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Originally posted by BlackGuardXIII
Vibrations will move objects across a table, and on a larger scale, when the right resonating frequency is applied over time, it grows. The collapse of the Tacoma suspension bridge is an example of this that you can watch develop. It is an amazing piece of film footage, showing the bridge deck come apart. Although the wind which caused it did not increase in velocity, before very long, the amplifying effect of resonance brought the bridge down. The use of tuned sound waves to move large ancient stones is a common ancient description. Merlyn was said to have touched the stones with his wand, and they jumped ahead. Tibetan monks are said to have lifted large boulders easily, after chanting for some time first. The remote ultrasonic destruction of kidney stones is a modern example.
So could a MONOLITH if it does exist contain an array of data that could be accessed through some sort of acoustical RESONANCE PATTERN? Another thought that has recently come to mind is the possibility that certian types of STONES or CRYSTALS when put in certain geometrical configurations and then subjected to ACOUSTIC ENERGY specific FREQUENCIES(WINDOW FREQUENCIES) may be able to access certain phenomena that is normally inaccesable in our 3D spatial continuum.
Originally posted by BlackGuardXIII
The artwork that has a very compelling harmonic motif is not uncommon. I wish I had the article still, but it is long since lost. The magazine showed colour pictures of ancient Hindu designs which were accurate depictions of soundwave patterns. The bridge I referred to was nicknamed galloping gertie, and lasted just two years. It is my guess that once one knows the particular frequency to use, any object can be made to resonate, and the amplitude then increased until it moves.
Originally posted by jag5398
It was also suggested that the stone blocks for the pyramid were lifted by giant kites.
Originally posted by Illmatic67
Originally posted by jag5398
It was also suggested that the stone blocks for the pyramid were lifted by giant kites.
That right there is the #1 leading theory on how the pyramids were actually built.
Originally posted by Odium
Smoot, just one minor problem...
The battery in fact, wouldn't work...
Dr Marjorie Senechal - I don't think anyone can say for sure what they were used for, but they may have been batteries because they do work
Originally posted by VelvetSplash
The sound theory is one I like, I've read other stories of monks in Tibet lifting huge stones with music. There are other references too, but I don't have the time right this very moment to look for more info.
I have a book on Egypt somewhere that goes through all the various theories, and I think the sound theory is the one they conclude is the most likely - I will come back to the thread with the book name when I have it at hand
Source
the asphalt completely covers the copper cylinder, electrically insulating it, so no current can be drawn without modifying the design;
there are not any wires or conductors with them;
no widely accepted electrical equipment is associated with them (though controversial stone reliefs depicting arc lights have been suggested);
an asphalt seal, being thermoplastic, is excellent for forming a hermetic seal for long term storage. It would be extremely inconvenient however for a galvanic cell, which would require frequent topping up of the electrolyte (if they were intended for extended use).
ViolatoR, fancy posting any information on that "company" since I am unable to find it.
Tom Danley
With so much of the company’s NASA work having to do with acoustics and having good measurements, we were also one of the early companies to get a TEF machine. Being the main “acoustics guy,” I used the TEF to measure vibration resonances in space flight payloads and locate flaws in concrete blocks (looking for echoes).
Another task set was to measure/develop new transducers for acoustic levitation, another for producing a sonic boom. I even used TEF for measuring resonant modes on pecan shells. Let’s just say it got seriously “multi-tasked.”
While at Intersonics, a movie company asked to film the acoustic levitation process used by our space flight hardware.
I ended up demonstrating it and being in the movie (“Mystery of the Sphinx” with Charlton Heston).
During filming I had made a wisecrack to the producer about going to Egypt and measuring the Pyramids.
Several years later, the same producer calls up out of the blue and asks if I was interested in “finding out why the inside of the Great Pyramid sounded so weird.” This would be for another movie — all expenses paid and a decent “nut” to boot.
....
Lying in the sarcophagus, one finds it’s nearly impossible to hum any note other than ones related to the main resonances. In that position when you do hum at the “right” frequency, it’s easy to make it seem very loud. But for someone standing next to you, it’s not loud at all. Also lying in it, the outside sounds that get coupled throughout, colors other people’s voices for a very Darth Vador effect.
My general observation is that the Pyramid’s dimensions, the Pyramid’s construction materials, and the box inside the King’s Chamber were designed to passively (as in zero electricity) enhance whatever sounds were present inside the King’s Chamber.
It also appears that any wind pressure across the Pyramid’s internal air shafts, especially when the Pyramid was new and smooth, was like blowing across the neck of a coke bottle. This wind pressure created an infrasound harmonic vibration in the chamber at precisely 16Hz.
Being a musician myself, I was especially interested to discover a patterned musical signature to those resonances that formed an F-sharp chord. Ancient Egyptian texts indicate that this F-sharp was the resonant harmonic center of Planet Earth. F-sharp is (coincidentally?) the tuning reference for the sacred flutes of many Native American shamans.
Bottom line: We have 2.5 million blocks piled up in Egypt. Halfway around the world you have a guy whittling a tree into a musical instrument with exactly the same F-sharp resonance.
Originally posted by Odium
Well now we know what your arguement is based around.
ViolatoR, fancy showing the Egyptian's having these technology? Images? Stories? Artifacts?