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Originally posted by Jedi_Master
And nobody still can explain, how in 1967, he was able to create a suit that good ( heck, at the time hollywood couldn't do it ), with little monetary means ( the guy wasn't rich)...
Heck if he did hoax it, he could have made a lot more money denounceing it as a hoax, and went to work for Hollywood's special effects dept...
Originally posted by Zipdot
How does it go in Ronin? "If there is any doubt, then there is no doubt."
Well, I have doubts that this is a real creature in the video, and therefore, I have no doubt that this is a man in a suit.
Originally posted by TheBandit795
Originally posted by Zipdot
How does it go in Ronin? "If there is any doubt, then there is no doubt."
Well, I have doubts that this is a real creature in the video, and therefore, I have no doubt that this is a man in a suit.
I don't know about the big foot footage, because I've never read into this. But let me comment on this phrase, it's silly and purely based on assumption. Furthermore it's just about the furthest way from reaching to a succesful debunking on whatever material or phenomena that is discussed.
A debunking based on an assumption is never a valid debunking.
Dmitri Donskoy
Anthropologist David Daegling reports that the only formal academic study of the Patterson film was conducted by Dmitri Donskoy of Moscow’s Darwin Museum. (Daegling, 45) Krantz describes Donskoy’s conclusion as being that the film depicts “a very massive animal that is definitely not a human being.” (Krantz, 92)
Grieves noted that "I can see the muscle masses in the appropriate places ... If it is a fake, it is an extremely clever one." (Hunter and Dahinden, 120) Also like Krantz, Greive thought the figure's shoulder's were quite broad. He notes that a tall human is consistent with the figure's height, but also notes that for a tall human, "The shoulder breadth however would be difficult to achieve without giving an unnatural appearance to the arm swing and shoulder contours."[2] (home.clara.net...)
Grover Krantz
Krantz offered an in-depth examination of the Patterson film. (Krantz, 87 - 124) He concluded the film depicts a genuine, unknown creature, citing the following factors, among others:
Primarily, Krantz’s argument is based on a detailed analysis of the figure’s stride, center of gravity, and biomechanics. Krantz argues that the creature’s leg and foot motions are quite different from a human’s and could not have been duplicated by a person wearing a suit.
Krantz pointed out the tremendous width of the creature's shoulders--which he estimated at about three feet across--arguing there was no way a suited person could mimic this and still have the naturalistic hand and arm motions present on the film.
Krantz and others have noted naturalistic-looking musculature ( Hunter and Dahinden note that ”the bottom of the figure’s head seems to become part of the heavy back and shoulder muscles ... the muscles of the buttocks were distinct” Hunter and Dahinden, 114) visible as the creature moved, arguing this would be highly difficult or impossible to fake.
Krantz also interviewed Patterson extensively, and as noted below, thought Patterson lacked the technical skill and knowledge needed to create such a realistic-looking costume.
Krantz reports that in 1969 John Green (who at one point owned a first-generation copy of the original Patterson film) interviewed Disney executive Ken Peterson, who after viewing the Patterson film, asserted “that their technicians would not be able to duplicate the film.”(Krantz, 93) Krantz argues that if Disney personnel (among the best special effects experts of their era) were unable to duplicate the film, there’s little liklihood that Patterson could have done so. (Krantz, 121)
More recently, Krantz showed the film to Gordon Valient, a researcher for Nike shoes, who he says “made some rather useful observations about some rather unhuman movements he could see.” (ibid
Originally posted by Zipdot
If we apply the Occam's Razor approach to this, then this is a man in a monkey suit until we catch a live or dead one. Until then, all speculation is absolutely meaningless.
Originally posted by ZeddicusZulZorander
As to the comment earlier on why haven't we found a skeleton...has even one person here truthfully ever found a bear skeleton?
Originally posted by wecomeinpeace
...and the smirking chimp
Originally posted by Zipdot
Thanks, try reading my entire posts next time, Bandit.
Originally posted by syrinx high priest
the dude (dudette ?) doesn't react to a horse rearing up with a man on it !! it just goes against my gut...
Originally posted by wecomeinpeace
Occam's Razor ... is also the unrelenting skeptic's favourite reference when attempting to appear intellectual amidst his or her closed mindedness.
Originally posted by Jedi_Master
I could go on and on, on the quotes but might get hit with an excessive quoting...
But you see, if Disney coundn't do it at the time, how could Patterson ??
"This is just to make money--to sell a book," Hieronimus says. "And Fox [television] will push it."
(As it turns out, the details of Heironimus' alleged faux film work are revealed in the recently released tome The Making of Bigfoot byGreg Long--a writer/researcher Hieronimus brands "not too reliable.")
Originally posted by Jedi_Master
Your video link don't work...
But if it is the one I'm thinking of I'll see if I can find a cap of the "suit"...
Then you can compair the two...
Originally posted by AgentGirl
Tree damage, hair, tracks etc... are all physical evidence but where are the skeletons?