is sensitive to those who "saw real things, real spirit animals and beings, real transformations" on cave walls.
The 'hallucinations' experienced in altered states divide into two distinct stages. The first include closed-eye patterns, phosphenes and form-constants which, as Lewis-Williams has previously shown, map closely onto both San and Palaeolithic cave art. These evolve into a second stage of visions, which present iconic and symbolic content. The first stage is neurologically based and identical across all cultures; the second, crucially, is interpreted differently in different cultures. Besides posing serious problems for the Jungian assertion that 'archetypes' are culturally universal, this analysis also suggests that cave art may be a depiction not of real objects but of patterns and visions 'seen' on the rock walls in altered states of consciousness and depicted according to a pre-existing cultural scheme.
www.erowid.org...
Originally posted by Majestic23
What are the visuals about though? Is it that we are looking through the eyes of god and cant comprehend the information in there? Is is like the base coat of our waking reality, what is it?
Originally posted by bigfatfurrytexan
reply to post by Majestic23
To me, we cannot trust anything that derives from measurements based on human consciousness. Human consciousness is, in its very essence, a hallucination. It emanates from the same chemicals people take to hallucinate.
Originally posted by masqua
We call what we see reality, but when we see something that doesn't fit, we discard it as useless. This is why we dismiss dreams on awakening, dismiss ghosts out of hand, chuckle at those who say they were abducted by aliens and generally stick to only what we WANT to see.
By doing the opposite and opening our minds to all possibilities, we are able to widen the field of our reality,edit on 5/12/10 by masqua because: bb code