It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
AS EVERY CARBON-BASED life form on this planet surely knows, Barack Obama, the junior Democratic senator from Illinois, is running for president. Since making his announcement, there has been no end of commentary about him in all quarters — musing over his charisma and the prospect he offers of being the first African American to be elected to the White House.
But it's clear that Obama also is running for an equally important unelected office, in the province of the popular imagination — the "Magic Negro."
The Magic Negro is a figure of postmodern folk culture, coined by snarky 20th century sociologists, to explain a cultural figure who emerged in the wake of Brown vs. Board of Education. "He has no past, he simply appears one day to help the white protagonist," reads the description on Wikipedia en.-wikipedia.org... .
He's there to assuage white "guilt" (i.e., the minimal discomfort they feel) over the role of slavery and racial segregation in American history, while replacing stereotypes of a dangerous, highly sexualized black man with a benign figure for whom interracial sexual congress holds no interest.
www.latimes.com...
Originally posted by jsobecky
My question is, should the term "magic negro" be considered as derogatory as Brer Rabbit's "tar baby" was when Tony Snow used it?
You may be asking just what the hell I mean by “Magic Negro”. I didn’t make the term up, it’s something that gets tossed around quite a bit in film circles. Most recently, it was a term used by Spike Lee (more specifically, he referred to the ‘Super-Duper’ Magic Negro) to describe the trend when he first began to notice it and criticize it. What it is is an archetypal character that’s plagued Hollywood throughout the ages by great-white-hope filmmakers who feel it is their duty to paint some idea that the wise black man or woman is there to serve as a mentor to the troubled white man or woman. It’s stereotypical, outdated, and most importantly, racist as hell beneath the surface. There are several different levels of the Magic Negro archetype to be found in cinema, ranging from the subdued and likely unintentional to the blatantly obvious.
Originally posted by Benevolent Heretic
Seems to me that if you don't have any black people in your movie, it's considered racist. With my education of this term, I learn that if you give a very special role to a black person, it's also racist. What's NOT racist? If the whole cast is black? Because that seems racist to me.
Originally posted by HarlemHottie
I don't personally find the term "magic negro" offensive. I think it was invented by sociologists as a label for the cultural archetype.
The word "negro", now considered archaic and offensive, is used intentionally to emphasize the belief that the archetype is a racist throwback, an update of the "Sambo" stereotype. The term has been in use since at least the 1950s[citation needed], but has since been popularized by Spike Lee, who dismissed the archetype of the "super-duper magical negro" in 2001 while discussing films with students at Washington State University and at Yale University.
en.wikipedia.org...
AS EVERY CARBON-BASED life form on this planet surely knows, Barack Obama, the junior Democratic senator from Illinois, is running for president. Since making his announcement, there has been no end of commentary about him in all quarters — musing over his charisma and the prospect he offers of being the first African American to be elected to the White House.
But it's clear that Obama also is running for an equally important unelected office, in the province of the popular imagination — the "Magic Negro."
The Magic Negro is a figure of postmodern folk culture, coined by snarky 20th century sociologists, to explain a cultural figure who emerged in the wake of Brown vs. Board of Education. "He has no past, he simply appears one day to help the white protagonist," reads the description on Wikipedia en.-wikipedia.org... .
He's there to assuage white "guilt" (i.e., the minimal discomfort they feel) over the role of slavery and racial segregation in American history, while replacing stereotypes of a dangerous, highly sexualized black man with a benign figure for whom interracial sexual congress holds no interest.
Originally posted by djohnsto77
I was thinking about this, and I can think of just as many white characters in movies with similar roles as these "magic negros," yet there's no special racial term for them.
Originally posted by Crakeur
The term seems to come from an era where the implications have racial undertones.
Originally posted by Rasobasi420
Especially in movies like Driving Miss Daisy.
Originally posted by Rasobasi420
Anyway, I'm not sure who Obama is the magical negro for.
Originally posted by Rasobasi420
I am actually more curious as to why the topic of this thread is the word 'negro' itself rather than the prospect of Obama actually being a magical negro.
Originally posted by Rasobasi420
I don't know if he's magical, but it is one hell of a campaign strategy.
Originally posted by Rasobasi420
As for the concept of the 'Magical negro', it's out there, and it's very real, and very offensive (to me at least).
He's where he is because of the exact same reasons that I am where I am. When we turn it on, we're 'safe' negroes. This can end up being a problem for him as stuff starts to get real. I've been caught with this one a few times. When stuff gets real, keepin' it real can go very wrong for him.
Originally posted by Benevolent Heretic
Do you see this phenomenon happening in movies made today?
Do you consider Will Smith in Independence Day a magic negro?