Originally posted by Hellmutt
Originally posted by Boondock78
not a single mention for frank zappa. that is a shame.
That's because this thread is for the most distinct guitarists, not necessarily the best. I've mentioned Zappa in this thread regarding best
solos: There's a Zappa video here
well, zappa was teh master...i'd say that makes him pretty distinct. his use od the wah wah. extensive use of the pignose and the wah as a sort of
filter. his little scrapey noises when he pickes noted.
the signatures he used..'frank zappa was the most unique guitarist there ever was. i have to give a nod to allen holdsworth. zappa held holdsworth in
very high reguard.
search youtube and there is a wealth of videos.
if you guys want to see them i can post the ones worth watching for guitar solo;s.
zappa was very much known for his improvisitation. i have read interviews with him and with vai(seperately) and they both talk of extended
improvisitations lasting sometimes an hour. there is a killer 'duel' on youtube from ital in 82..stevies spanking...killer improv with frank and
vai.'you sometimes see frank with a cigarette burning on his headstock. he used this as a sort of timer to know when to come in and out of a solo.
this is also a man that would take a melody from song a from 1965, a solo from song b from 1981, add in a percussion track from song c from 1975 and
he's have a complete song. redo the arrangement and it all fit. everything he did was part of a larger project. i have been studying zappas works for
many years. i have every single cd officially released and many, many boots. i have been to 2 zpz concerts to i did at least get to experience the
music live.
his stuff covers all genreas. on one album you get rock and on the next you get jazz fusion. you get 1:33 long narratives and 27:00 long
instrumentals. you get chamber music and shuffles. you get doo wop and some say the first ever rap song. you get concept albums and double albums. you
get guitar solo albums and albums totally realized on the synclavier.
frank taped all of his concerts starting in the early 70's. he had a mobile truck. he recorded all of the rehearsals. he recorded phone calls and
ambient noises. he sampled every instrument he could find and would put it in disc for the synclavier. he woul sample as many vocalists as he could.
he would travel with note paper for lyrics and notation paper for songs..
he worked 17-20 hours a night for 30 years...he either was rehearsing, composing, touring, editing, arranging, or doing any numer of things in the
UMRK all night long. there is an UNBELIEVABLE amount of material in the vault.
this man was a musicians musician, he never saw color. he never cared about things like that.
on his debut album, frak out in 1965 his song trouble everyday das many references to the watts riots(he wrote parts of it while watching it on tv).
it talks about the media and how fast they are to break the story, no matter if it is an actual story yet.
one famous line is "you know something people. i'm not black but theres a whole lotsa times i wish i could say i'm no white"
people didn't look like they looked and say those things back in those days. of course everyone thought he was a druggie but totally sober..
check out a few of these lyrics
'trouble everyday from the album freak out
Well, I seen the fires burnin'
And the local people turnin'
On the merchants and the shops
Who used to sell their brooms and mops
And every other household item
Watched the mob just turn and bite 'em
And they say it served 'em right
Because a few of them are white,
And it's the same across the nation
Black and white discrimination
Yellin' "You can't understand me!"
'N all that other jazz they hand me
In the papers and TV and
All that mass stupidity
That seems to grow more every day
Each time you hear some nitwit say
He wants to go and do you in
Because the color of your skin
Just don't appeal to him
(No matter if it's black or white)
Because he's out for blood tonight
--
'i am the slime' from the almum over nite sensation
I am gross and perverted
I'm obsessed 'n deranged
I have existed for years
But very little has changed
I'm the tool of the Government
And industry too
For I am destined to rule
And regulate you
I may be vile and pernicious
But you can't look away
I make you think I'm delicious
With the stuff that I say
I'm the best you can get
Have you guessed me yet?
I'm the slime oozin' out
From your TV set
You will obey me while I lead you
And eat the garbage that I feed you
Until the day that we don't need you
Don't go for help . . . no one will heed you
Your mind is totally controlled
It has been stuffed into my mold
And you will do as you are told
Until the rights to you are sold
That's right, folks . . .
Don't touch that dial
--
'whats the ugliset part of your body' from we're only in it for the money
What's the ugliest
Part of your body?
What's the ugliest
Part of your body?
Some say your nose
Some say your toes
(I think it's your mind)
But I think it's YOUR MIND
(Your mind)
I think it's your mind, woo woo
ALL YOUR CHILDREN ARE POOR
UNFORTUNATE VICTIMS OF
SYSTEMS BEYOND THEIR CONTROL
A PLAGUE UPON YOUR IGNORANCE & THE GRAY
DESPAIR OF YOUR UGLY LIFE
Where did Annie go
When she went to town?
Who are all those creeps
That she brings around?
ALL YOUR CHILDREN ARE POOR
UNFORTUNATE VICTIMS OF LIES YOU BELIEVE
A PLAGUE UPON YOUR IGNORANCE THAT KEEPS
THE YOUNG FROM THE TRUTH THEY DESERVE . .
--
it's very hard to explain...with zappa you either get it or you don't. it helps to know a bit about music but if you don't get the lyrics and the
stuff thats buried in there and give songs several listens and do some digging, you will miss so much..
some albums are meant to be played in order.
don't eat the yellow snow segues directly into nanook rubs it which flows directly into father oblivan..if you don't hear it in order, you won't
get it..
just the insane amount if insanely hard material deserves the not.
ask vai, keneally, ray white, ruth underwood, vinnie coliouta(who is a sought after studio musician), warren cucurullo, terro bozzio, chad whackerman
and a host of others about the complexities and intricicies of zappas works