Here's a few thoughts on the backwards masking Tairway thing, as to my backround I work as a musician and recording engineer.
Originally posted by JBurns
Forward playing lyrics:
"If there's a bustle in your hedgerow, don't be alarmed now, it's just a spring clean for the May Queen. Yes there are two paths you can go by,
but in the long run there's still time to change the road your on."
Backwards playing lyrics:
"Oh here's to my sweet Satan. The one whose little path would make me sad, whose power is Satan. He'll give those with him 666, there was a little
tool shed where he made us suffer, sad Satan."
[edit on 30-6-2005 by JBurns]
I'm curious what live version you listened to, I used the one from the "How the West was won" three CD set and if anything these alleged messages
are clearer. I could see how you would hear 666 and Satan but the other stuff about a tool shed and all that is just not there.
Originally posted by JBurns
UPDATE: I have found a copy of the live version, and tested out the theory of the messages not being in there, and have found that they are
not. This leads me to believe that someone added them in, AFTER they recorded the song!
[edit on 30-6-2005 by JBurns]
Nobody outside the band added these things in after the recording. Jimmy Page did all the producing and was there for the mixing and mastering of
every Zeppelin album. He was a bit of a fanatic about the way the records sounded. Any additional stuff would have to be added to the original 24
track reel to reel tapes because there would be no way to mix them into the two track masters. To mix them into the two track masters without them
being on the original 24 track tape would mean the Mastering engineer would have to have had a separate 24 track tape deck with the tape of the
backwards messages patched into the same mixer as the tape deck with the 24track recordings on them and would have had to reach over and hit play on
the second deck at just the right time for it to blend in without being noticed. That is just not possible. Page considered "Stairway to heaven" to
be his crowning achievement at the time and there is no way he would leave during the final mix, let alone be gone long enough for a mastering
engineer to set up a second tape deck patch it in, mix it and hand it to him. These types of records take hours to mix, sometimes days, there would be
no way to hide that, and also there are no bizarre forwards sounds. If it were an extra track it would need to be on the 24 track reel, and there
would be no way for the band to not know about that. That would mean the recording engineer risked his reputation, legal recourse and the wrath of the
biggest rock band in the world to sneak messages on a 24 track reel and then got the Mastering engineer (a separate engineer at a separate studio) to
mix them in without telling the band. This could never happen. It would have to be added by the band. The idea that Jimmy Page was using extra tracks
to add backwards Satanic messages in the pre-digital recording era is a bit far fetched considering what a rare commodity tracks were at that time.
The alleged 'messages" are there as a result of what Robert Plant sings, not any extra tracks. There would be few tracks left to spare. It is well
documented that Page recorded three guitar solos and comped together the final one from those takes. That would mean he's used up four tracks right
there leaving only 20 tracks. There is no way with a limited number of tracks and mixer channels he would devote a track entirely to backwards
messaging. Even if he did use a piece of tape where there was nothing happening at the moment it would only muddle the mix. The alleged 'messages"
are there as a result of what Robert Plant sings.
Originally posted by JBurns
I'm very happy with these findings now, perhaps I'll look into where the digital version was created/recorded, and see if anything turns up.
[edit on 30-6-2005 by JBurns]
This has been going on since well before the digital era, many people claim the satanic messages can only be heard when listening to the original
vinyl. So go figure on that one.
One thing about Led Zeppelin was they defiantly had some bizarre occult dabblings, but we do not need to play the song backwards to find reference to
the occult; there are ample references forwards. In Biblical tradition there is a history of the Devil as Lucifer the Archangel, but also as the angel
Jesus Christ gifted to be the celestial composer of music; identifying him as the "Piper". There are several Led Zeppelin songs telling us to heed
the pipers call. In “Stairway to Heaven” Plant Sings:
“And it's whispered that soon if we all call the tune
then the piper will lead us to reason.
And a new day will dawn for those who stand long
and the forests will echo with laughter.”
Later he sings:
“Your head is humming and it won't go, in case you don't know,
The piper's calling you to join him,
Dear lady, can you hear the wind blow, and did you know
Your stairway lies on the whispering wind.”
Are they talking about Satan? Maybe, but this connection is far more credible than the backwards tool shed theory. There is also a subtle Aleister
Crowley reference in there too when Plant sings:
“If there’s a bustle in your hedgerow, don’t be alarmed now, it’s just a spring clean for the May queen.”
The May queen is a poem of Aleister Crowley’s and I cannot find any other reference to a “May queen” of any kind other than Crowley’s poem.
Is this in itself indicative of servitude to the anti-Christ? No, but it does seem to get stranger and stranger the more you dig. It also undermines
the theory that the song is the sweet story of a girl with too much money who realizes the errors of her materialistic ways.
Hope this is informative and usefull