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A panel of judges at the Copyright Royalty Board has denied a request from the NPR and a number of other webcasters to reconsider a March ruling that would force Internet radio services to pay crippling royalties. The panel's ruling reaffirmed the original CRB decision in every respect, with the exception of how the royalties will be calculated. Instead of charging a royalty for each time a song is heard by a listener online, Internet broadcasters will be able pay royalties based on average...
Hi, it's Tim from Pandora,
I'm writing today to ask for your help. The survival of Pandora and all of Internet radio is in jeopardy because of a recent decision by the Copyright Royalty Board in Washington, DC to almost triple the licensing fees for Internet radio sites like Pandora. The new royalty rates are irrationally high, more than four times what satellite radio pays and broadcast radio doesn't pay these at all. Left unchanged, these new royalties will kill every Internet radio site, including Pandora.
In response to these new and unfair fees, we have formed the SaveNetRadio Coalition, a group that includes listeners, artists, labels and webcasters. I hope that you will consider joining us.
Please sign our petition urging your Congressional representative to act to save Internet radio: capwiz.com
Please feel free to forward this link/email to your friends - the more petitioners we can get, the better.
Understand that we are fully supportive of paying royalties to the artists whose music we play, and have done so since our inception. As a former touring musician myself, I'm no stranger to the challenges facing working musicians. The issue we have with the recent ruling is that it puts the cost of streaming far out of the range of ANY webcaster's business potential.
I hope you'll take just a few minutes to sign our petition - it WILL make a difference. As a young industry, we do not have the lobbying power of the RIAA. You, our listeners, are by far our biggest and most influential allies.
As always, and now more than ever, thank you for your support.
Originally posted by thematrix
What legal branch is this CRB thing in?
Who appoint these judges?
Who gave them a mandate to pass rulings?
Who are they to state what the say is law?
Copyright Royalty Board (CRB)
With the enactment of the Copyright Royalty and Distribution Reform Act of 2004 (P.L. 108-419) on Nov. 30, 2004, the Copyright Arbitration Royalty Panel (CARP) system that had been part of the Copyright Office since 1993 is being phased out. The Act replaced CARP (which itself replaced the CRT in 1993) with a system of three Copyright Royalty Judges (CRJs), who will determine rates and terms for the copyright statutory licenses and make determinations on distribution of statutory license royalties collected by the Copyright Office. The CRJs will be full-time employees in the Library who will be appointed for six-year terms with an opportunity for reappointment. However, the first three judges shall serve two-, four- and six-year terms in order to establish a cycle that avoids replacing all three CRJs at the same time. www.copyright.gov...
So, who are these corporate nazi's that aparantly can create laws and pass rulings?
a) Appointment.— The Librarian of Congress shall appoint 3 full-time Copyright Royalty Judges, and shall appoint 1 of the 3 as the Chief Copyright Royalty Judge. The Librarian shall make appointments to such positions after consultation with the Register of Copyrights.
(b) Functions.— Subject to the provisions of this chapter, the functions of the Copyright Royalty Judges shall be as follows:
(1) To make determinations and adjustments of reasonable terms and rates of royalty payments as provided in sections 112 (e), 114, 115, 116, 118, 119 and 1004. The rates applicable under sections 114 (f)(1)(B), 115, and 116 shall be calculated to achieve the following objectives:
(A) To maximize the availability of creative works to the public.
(B) To afford the copyright owner a fair return for his or her creative work and the copyright user a fair income under existing economic conditions.
(C) To reflect the relative roles of the copyright owner and the copyright user in the product made available to the public with respect to relative creative contribution, technological contribution, capital investment, cost, risk, and contribution to the opening of new markets for creative expression and media for their communication.
(D) To minimize any disruptive impact on the structure of the industries involved and on generally prevailing industry practices. www.law.cornell.edu...
FCC Commissioner Michael Copps on Tuesday called for greater efforts to educate the public about a government-mandated switch-over to digital television signals in two years.
Exactly, its free advertising and exposure but the morons at the RIAA think people are just recording all the streams instead of paying for CDs.
Originally posted by Valdimer
They've got my support.
As a musician, I know that internet radio is an untapped resource for local bands. That gives us an oppurtunity to get our music out to people that normally would not be able to hear it by coming to the shows.