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Originally posted by jritzmann
I personally dont see the color as any issue. I've got some cell pics that are pretty brilliant actually.
I do see the common chromatic issues that are associated with camera phone lenses, that I dont think would be present within a reshoot scenario, and if they were used in such a way I'd expect them to be twice as bad.
I think Edward's shots of color
has an equal amount of saturation, and show the same aspects we see in other cell cam shots, a relatively hot center and more often then not in high contrast areas, the inability of cell cams to relate accurately some spectral data. I see this in both Ed's (second more high contrast shot) and the LaSalle shots. There is an overall purple/blue-red wash over the pictures consistent with limitations of cell cams.
But the colors dont seem out of reach to me for a cell.
Originally posted by Palasheea
Originally posted by Edward Rose
I don't know if this will help. But here's one of them. This is completely unaltered... not even "re-saved," and came directly from the phone-to-the sd card-to-my computer. The pic was taken somewhere in Switzerland on a trip from Zurich to Amsterdam. (Yes, Amsterdam )
Edward,
I opened this one up in Photoshop to find out the EXIF Information and found out that this photo has no information at all about it. This indicats that this photo is not straight from the cam to this forum --
In any case, the color tonalities and color vibrancy of this photo are no different from what we see in the vast majority of camera phone photo's.
[edit on 8-2-2007 by Palasheea]
Originally posted by Palasheea
Maybe some cam phones do not include EXIF Information with their photo's when they are loaded into an image editor -- but I don't think so because all digital cam photo's DO provide such information and I can't see that cam phone photo's would be any different in this regard.
Originally posted by Palasheea
isn't that one of reasons why we want people to load their photo's directly from their cam's into this forum so that we may view the EXIF Information about those photo's to determine if they've been tampered with or not?
Originally posted by SkepticOverlord
EXIF data can easily be created or modified with a number of tools currently available. I don't think it's as reliable as you hope for.
With the picture phone posting capability, we can at least verify a chain of evidence from camera phone to server.
Originally posted by fastwalker23
Regarding the picture and photographic anomalies like chromatic and certain undetectable and detectable wavelengths of light..the blur, the seperations, the shadow beneath the alleged craft, coronas etc. I have to go with one member that said its partly due to a crapola phone camera.
But I also wanted to bring up a little what Sereda says about being able to see these UFOs under certain visual conditions dealing with the EM spectrum of light.
Like the shuttle cameras that can see these things in space but if they were to use another camera or use just their eyes they would not. I would also like to point out what Lazar said eventhough many believe hes fake and legitimately debunked which may be true. You have to remember there are also disinformationalists that go leakin true info, half truth info, and comple fallacies. I guess the key is to pick out which ones make some sense and parallels many other claims by respected individuals in the field. LOL....i just sounded like an apologist for Lazar...sorry.
Anyways...back to what Lazar said. Remember when he said you could see one of these crafts in operation at certain angles but if you were to walk underneath one you couldnt see it? Kind of goes along with Sereda and how he talks about Electromagnetic Spectrums of Light...certain wave lengths you cannot see with just the naked eye, some you can. Maybe these craft pulse at certain frequencies to allow this. Sometimes they go to a different frequency and can be seen with the naked eye yet photographic methods tend to screw it up "the blur effect" Sometimes photographic methods make the invisible ones clear as a bell.
Anyways....just my 2 cents worth.
The standard defines a makernote tag, which allows camera manufacturers to place any custom format metadata in the file. This is used increasingly by camera manufacturers to store a myriad of camera settings not listed in the Exif standard, such as shooting modes, post-processing settings, serial number, focusing modes, etc. As this tag format is proprietary and manufacturer-specific, it can be prohibitively difficult to retrieve this information from an image (or properly preserve it when rewriting an image).
Exif metadata is restricted in size to 64 kB in JPEG images because according to specification this information must be contained within a single JPEG APP1 segment. Although the FlashPix extensions allow information to span multiple JPEG APP2 segments, these extensions are not commonly used. This has prompted some camera manufacturers to develop non-standard techniques for storing the large preview images used by some digital cameras for LCD review. These non standard extensions are commonly lost if a user re-saves the image using image editor software, possibly rendering the image incompatible with the original camera that created it.
Originally posted by nowthenlookhere
The colours don't look too saturated to me. It's a bright, clear day, lots of light, which gives more saturated images than dull, cloudy days...
Unfortunately, London is very snowy and grey right now, so I can't really illustrate, but here's a pic I just took indoors, showing some very saturated colours.